Fleeing the downfall of an empire, a mermaid and her plague doctor companion escape into the eerie shadows of a wintery forest.
Amongst the bark and snow they are drawn into ancient games for ageless children – a murderous hunt of blood and sacrifice – deep in the woods, where three who call themselves ‘saints’ rule over them all like gods.
Trapped in a feverish nightmare of masked monsters, stitches and surgeons, and needle teeth, the mermaid must embrace all of her cruelty and hungers to free the children.
I loved this and I needed to sit with it a while after I finished, before starting my next book. It's a body-horror/fairytale/love story between a 'mermaid' on land and her (plague) doctor, as they intervene in a morbid cult run by three false saints. It's like nothing I've read before (okay, maybe it's a bit T. Kingfisher-y - a good thing) and it's really beautifully written.
I quite enjoyed this dark fairy tale / body horror novella about the relationship between a mermaid and a plague doctor, as they investigate mysterious violent children in the woods in the thrall of three surgeon saints. I enjoyed the prose quite a bit, but I am also a sucker for stories about monsters and bodies, broken and (re)constructed.
(Also seriously though, I will content warn for on page violence, death, and gore. Various characters are eviscerated several times on page.)
It's possible that I'm slow on the uptake, and so I didn't twig to the fact that the mermaid in The Salt Grows Heavy having her tongue cut out (losing her voice, in other words) was a riff on the little mermaid story. This short …
I quite enjoyed this dark fairy tale / body horror novella about the relationship between a mermaid and a plague doctor, as they investigate mysterious violent children in the woods in the thrall of three surgeon saints. I enjoyed the prose quite a bit, but I am also a sucker for stories about monsters and bodies, broken and (re)constructed.
(Also seriously though, I will content warn for on page violence, death, and gore. Various characters are eviscerated several times on page.)
It's possible that I'm slow on the uptake, and so I didn't twig to the fact that the mermaid in The Salt Grows Heavy having her tongue cut out (losing her voice, in other words) was a riff on the little mermaid story. This short story prequel is much more obviously a retelling of that story. In my opinion, it can be read after or before The Salt Grows Heavy. It's got a similar tone (body horror, fairy tale vibes) but a different thematic focus.
The Salt Grows Heavy is rich with descriptions, gore, and ingenuity. As a story about a murderous mermaid attempting to tear down the cult of three grotesque surgeons, this novella delivers on body manipulation, viscera, and terror. While the prose is luscious, it is also overwrought with high-brow vocabulary that often took me out of the story. While I like the usage of uncommon words, there comes a point where it's a detriment to the story. I also found that, when it came to world-building, there was next to none.
While I believe this would do better in a longer format, I enjoyed the gruesome visuals and romantic undertones. I'd recommend this to anyone looking for a quick and bloody read.
Thank you to Tor Nightfire and NetGalley for the ARC.