This is the first book by Ava Reid that I've actually enjoyed. While some of what I didn't like from her other works (cough The Wolf and the Woodsman cough) were still present (mainly repetitive prose and weird similes, though after the 60% mark it mostly went away) I ended up really liking the final messaging of the book.
There are consistent metaphors focusing on water, most of which I found incredibly relatable when they referenced Effy's assault. (When they didn't, it felt annoying) Effy's rage paired with how she feels like she's 'drowning' during those periods, feeling like she'll see her assaulter just around the next corner, wow. Though the prose stayed simple for the most part, with patterns to the text in the beginning that were a little bit annoying, I still think the message of female empowerment and overcoming odds that feel …
TW: Mentions SA
This is the first book by Ava Reid that I've actually enjoyed. While some of what I didn't like from her other works (cough The Wolf and the Woodsman cough) were still present (mainly repetitive prose and weird similes, though after the 60% mark it mostly went away) I ended up really liking the final messaging of the book.
There are consistent metaphors focusing on water, most of which I found incredibly relatable when they referenced Effy's assault. (When they didn't, it felt annoying) Effy's rage paired with how she feels like she's 'drowning' during those periods, feeling like she'll see her assaulter just around the next corner, wow. Though the prose stayed simple for the most part, with patterns to the text in the beginning that were a little bit annoying, I still think the message of female empowerment and overcoming odds that feel suffocating came through beautifully.
There are sections of the book in which Effy is openly bigoted towards her love interest, and that bigotry is never fully resolved. The war with Argant felt more like a thrown-in conflict between Effy and Preston to keep her from getting with him too early on, which is not a good reason to have a main character be bigoted. It felt very odd to me. The war isn't elaborated on much either, it feels more like an aspect of world building. I don't think Effy should have been left with her bigotry unaddressed either way.
2.5/5 stars from me. Would be 4 if not for the odd bigotry plot point. This book is nowhere near perfect, but I personally think it successfully conveys what it was aimed to. Recommended to readers who don't mind flowery script here and there, enjoy seeing protagonists actually grow throughout their story, and like a dash of magic in all the right places.
I think it’s best to go into this knowing as little as possible. Started a bit slow, but an after a couple of chapters the generic fantasy world building got out of the way and the characters came to the forefront and carried this so well. Then, to my surprise, the world felt more rich as the story progressed. I want to rave about everything I loved, but the less said the better.
An excellent mix of gothic and dark academia set in a world where the lines of reality are blurry, and the power of writing runs deep.
4 stars
I was going through a reading dry spell when I grudgingly forced myself to start reading this book. And then I finished the entire thing in a day. The book starts at a slow pace, but it gets its hooks into you early with an uneasy sense of uncertainty with the world. There's magic in the world. Or maybe there isn't. Strange things haunt Effy at night. Or maybe they don't? All we really know is that Effy feels unwelcome, and finds solace only in her worn copy of the novel Angharad. It's no wonder that she leaps at the chance to redesign the author's house, even if the invitation seems utterly suspect. And things get even more suspect when she arrives. The house is a character unto itself, a proper gothic crumbling mansion with locked rooms and nature creeping in and out of cracks in the ceiling. It's here …
I was going through a reading dry spell when I grudgingly forced myself to start reading this book. And then I finished the entire thing in a day. The book starts at a slow pace, but it gets its hooks into you early with an uneasy sense of uncertainty with the world. There's magic in the world. Or maybe there isn't. Strange things haunt Effy at night. Or maybe they don't? All we really know is that Effy feels unwelcome, and finds solace only in her worn copy of the novel Angharad. It's no wonder that she leaps at the chance to redesign the author's house, even if the invitation seems utterly suspect. And things get even more suspect when she arrives. The house is a character unto itself, a proper gothic crumbling mansion with locked rooms and nature creeping in and out of cracks in the ceiling. It's here that the story really closes in, as reality begins to blur even more, and the mystery surrounding the house and the novel take center stage. Literature student Preston provides a good partner in both the study and romantic sense, with a softer slow-paced romance that takes a back seat to the rest of the plot. The ending is expected, but satisfying, and I found the discussion on what it means to read or write a book to be incredibly touching.
Thanks to NetGalley and HarperTeen for an advance copy. All thoughts in this review are my own.