374 pages
Chinese language
Published July 29, 1999 by Li jiang chu ban she.
Mientras su avión aterriza en un aeropuerto europeo, Toru Watanabe, de treinta y siete años, escucha casualmente una vieja canción de los Beatles: de pronto, la música le hace retroceder a su juventud, al turbulento Tokio de finales de los sesenta. Recuerda entonces, con melancolía y desasosiego, a la inestable y misteriosa Naoko, la novia de su mejor -y único- amigo de la adolescencia, Kizuki, y cómo el suicidio de éste les distanció durante un año, hasta que se reencontraron en la universidad. Iniciaron allí una relación íntima, truncada, sin embargo, por la frágil salud mental de Naoko, a quien hubo que internar en un centro de reposo. Al poco, Watanabe se enamoró de Midori, una joven activa y resuelta. Indeciso, acosado por los temores, Watanabe sólo experimentaba el deslumbramiento y el desengaño allá donde todo debía cobrar sentido: el sexo, el amor y la muerte. La insostenible situación le …
Mientras su avión aterriza en un aeropuerto europeo, Toru Watanabe, de treinta y siete años, escucha casualmente una vieja canción de los Beatles: de pronto, la música le hace retroceder a su juventud, al turbulento Tokio de finales de los sesenta. Recuerda entonces, con melancolía y desasosiego, a la inestable y misteriosa Naoko, la novia de su mejor -y único- amigo de la adolescencia, Kizuki, y cómo el suicidio de éste les distanció durante un año, hasta que se reencontraron en la universidad. Iniciaron allí una relación íntima, truncada, sin embargo, por la frágil salud mental de Naoko, a quien hubo que internar en un centro de reposo. Al poco, Watanabe se enamoró de Midori, una joven activa y resuelta. Indeciso, acosado por los temores, Watanabe sólo experimentaba el deslumbramiento y el desengaño allá donde todo debía cobrar sentido: el sexo, el amor y la muerte. La insostenible situación le llevó entonces a intentar alcanzar el delicado equilibrio entre sus esperanzas y la necesidad de encontrar su lugar en el mundo.
Objectification de la mujer como medio y no como fin. Triste, hermoso y bastante hp
Un libro interesante, llena de sentimiento, frustración, amor, amistad y sexo. Donde el protagonista, Watanabe, rememora sus años de adolescente y su relación con su amigo Kizuki y la novia de este Noako. Ambos representan momentos de gran trascendencia en la vida de Watanabe, que de una u otra forma le hicieron pasar a la adultez, definiendo su forma de ver la vida, el amor y la muerte.
Las circunstancias nos llevan a tomar decisiones, eso lo aprende el joven Watanabe, quien va aprendiendo lo que es el amor y las formas de querer, además de cómo manejar el duelo y definir si está dispuesto a reconstruirse y seguir adelante. Recomendado.
Grandioses Werk in dem ich mich doch das ein oder andere Mal wiedererkenne.
Nicht mein letzter Murakami - dieses Buch übrigens in Singapur gekauft als mir der Lesestoff ausging.
Parece que todo en la atmósfera de la novela tiene una relación con lo incierto en lo cierto de la muerte y en lo cual la felicidad es algo que queda pendiendo (no pendiente) así como la explicación al morir mismo.
This is the kind of book that stays with you. A coming-of-age story of a boy, who is as confused with his emotions as he is conflicted in the matters of heart. Despite essentially revolving around a love story, the book throws some light behind the disturbing and complex cases of deaths & suicides while forcing you to think about living in the present and enjoying life to the fullest.
This was the first Murakami for me, and I’ll surely be reading more of his books. Although originally being in Japanese, the translated version doesn’t feel translated at all, despite some hiccups here and there. All the characters are solid as well as interesting and the prose is beautiful. Some of the lines manage to bring a sigh from the hopeless romantic in me!
I’ll leave you with an excerpt:
“I have always loved [person A], and I still love …
This is the kind of book that stays with you. A coming-of-age story of a boy, who is as confused with his emotions as he is conflicted in the matters of heart. Despite essentially revolving around a love story, the book throws some light behind the disturbing and complex cases of deaths & suicides while forcing you to think about living in the present and enjoying life to the fullest.
