561 pages
English language
Published Nov. 21, 2013
Part epic of Texas, part classic coming-of-age story, part unflinching portrait of the bloody price of power, this is a novel that maps the legacy of violence in the American West through the lives of the McCulloughs, an ambitious family as resilient and dangerous as the land they claim. Spring, 1849. Eli McCullough is thirteen years old when a marauding band of Comanches takes him captive. Brave and clever, Eli quickly adapts to life among the Comanches, learning their ways and waging war against their enemies, including white men, which complicates his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized nor fully wild, he must carve a place for himself in a world in which he does not fully belong, a journey of adventure, tragedy, hardship, grit, …
Part epic of Texas, part classic coming-of-age story, part unflinching portrait of the bloody price of power, this is a novel that maps the legacy of violence in the American West through the lives of the McCulloughs, an ambitious family as resilient and dangerous as the land they claim. Spring, 1849. Eli McCullough is thirteen years old when a marauding band of Comanches takes him captive. Brave and clever, Eli quickly adapts to life among the Comanches, learning their ways and waging war against their enemies, including white men, which complicates his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized nor fully wild, he must carve a place for himself in a world in which he does not fully belong, a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny.
The growth and racist rot of American capitalism. Too bad the sprawling, rambling family saga overdoes the point.
In this tome, Philipp Meyer has created an excellent historical novel and family saga. The overriding theme of this Texan history is that there were no innocent cultures; violence and theft were ways of surviving. Fortunately, this saga manages not to be weighed down with too many characters, despite the fact that it covers five generations of the McCullough clan. It would be hard for me to like most of these people, and yet they are complicated, all with their own experiences and perspectives. Meyer does give us one character who is very likable, though, in Peter McCullough. Peter's point of view contrasts with that of the family around him and adds even more tension and interest to this story. Also, I felt that the ending was perfect, with the added bonus of giving this tale wonderful symmetry.
My wife forced me to read this one, as she really enjoyed it. I felt like there is a strength to the author's spare use of language, and he captures a spirit of the raw force of brutal nature behind the pillaging of Texas well. But let's be honest, the best parts of this book are when Eli runs with the Comanches. The author himself waxes most fluidly poetic when he intimately describes the Comanches devouring of buffalo. The rest of the novel and it's characters I found less compelling.
The Son is a multigenerational saga spanning three generations. This unforgettable Texas family’s story plays out from the three perspectives, each with their own hardships from Comanche and border raids to the oil boom. This is a story of power, blood, and the land; Philipp Meyer explores the American dream and the dark roots of which it came.
I’ve been meaning to pick up American Rust for a while now but instead The Son is the first look at the remarkable writing of Philipp Meyer. The Son follows three main characters of a Texas family: Eli, his son Pete and Pete’s Granddaughter Jeanne, each with their own set of issues to deal with. Overall this is a novel of the rise of a Texas oil dynasty and the demons facing them.
First the McCullough family is an old frontier family taking the land from the natives; the first character Eli …
The Son is a multigenerational saga spanning three generations. This unforgettable Texas family’s story plays out from the three perspectives, each with their own hardships from Comanche and border raids to the oil boom. This is a story of power, blood, and the land; Philipp Meyer explores the American dream and the dark roots of which it came.
I’ve been meaning to pick up American Rust for a while now but instead The Son is the first look at the remarkable writing of Philipp Meyer. The Son follows three main characters of a Texas family: Eli, his son Pete and Pete’s Granddaughter Jeanne, each with their own set of issues to deal with. Overall this is a novel of the rise of a Texas oil dynasty and the demons facing them.
First the McCullough family is an old frontier family taking the land from the natives; the first character Eli (born in 1836) tells the story of being early settlers. But he soon finds himself being the sole survivor after being raided by the Comanche. His story is one that shows both sides, being taken captive and then learning the ways of the American natives. Confronting him and the reader with the idea of heritage from both the settlers and natives view point.
His son Peter, not only has to deal with his father’s violent past but also the Mexican border raids of the early 1900s. This is a very emotionally driven narrative, his father who has obviously had to adapt to Comanche life only to watch them die out with disease, starvation and the discrimination of settlers. Now Eli has a drive for power and Peter shares this story, how it effects the family, all while defending their land from raiding Mexicans.
Finally we have Jeanna, her story is not so violent but confronting none the less. Her story follows the Oil booms of the 20th century, the social and economy changing all while dealing with the demons of her family history. She is left to deal with most of the major consequences of her family’s choices in the past, while trying to succeed in business in a male dominated industry and world.
This is an epic adventure of wealth, privilege, family and the consequences of our actions. While it is a pretty dark subject matter, the book is rather elegant and beautiful. The prose alone makes it that way, Meyer really has created this wonderful scenery, yet I’ve not really noticed an overuse of similes. The writing style reminds me a little of John Steinbeck but there is an element of Cormac McCarthy that comes through as well, especially in Eli’s story. Overall The Son is a compelling novel with some interesting ideas for the reader.
I was really impressed with this novel but with the constant changing of time periods and characters at times I did feel like I struggled to keep up but Philipp Meyer did manage to push the story on. Historical Fiction with shades of western and southern gothic is how I would describe this novel but there is so much more to it than that. This is the second book in the American trilogy planned by Meyer, all dealing with issues facing America. American Rust with the towns that modern economy leave behind when all the factories move and The Son rather than dealing with a declining America, it deals with its dark past full of the blood and bones on the natives. I can’t wait to read American Rust and I’m interested to know what book three would be about but that may be awhile out. For now it check out Philipp Meyer’s works he has the makings of a great American author.
This review originally appeared on my blog; literary-exploration.com/2013/04/11/book-review-the-son/
