Plum Kettle does her best not to be noticed, because when you’re fat, to be noticed is to be judged. With her job answering fan mail for a teen magazine, she is biding her time until her weight-loss surgery. But when a mysterious woman in colorful tights and combat boots begins following her, Plum falls down a rabbit hole into the world of Calliope House — an underground community of women who reject society’s rules — and is forced to confront the real costs of becoming “beautiful.” At the same time, a guerilla group begins terrorizing a world that mistreats women, and Plum becomes entangled in a sinister plot. The consequences are explosive.
Spannende Prämisse aber so krass hetig, cissig, sexworker:innenfeindlich und von plattestem Feminismusverständnis, dass das Buch einfach keinen Spaß macht, seinen radikalen Ansatz verliert und obwohl es erst kürzlich erschien wirkt, als wäre es aus den 70ern.
I found Dietland an easy and compelling read, but I'm still a little unsure how I feel about it in terms of who its intended audience is and what it was designed to do.
It's hard to take Dietland out of the context of its author -- Sarai Walker has a PhD in gender studies, with a thesis focusing on how body weight policing intersects with feminism. Dietland clearly arose out of that interest and is done with an extremely scholarly bent.
There are two intertwining narratives: Plum (Alicia)'s self-discovery narrative, where she emerges from a spiral of self-hate, yoyo dieting and living in the future. This part is beautifully done -- even as a woman who has never been overweight, I'm embarrassed to admit how much Plum's hoard of clothing that didn't fit (yet) and delay of activities until she could be her ideal (thin) self resonated. I think …
I found Dietland an easy and compelling read, but I'm still a little unsure how I feel about it in terms of who its intended audience is and what it was designed to do.
It's hard to take Dietland out of the context of its author -- Sarai Walker has a PhD in gender studies, with a thesis focusing on how body weight policing intersects with feminism. Dietland clearly arose out of that interest and is done with an extremely scholarly bent.
There are two intertwining narratives: Plum (Alicia)'s self-discovery narrative, where she emerges from a spiral of self-hate, yoyo dieting and living in the future. This part is beautifully done -- even as a woman who has never been overweight, I'm embarrassed to admit how much Plum's hoard of clothing that didn't fit (yet) and delay of activities until she could be her ideal (thin) self resonated. I think everyone puts off things until the time is right/they are better people/there is more money, but for women, the synonymy of ideal self and thinner self seems persistent. I felt that this was a really important area to explore. The narrative especially focuses on Plum's use of the "Baptist" diet plan (a thinly veiled Jenny Craig clone) and the way that this diet plan keeps women addicted and prevents them from really slimming down. Verena Baptist, the daughter of the founder of the Baptist plan is a health at every size advocate who shows Plum that she can be her "real self" while being fat. In the meantime, she also inducts Plum into a feminist collective.
The second narrative is about a group of female vigilantes who retaliate against sex criminals and the sexualization of women. Many people seem to feel repulsed by this part of the narrative, but Walker's main focus seems to be the thought experiment about if people were truly punished for the objectification of women, would that then empower women to speak out? In the process, Walker highlights the many daily ways in which women are degraded. Although I consider myself a staunch feminist, I was shocked about the things to which I've become enured: the commercialization of making women feel self-conscious about their bodies and the double standard of the use of the female body for advertising in particular.
My uncertainty is this: Walker, it seems, set out to write an Important Feminist Novel. Dietland is also fun and easy to read. However, I'm not sure it has much of a voice beyond the feminist community, where it's kind of preaching to the choir. It's hard to imagine someone who didn't already identify with Walker's message getting through even the first 100 pages of Dietland. Perhaps it will hit home to "choice feminists." In addition, I thought the fictionalization of the Baptist Plan really trivialized the many important criticisms of the weight loss fascination in America. I wish that Walker had used a real example (as she did with the lingerie store V------ S-----). In particular, I was really disappointed that in the "suggested reading" section Walker listed many fictional resources, but no non-fiction ones.
I very rarely give out five stars to books but I loved this book! There is so much food for thought here.
Plum has been fat all her life. During her teenage years she spent time in a Jenny Craig-like program run by a woman called Eulaya Baptist. She ordered the meals and went to the meetings. The Baptist Program promised that she would be thin in 9 months. Before the 9 months were up, Eulaya Baptist died unexpectedly and her daughter shut down the programs.
Now, years later, Plum thinks her only option is a gastric bypass. Then her real life can being.