This was the first Murakami for me, and I’ll surely be reading more of his books. Although originally being in Japanese, the translated version doesn’t feel translated at all, despite some hiccups here and there. All the characters are solid as well as interesting and the prose is beautiful. Some of the lines manage to bring a sigh from the hopeless romantic in me!
I’ll leave you with an excerpt:
“I have always loved [person A], and I still love her. But there is a decisive finality to what exists between [person B] and me. It has an irresistible power that is bound to sweep me into the future. What I feel for [person A] is a tremendously quiet and gentle and transparent love, but what I feel for [person B] is a wholly different emotion. It stands and walks on its own, living and breathing and throbbing and shaking me to the roots of my being. I don’t know what to do. I’m confused. I have never lied to anyone, and I have taken care over the years not to hurt other people. And yet I find myself tossed into this labyrinth. How can this be?”
Having just arrived in Hamburg, Germany, 37 year old Toru Watanabe hears an orchestral cover of The Beatles’ song “Norwegian Wood” which reminds him of his college years. In high school his best friend, Kizuki completed suicide and Watanabe moved to Tokyo for college in the hopes to escape the pain. One day he was reunited with Kizuki’s girlfriend Naoko and they sought solitude in each other’s company. However this relationship wasn’t the right solution for Naoko and she left for a secluded mountain sanatorium near Kyoto.
Norwegian Wood is often referred to as the best starting point when diving into the works of Haruki Murakami, mainly because this is one of the few books that don’t have a magical realism thread to it. This is a good place to start but what I find fascinating is the way Murakami uses magical realism to explore ideas of the mind. Colorless …
Having just arrived in Hamburg, Germany, 37 year old Toru Watanabe hears an orchestral cover of The Beatles’ song “Norwegian Wood” which reminds him of his college years. In high school his best friend, Kizuki completed suicide and Watanabe moved to Tokyo for college in the hopes to escape the pain. One day he was reunited with Kizuki’s girlfriend Naoko and they sought solitude in each other’s company. However this relationship wasn’t the right solution for Naoko and she left for a secluded mountain sanatorium near Kyoto.
Norwegian Wood is often referred to as the best starting point when diving into the works of Haruki Murakami, mainly because this is one of the few books that don’t have a magical realism thread to it. This is a good place to start but what I find fascinating is the way Murakami uses magical realism to explore ideas of the mind. Colorless Tsukuru Tazaki and His Years of Pilgrimage and Norwegian Wood don’t have that same fantastical style but they still follow similar themes. Colorless Tsukuru Tazaki looks at the psychological impacts of losing friendships, while this novel looks at ideas of memory. From what I have read so far, Murakami’s other books do similar things but the use of magical realism allows him to dive into the mind and explore it as a fantastical world.
I have heard Norwegian Wood described as a coming of age story so many times, but I find it difficult to classify this book as such; for the simple fact that Toru Watanabe is 37 years on at the start of the novel, even though the majority of the novel is set during his college years. I think this is more a reflection on life and love, a novel that explores ideas of memory and nostalgia through themes like loss, depression and sexuality. This leads me to wonder just how reliable Watanabe really is and if there is a ‘rose coloured glasses’ perception happening in the novel. However the way this novel comes together and deals with memory (especially at the end) works so well and I can understand why Norwegian Wood is a Haruki Murakami favourite for many people.
One thing that really stuck with me with Norwegian Wood is the way Murakami developed characters. I found most characters to be complex and well rounded, they all had a unique personality and it was such a joy to read something with such great character development. A favourite of mine was Midori, who reminds me a lot of my wife; a confident and sure character who is at times insecure but has a great interest in talking about sex with others. She was the highlight of the whole novel and I always looked forward to her turning up within the story.
Before I knew who Haruki Murakami was, I saw the 2010 Japanese movie adaptation and thankfully I forgot most of the story. While images and plot points did come back to me as I read the novel, I was glad I didn’t have that outside influence but now I do need to re-watch the movie. Norwegian Wood is a great starting place if you have never read Haruki Murakami before. Apparently Murakami isn’t too happy that this is the novel that people will read or recognise him by, but it really is one of his stand out books. I have so many more Murakami books to read and I am really looking forward to diving into them all.
This review originally appeared on my blog; literary-exploration.com/2015/03/08/norwegian-wood-by-haruki-murakami/
