I didn't particularly enjoy this book. It was an OK thriller marred by some careless writing, and a fairly predictable plot. For example "In addition to the 2,500 euro per head ticket price, the tables arranged outside in the casino gardens, under awnings of silk studded with thousands of tiny lights to give the impression of a canopy of stars, cost upwards of two hundred thousand euros each." What cost 200,000E? The tables? The canopy? In what sense is that "in addition" to the cost of the tickets (a cost borne, presumably, by entirely different parties)? This sentence is characteristic of the writing: far too many subclauses and sub-subclauses to add flavour and enhance characterisation. And despite that, hardly any of the characters have much substance. Even Argylle, the protagonist, feels a bit thin. I did like Coffey though, she's an interesting character.
There's a part at the beginning of …
I didn't particularly enjoy this book. It was an OK thriller marred by some careless writing, and a fairly predictable plot. For example "In addition to the 2,500 euro per head ticket price, the tables arranged outside in the casino gardens, under awnings of silk studded with thousands of tiny lights to give the impression of a canopy of stars, cost upwards of two hundred thousand euros each." What cost 200,000E? The tables? The canopy? In what sense is that "in addition" to the cost of the tickets (a cost borne, presumably, by entirely different parties)? This sentence is characteristic of the writing: far too many subclauses and sub-subclauses to add flavour and enhance characterisation. And despite that, hardly any of the characters have much substance. Even Argylle, the protagonist, feels a bit thin. I did like Coffey though, she's an interesting character.
There's a part at the beginning of chapter 16 where the book jumps back and forth between the characters being on a helicopter or on a bus. Not in a "narrative being told out of order" sort of way, more in a "forgot to turn this reference to bus into chopper during a rewrite" sort of way.
But those gripes aside, it's an easy read and will keep you entertained for a while.
An alien armada lurks on the edges of Teixcalaanli space. No one can communicate with …
Not as good as the first one
3 stars
I really enjoyed A Memory Called Empire, but this I didn't enjoy nearly as much. I'm not entirely sure why. I think part of it was that Memory built an interestingly different world and learning about it was part of the fun of the book. Desolation, on the other hand, is just another story set in that same world. I didn't feel it did as much to add to the world, and I didn't find the story all that engaging. Don't get me wrong, it's fine, but I definitely found this book disappointing after the first one.
Arthur C. Clarke winner and Sunday Times bestseller Adrian Tchaikovsky's triumphant return to fantasy with …
A great, weird read
5 stars
I really enjoyed this book. It has a sort of fantasy setting, but it has a sci-fi vibe, and I'm not sure how better to describe that. I approached this with some hesitation, because I didn't particularly enjoy Children of Time, which is the only other Adrian Tchaikovsky book I had read. But this one had none of the flaws I found in Children of Time, and really demonstrated Tchaikovsky's obvious talent.
It's not the most focussed of narratives, but then it is really the story of a city, rather than any individuals in it. So that makes sense. The worldbuilding is well done, the characters are interesting, the prose is satisfying. Strong recommend.
In the vibrant city-state of Castellane, the richest of nobles and the most debauched of …
A pretty good book marred by "first-in-a-series"-itis.
4 stars
Cassandra Clare takes her time here to build a rich, if fairly conventional, high-medieval fantasy setting. The book can drag in places as Clare's main tactic for building tension is to have something dramatic happen to one character and then have several chapters focusing on boring things happening to the other characters. I understand that a lot of the boring parts are building the world, allowing events in the latter half of the book to have their proper impact, but I certainly found my mind wandering during some of the earlier parts.
The main characters are Kel, a bodyguard for the crown prince, and Lin, a healer from a shunned and excluded minority group. Kel is quite a boring character. There doesn't seem to be much inner life to him for a lot of the book. He goes around and events happen to him. Lin is a little more interesting, …
Cassandra Clare takes her time here to build a rich, if fairly conventional, high-medieval fantasy setting. The book can drag in places as Clare's main tactic for building tension is to have something dramatic happen to one character and then have several chapters focusing on boring things happening to the other characters. I understand that a lot of the boring parts are building the world, allowing events in the latter half of the book to have their proper impact, but I certainly found my mind wandering during some of the earlier parts.
The main characters are Kel, a bodyguard for the crown prince, and Lin, a healer from a shunned and excluded minority group. Kel is quite a boring character. There doesn't seem to be much inner life to him for a lot of the book. He goes around and events happen to him. Lin is a little more interesting, a woman determined to be a doctor in a society where only men can train to be doctors.
I did enjoy this book up until the point when I realised that the book was not going to have a satisfying ending: it was going to end on a cliffhanger to set up the next book. Now, I like a book series, I love the time and space you can have to build a rich, interesting world when you don't have to do it all in under 600 pages or whatever; but that is not an excuse to simply stop your book without providing any kind of satisfying closure. Of course, some plot strands can remain unresolved to give you some interesting tension going into the next book in the series, but Sword Catcher just kinda stops? None of the plot arcs have reached any kind of conclusion really. It is quite unsatisfying. I'm complaining about this because it's a bit of a bugbear of mine, but it doesn't prevent me from recommending this book, at least to the kind of people who know that they're going to have to finish the series to have any kind of closure.
It is the centre of all knowledge and progress in …
We get it, Kuang, colonialism is bad
4 stars
I love the central idea of this book, it's a wonderful conceit that translation is magic. The story itself is sometimes driven along by things that don't make sense in the context of the world Kuang has built (see my two spoilery comments for a couple of examples) but on the whole it's an enjoyable book, albeit one that is perhaps a little heavy handed in making the morals clear.
Magician is a fantasy novel by American writer Raymond E. Feist. It is the first …
Suffers from being borrowed from by everyone since
4 stars
Magician is an straightforward fantasy epic. It suffers from being among the templates that all fantasy novels since are borrowing from. But it is pretty well written, the characters are likeable and reasonably well differentiated, and the story is engaging and pacy enough. (There are some parts that drag a little, but compared to some offerings in the genre, this does a good job of keeping things moving along).