In the near future, a civil servant is offered the salary of her dreams and is, shortly afterward, told what project she'll be working on. A recently established government ministry is gathering “expats” from across history to establish whether time travel is feasible -- for the body, but also for the fabric of space-time.
She is tasked with working as a “bridge”: living with, assisting, and monitoring the expat known as “1847” or Commander Graham Gore. As far as history is concerned, Commander Gore died on Sir John Franklin's doomed 1845 expedition to the Arctic, so he's a little disoriented to be living with an unmarried woman who regularly shows her calves, surrounded by outlandish concepts such as “washing machines,” “Spotify,” and “the collapse of the British Empire.” But with an appetite for discovery, a seven-a-day cigarette habit, and the support of a charming and chaotic cast of fellow expats, …
In the near future, a civil servant is offered the salary of her dreams and is, shortly afterward, told what project she'll be working on. A recently established government ministry is gathering “expats” from across history to establish whether time travel is feasible -- for the body, but also for the fabric of space-time.
She is tasked with working as a “bridge”: living with, assisting, and monitoring the expat known as “1847” or Commander Graham Gore. As far as history is concerned, Commander Gore died on Sir John Franklin's doomed 1845 expedition to the Arctic, so he's a little disoriented to be living with an unmarried woman who regularly shows her calves, surrounded by outlandish concepts such as “washing machines,” “Spotify,” and “the collapse of the British Empire.” But with an appetite for discovery, a seven-a-day cigarette habit, and the support of a charming and chaotic cast of fellow expats, he soon adjusts.
Over the next year, what the bridge initially thought would be, at best, a horrifically uncomfortable roommate dynamic, evolves into something much deeper. By the time the true shape of the Ministry's project comes to light, the bridge has fallen haphazardly, fervently in love, with consequences she never could have imagined. Forced to confront the choices that brought them together, the bridge must finally reckon with how -- and whether she believes -- what she does next can change the future.
It's hard to call this scifi since it's written so well. It is more of a literary achievement.
That said, as I am from the US, much of the UK vernacular was lost on me. But more than that, although I consider myself at least somewhat worldly, the character's motivations and emotions came a bit too quickly and deeply for me to keep up. (I only had one critical literature course in university.) It was quite interesting to experience though.
I might have to reread to see if I can catch more.
A delightful read, with a bit of a frustrating ending
4 stars
Content warning
Vague discussion of ending
I loved this book as I read it. It probably helps that I identified with bits of the [unnamed but clearly an authorial self-insert] narrator/protagonist's experiences from before the book started; more on that in a moment. But it's also an entertaining story, and very engagingly written - many chapters had me laughing out loud at key moments even though the book's in no way a comedy overall.
Much of the book feels like a very sharp criticism of British society--I identified strongly with the narrator's endless experiences of people putting their assumptions over her experience, and needing to remind her that she doesn't quite fit in--and of the government / civil service's overconfidence in its own intrinsic goodness. In the face of that it was at times frustrating seeing the protagonist be so deeply invested in the Ministry and her job standing in it, but if I take a more critical eye to myself it becomes easy to understand as a reaction to that never quite being allowed to fit in. That part cut deep for me personally.
I also appreciated how much the book is also a lockdown story. I've been grumbling lately about how little art I've encountered that seems to process the covid pandemic and the experience of lockdowns in retrospect. And here came this book, clearly using the roommates-in-hiding portion of its arc to work through some feelings about that experience. More of this please!
The ending felt... not exactly too neat in that it does leave some ambiguity, but too abrupt. It felt like most of the story proceeded at a fairly comfortable pace, and then suddenly the author felt a need to bring it to a close with a sharp turn.
Content warning
Some spoilers, discussion of sexual depictions
This book really left a mark on me. The big ideas were compelling, and hard hitting. My only real critique is that, especially given that the main protagonist was a self-insert character, the time devoted to sex scenes felt just a bit indulgent. But I really enjoyed the blending of genres and the overall narrative and conceptual trajectory.
