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Daniel V. Thompson: The Materials and Techniques of Medieval Painting (Paperback, 1970, Dover Publications, Inc.) No rating

Medieval painters built up a tremendous range of technical resources for obtaining brilliance and permanence. …

Natural pumice was an imported product in England, and English workers often used instead a material which is described as "better than twenty other pumices": a sort of bread largely composed of powdered glass. Powdered glass and flour and brewers' yeast were mixed and allowed to rise like bread, and make into loaves, and baked in the oven.

The Materials and Techniques of Medieval Painting by  (Page 29)

Exciting to have a piece of trivia this interesting mere pages into chapter one