Ed H reviewed Tropic of Cancer by Henry Miller
Junk
1 star
Garbage.
Paperback, 318 pages
English language
Published Jan. 1, 1934 by Grove Press.
Garbage.
"I have no money, no resources, no hopes. I am the happiest man alive. A year ago, six months ago, I thought that I was an artist. I no longer think about it, I am. Everything that was literature has fallen from me. There are no more books to be written, thank God.
This then? This is not a book. This is libel, slander, defamation of character. This is not a book, in the ordinary sense of the word. No, this is a prolonged insult, a gob of spit in the face of Art, a kick in the pants to God, Man, Destiny, Time, Love, Beauty … what you will. I am going to sing for you, a little off key perhaps, but I will sing. I will sing while you croak, I will dance over your dirty corpse…
To sing you must first open your mouth. You must have …
"I have no money, no resources, no hopes. I am the happiest man alive. A year ago, six months ago, I thought that I was an artist. I no longer think about it, I am. Everything that was literature has fallen from me. There are no more books to be written, thank God.
This then? This is not a book. This is libel, slander, defamation of character. This is not a book, in the ordinary sense of the word. No, this is a prolonged insult, a gob of spit in the face of Art, a kick in the pants to God, Man, Destiny, Time, Love, Beauty … what you will. I am going to sing for you, a little off key perhaps, but I will sing. I will sing while you croak, I will dance over your dirty corpse…
To sing you must first open your mouth. You must have a pair of lungs, and a little knowledge of music. It is not necessary to have an accordion, or a guitar. The essential thing is to want to sing. This then is a song. I am singing."
"The book must be absolutely original, absolutely perfect. That is why, among other things, it is impossible for him to get started on it. As soon as he gets an idea he begins to question it. He remembers that Dostoevski used it, or Hamsun, or somebody else. “I’m not saying that I want to be better than them, but I want to be different,” he explains. And so, instead of tackling his book, he reads one author after another in order to make absolutely certain that he is not going to tread on their private property. And the more he reads the more disdainful he becomes. None of them are satisfying; none of them arrive at that degree of perfection which he has imposed on himself. And forgetting completely that he has not written as much as a chapter he talks about them condescendingly, quite as though there existed a shelf of books bearing his name, books which everyone is familiar with and the titles of which it is therefore superfluous to mention. Though he has never overtly lied about this fact, nevertheless it is obvious that the people whom he buttonholes in order to air his private philosophy, his criticism, and his grievances, take it for granted that behind his loose remarks there stands a solid body of work."
"Once I thought that to be human was the highest aim a man could have, but I see now that it was meant to destroy me. Today I am proud to say that I am inhuman, that I belong not to men and governments, that I have nothing to do with creeds and principles. I have nothing to do with the creaking machinery of humanity—I belong to the earth! I say that lying on my pillow and I can feel the horns sprouting from my temples. I can see about me all those cracked forebears of mine dancing around the bed, consoling me, egging me on, lashing me with their serpent tongues, grinning and leering at me with their skulking skulls. I am inhuman! I say it with a mad, hallucinated grin, and I will keep on saying it though it rain crocodiles. Behind my words are all those grinning, leering, skulking skulls, some dead and grinning a long time, some grinning as if they had lockjaw, some grinning with the grimace of a grin, the foretaste and aftermath of what is always going on. Clearer than all I see my own grinning skull, see the skeleton dancing in the wind, serpents issuing from the rotted tongue and the bloated pages of ecstasy slimed with excrement. And I join my slime, my excrement, my madness; my ecstasy to the great circuit which flows through the subterranean vaults of the flesh. All this unbidden, unwanted, drunken vomit will flow on endlessly through the minds of those to come in the inexhaustible vessel that contains the history of the race. Side by side with the human race there runs another race of beings, the inhuman ones, the race of artists who, goaded by unknown impulses, take the lifeless mass of humanity and by the fever and ferment with which they imbue it turn this soggy dough into bread and the bread into wine and the wine into song. Out of the dead compost and the inert slag they breed a song that contaminates. I see this other race of individuals ransacking the universe, turning everything upside down, their feet always moving in blood and tears, their hands always empty, always clutching and grasping for the beyond, for the god out of reach: slaying everything within reach in order to quiet the monster that gnaws at their vitals. I see that when they tear their hair with the effort to comprehend, to seize this forever unattainable, I see that when they bellow like crazed beasts and rip and gore, I see that this is right, that there is no other path to pursue. A man who belongs to this race must stand up on the high place with gibberish in his mouth and rip out his entrails. It is right and just, because he must! And anything that falls short of this frightening spectacle, anything less shuddering, less terrifying, less mad, less intoxicated, less contaminating, is not art. The rest is counterfeit. The rest is human. The rest belongs to life and lifelessness."
What a fellow! What a fellow, indeed...