The climate message, and particularly the message about how we shouldn't respond to it is acute and punchy. The handling of the time travel was really neat and pretty original, especially the original concept presented at the start of the book.
I think the book was (from my admittedly very white perspective) really good at shining a light on the marginalized perspective of institutions of power, and of the ladder-climbers that ignore the problems in the hopes that they'll be one of the "good ones".
The thematic core connection 19th century values with the lingering worst impulses that seem to come out to play as the climate gets worse was brilliantly embodied through the time travel mechanics. It was the perfect plot devices to engage with questions about where we are going and where we have been, and how the we haven't really gone that far from the past which could totally screw over the future.
I appreciated the centering of the woman's experience in those scenes, refreshing for a sci-fi book, and the way the scenes were written was interestingly stylized. But with the relationship feeling a bit forced, and again the main character being a self-insert, it almost felt like the fictional character, over which the author has total control, was being coerced. Even more so because love interest was based on a real historical person.
"The Ministry of Time" focuses on the story of a civil servant who is tasked with supervising a time traveler that just arrived in modern London from the 19th century. This offers an interesting perspective on modern society and technology. I enjoyed the conversations between the protagonist and the time travelers. I found myself drawn into the book because of that and couldn't really put it down.
Another detail I greatly enjoyed is the backdrop of climate change, which has progressed in the times of the novel, and the conflicts arising from resource scarcity are on the horizon. Though, not directly relevant to the plot.
I found this to be enjoyable, but it jumped around between the genres too much for my liking.
It really irked me that the MC never gets named. It was at least bearable due to the perspective being almost entirely from her point of view, but with how much she interacts with the other characters, it drove me a little bonkers that she was never called by any name.
I'm glad that I read this still, but it's not one that I'm ever going to have an interest in revisiting.
I was frustrated with the protagonist for big chunks of the book for not realizing obvious things. The author repeatedly tried to defend this with "I bet you're thinking 'I would have realized this right away', but" and in a world where I know time travel exists,I absolutely would!
However, the writing is very good, and it kept me engaged. The combination of themes around time travel, colonialism, and refugee life really worked, and I feel like it allowed them to be explored from different angles.
I'm kind of let down by the inconclusiveness of the ending, but on the other hand they avoided most of the cliché time travel tropes, so overall I guess it balances out.
Overall, I love this novel's ideas but the genres it mixes together work against each other rather than being stronger for the combination.
(also please name your protagonist, it's so awkward, thank you)
I found the writing here to be surprisingly funny and engaging. The dialogue between the protagonist and Graham continually made me laugh, and the book is peppered with delightful drive-by analogies like "he looked oddly formal, as if he was the sole person in serif font" or "I lay in my own body like a wretched sandbank".
The strongest part of the book to me (and the part that I found the most engaging) was the relationship and dialogue between the protagonist and Graham. A 19th century sailor is a great foil for modern London life; however, it also does a good job of making both the protagonist and Graham real, fallible characters who each make incorrect …
Overall, I love this novel's ideas but the genres it mixes together work against each other rather than being stronger for the combination.
(also please name your protagonist, it's so awkward, thank you)
I found the writing here to be surprisingly funny and engaging. The dialogue between the protagonist and Graham continually made me laugh, and the book is peppered with delightful drive-by analogies like "he looked oddly formal, as if he was the sole person in serif font" or "I lay in my own body like a wretched sandbank".
The strongest part of the book to me (and the part that I found the most engaging) was the relationship and dialogue between the protagonist and Graham. A 19th century sailor is a great foil for modern London life; however, it also does a good job of making both the protagonist and Graham real, fallible characters who each make incorrect assumptions about the other. One other way this relationship also works for me is that it lets the book delve into the parallels of being an expat forced into a new time versus a new place work really well, or of not being be able to go "back".
