ogd5XOt reviewed Manhunt by James L. Swanson
Loads of Potential Brought Down by Writing Style
3 stars
There’s a lot in this book to like. It’s very well researched and the writing can be engaging. Photos, woodprints (artists depiction of events that appeared in newspapers), and contemporary documents are sprinkled throughout, and this gives a great feel for the era. The reader really gets a sense of the messiness in the closing days of the Civil War and complicated allegiances that existed in D.C., Maryland, and Virginia, where the North met the South.
But there’s a number of major things that kept me from enjoying the book and ultimately not being able to recommend it.
John Wilkes Booth could recite obscure passages from Shakespeare directly from memory and the author tries to match that prose throughout. A few Shakespeare references here and there would have been fine, but they’re frequent and they’re distracting. For example, Booth scrambling for his horse elicits a reference to “Richard III” and …
There’s a lot in this book to like. It’s very well researched and the writing can be engaging. Photos, woodprints (artists depiction of events that appeared in newspapers), and contemporary documents are sprinkled throughout, and this gives a great feel for the era. The reader really gets a sense of the messiness in the closing days of the Civil War and complicated allegiances that existed in D.C., Maryland, and Virginia, where the North met the South.
But there’s a number of major things that kept me from enjoying the book and ultimately not being able to recommend it.
John Wilkes Booth could recite obscure passages from Shakespeare directly from memory and the author tries to match that prose throughout. A few Shakespeare references here and there would have been fine, but they’re frequent and they’re distracting. For example, Booth scrambling for his horse elicits a reference to “Richard III” and when Booth takes a steamer named “John S. Ide” we’re told that’s “an unusual name that combined the assassin’s first name with an insinuation of the ides of March and Julius Caesar’s misfortune.” I audibly groaned when I read that last part.
A lot of the writing can feel disjoint, almost to the point where I wonder if paragraphs were written independently of one another and then just arranged in sequence without readjusting for a narrative thread. I frequently caught myself going back and forth in the text because something wasn’t clear to me.
For instance, a Mr. Such-and-Such suddenly becomes Mrs. Such-and-Such. Either that’s a typo or we’re now talking about the person’s wife. The wife was… present during this conversation? Where was the reader introduced to the wife? Thumbing back a page or two and re-reading, we see that this conversation occurred at Mr. Such-and-Such’s house, so apparently his wife was there with him, I guess. By the end of the book, I stopped attempting to clarify and simply plowed through.
And finally, a major thing that bothered me (and this is, perhaps, unique to me) was the speculation that was supplied as fact. The author did a fantastic job with research, and we’re told at the beginning of the text that quotes are drawn directly from historical sources like testimony and the work of investigators. But there’s a lot that’s filled in based on what the author assumed was happening.
Booth did not live to tell his tale, so we have no way of knowing what he saw, heard, felt or thought. None of the author’s assumptions are ever unreasonable, and they wouldn’t have changed the historical chain of events regardless, but we still don’t know they’re true, and that sort of bugged me for something that is supposed to be nonfiction.
Ultimately, I learned a lot from the book, so much so that I was a little embarrassed I wasn’t already more familiar. But I just felt like it was a chore to read and I’d recommend those interested in the topic to search elsewhere before picking up a copy.