Beatrice Clayborn wünscht sich nichts mehr, als eine große Magierin zu werden. Doch eigentlich soll sie einen reichen Mann heiraten, um ihre Familie vor dem Ruin zu retten. Das hieße, ihre Magie aufzugeben. Um diesem Schicksal zu entgehen, geht Beatrice einen Pakt mit Nadi, dem Geist des Zufalls, ein, der ihr helfen soll, ein mächtiges Zauberbuch zu erlangen. Dafür darf Nadi einen Abend lang in ihrem Körper auf einem Ball tanzen, Kuchen essen und Beatrices ersten Kuss miterleben. Als der Geist sich den gut aussehenden Ianthe Lavan aussucht, wirbelt das Beatrices Pläne gehörig durcheinander.
Depressing story - sort of a magical Victorian Handmaid's Tale - and I didn't really see a great way out, but we got there by the end. I really enjoyed the final magic confrontation. In general either I found the writing style a little bland or I'm in a depressive episode; the romance had no chemistry whatsoever for me. We got a HEA, but alas for the setup, it was a HEA with kids anyways. Oh well.
*I received a free review copy in exchange for an honest review of this book.
The Midnight Bargain is devastating and witty, full of carefully considered deals, social wrangling, friendship, sorcery, and romance. It's also acquainted with dread, with impending doom of a deeply personal kind, knowing that loved ones are shadows of all they could be.
I really like the dynamic between the MC and the non-POV major characters. She has different relationships with each of them, and in a book which is driver by conversation and socialization, that's really important. I love witty banter, tense interpersonal relationships, navigating social politics for material (and marital) stakes, it's done so well here. There's an absolutely devastating scene which revolves around flower arrangements... I'm in awe. This was a really fun book to read, I loved having strong characters with clashing motivations and often incompatible goals, all trying to get what …
*I received a free review copy in exchange for an honest review of this book.
The Midnight Bargain is devastating and witty, full of carefully considered deals, social wrangling, friendship, sorcery, and romance. It's also acquainted with dread, with impending doom of a deeply personal kind, knowing that loved ones are shadows of all they could be.
I really like the dynamic between the MC and the non-POV major characters. She has different relationships with each of them, and in a book which is driver by conversation and socialization, that's really important. I love witty banter, tense interpersonal relationships, navigating social politics for material (and marital) stakes, it's done so well here. There's an absolutely devastating scene which revolves around flower arrangements... I'm in awe. This was a really fun book to read, I loved having strong characters with clashing motivations and often incompatible goals, all trying to get what they want, sometimes assisting and sometimes impeding each other. It's a kind of thrilling story which is gripping despite not having a ton of action (but not quite none).
This book does for discussions of sexism in a magical aristocratic setting what the The Kingston Cycle does for classism in the same. The sexism isn't anything really unusual, it just has a very specific and horrific shape that makes sense to have come out of this particular fictional world. The worldbuilding is great, and the characters (even the somewhat loathsome ones) have room to grow from where they were when the story began. I especially liked the dynamic between the MC and her younger sister, the way she thinks of her changes throughout the story in a way that (speaking as someone with both older and younger siblings) felt natural and made sense based on their relationship at the start of the story. Thinking back on it, that's definitely something that was done really well here, characters grow within the story and their relationships with each other change either as a driver of that growth or in reaction to it, depending on the character.
I like this one a lot. I feel content with it as a stand-alone novel, I think any potential sequel would need to follow different protagonists. The ending was really satisfying and I feel good about how everything wrapped up.
I picked up this book knowing nothing about it based on my love for the author's previous work. I think I like this one better than those.This is a deeply feminist story. In this world, all people might be born with the skills to do magic. They do this by pairing with spirits. However, there is a risk that if a woman becomes pregnant, a spirit can take over the child before the child's soul is fully formed. This child will eventually turn highly violent. Punishment is death for both the mother and child. Not the father of course. /sarcasm.To prevent this all women are required to wear a collar that cuts them off from their magic as soon as they marry. This is unthinkable for Beatrice. She is a very powerful sorceress but she is untrained. Girls don't get training because they are just going to be collared anyway. …
I picked up this book knowing nothing about it based on my love for the author's previous work. I think I like this one better than those.This is a deeply feminist story. In this world, all people might be born with the skills to do magic. They do this by pairing with spirits. However, there is a risk that if a woman becomes pregnant, a spirit can take over the child before the child's soul is fully formed. This child will eventually turn highly violent. Punishment is death for both the mother and child. Not the father of course. /sarcasm.To prevent this all women are required to wear a collar that cuts them off from their magic as soon as they marry. This is unthinkable for Beatrice. She is a very powerful sorceress but she is untrained. Girls don't get training because they are just going to be collared anyway. Beatrice has been learning in secret though. Her plan is to make herself unmarriagable by becoming a full mage. Just as she finds a grimoire that will give her the final spell she needs, it is taken from her by Ysbeta. Ysbeta feels the same way about her future as Beatrice. She comes from a very wealthy family. She has property that she will lose if she gets married. She wants to become a mage but she isn't skilled enough yet. They are both running out of time before their families marry them off against their will. They are going to have to work together to get what they want. I loved the interactions between Beatrice and Ysbeta's brother. He is set up as her love interest and he would be better for her but better isn't good enough. She points out that it is him allowing her to use her magic and that isn't ok. It isn't his to allow. I also loved this discussion about the effects of patriarchy that men just don't understand. Referring to the issues with pregnant women doing magic, she says:
“But no one is looking for another way,” Beatrice said. “The current system lays all of the restriction, all the responsibility, and all of the burden on sorceresses. Men aren’t inconvenienced in any way. They may do whatever they like. For them, the system isn’t broken, so why look for a solution?”
It applies to so much. The epilogue was amazing. MILD SPOILER - a partial solution is found and Beatrice tries to explain it to a group of men. They lose their minds because the solution calls back to the quote above and mildly inconveniences men in order to free women. Can't be having that now, can we? This review was originally posted on Based On A True Story