However, the construction seams of this novel show, and that's where it gets weak. The more "serious" time travel and time war shenanigans feel tacked on, and thematically don't really integrate with the rest of the story (tonally or thematically). As a time travel story, it's not doing anything particularly novel here, and these bits weaken the rest of the novel.
I’m only knocking a star because to some degree it feels like pretty familiar ground but regardless what is here is very well written and a strong story. A woman trying to get ahead in her civil service career in the Britain ends up transferring from languages to a secret project that turns out to be being a handler for time traveler yanked from the past where he would have died on an expedition.
The relationships are great and fully realized especially and the story is pretty interesting even if it goes a little hand-wavey on the time travel and consequences bits. Would recommend.
I read the "The ministry of time" by Kaliane Bradley in a few nights, I simply couldn't put it down. A gripping story of time travel as much as a thoughtful reflection on structural power. I adored how she elegantly broaches the subjects of colonialism, racism and sexism simply through who her characters are. The structural power relations between them drive the story as much as the romantic angle (which was also very neatly done, btw).
Did not expect this to be as much fun as it turned out to be. With a heavy dose of humour and keen insight into how it’s possible to make our future better than it could be, this was a thoroughly enjoyable read.
Kaliane Bradley's "The Ministry of Time" is a delightful surprise, a story that exceeded my expectations and left me wanting more. The premise is intriguing: a world where time refugees, displaced from their own timelines, find sanctuary in modern-day London. The Ministry of Time, tasked with managing these refugees and preventing temporal disruptions, is a fascinating concept, and Bradley's execution is superb.
The characters are the heart of this story, and Bradley's character development is exceptional. Graham, poached from his own timeline, is a standout. His awkwardness and unintentional crudeness are both cringeworthy and hilarious. I found myself chuckling at his mishaps and rooting for him as he navigated the complexities of his new reality. The relationships and romance between the characters are beautifully portrayed, with genuine warmth and humor.
The science fiction elements are light, focusing more on the human impact of time travel than on the technicalities. While …
Kaliane Bradley's "The Ministry of Time" is a delightful surprise, a story that exceeded my expectations and left me wanting more. The premise is intriguing: a world where time refugees, displaced from their own timelines, find sanctuary in modern-day London. The Ministry of Time, tasked with managing these refugees and preventing temporal disruptions, is a fascinating concept, and Bradley's execution is superb.
The characters are the heart of this story, and Bradley's character development is exceptional. Graham, poached from his own timeline, is a standout. His awkwardness and unintentional crudeness are both cringeworthy and hilarious. I found myself chuckling at his mishaps and rooting for him as he navigated the complexities of his new reality. The relationships and romance between the characters are beautifully portrayed, with genuine warmth and humor.
The science fiction elements are light, focusing more on the human impact of time travel than on the technicalities. While I would have liked to see more exploration of the time refugees' powers and the consequences of their displacement, the story's emphasis on relationships and personal growth is ultimately satisfying. The ending leaves the possibility of further adventures open, and I sincerely hope Bradley revisits this world and its characters in the future.
Overall, "The Ministry of Time" is a captivating read. Bradley's skillful storytelling, engaging characters, and thought-provoking themes make this a book that will stay with me long after the final page. If you're looking for a unique and emotionally resonant story, I highly recommend giving this book a try.
–This review was drafted by A.I. (Gemini) with a fairly lengthy prompt containing my opinions. Actually, much of the review is my actual prompt. I then edited the draft and posted it. –
A love story at heart that uses time travel to illuminate a critique of empire
4 stars
This reminded me somewhat of "The Echo Wife" by Sarah Gailey in that it's science fiction turned inwards rather than outwards, focused on the individual rather than the grand sweep of history. Considering that time travel is a central part of the story, that's an interesting choice, but honestly I think it's a bit inspired, because it's a reflection of the main character's myopia regarding her place in her society and in history. A couple elements weren't inspired: there's a lack of explanations about certain characters and events and there's a twist that's probably obvious to those who pay attention to the signs of such things. Still, thought-provoking overall, and sad and sweet in equal measure.
