The inside story of the largest law-enforcement sting operation ever, in which the FBI made …
Drug war becomes encryption war
4 stars
I don't know if I'm just too siloed, but I don't remember ever seeing this pretty jaw-dropping story in the news. It's a good look at how law enforcement is coping with encryption technologies, though the implications for the general public are only touched on. It would be more fun if law enforcement's efforts weren't wasted fighting a futile war on drugs, but I appreciated it more for the investigation than the good guys versus bad guys spin.
In a city that never was, in an America that never was, on a snowy …
Glorious Use of Alternate History
5 stars
Ultimately, the novel was unsatisfying, but not in the way that comes from careless writing or a lack of vision on the part of the writer. Rather, it's unsatisfying in the same way that life is--you understand why it has to be that way, and although you often wish things could be different, you can't help but glory in the moments that were given.
I don't want a movie of this, I want a video game where the player gets to explore the city of Cahokia. Through it, we get to see the author's vision of Indigenous cultures entering the 20th century but on their own terms. It's colorful, adventurous, brutal, brazen - perfect setting for a politically charged noir murder mystery.
In a city that never was, in an America that never was, on a snowy …
Brought me back to noir
4 stars
I nearly abandoned this when it opened with detectives at a murder scene, a prelude I realized I've come to associate with formulaic slop. And I wasn't sure I would still enjoy noir as much as I once did. It doesn't take long for the wildly imaginative dimensions of the story to burst forth from the outrageously explosive plot. The alternate history is both utopian and dystopian in noir proportions, full of interesting observations, implications, and jazzy interludes.
The Invisible Life of Addie LaRue is a 2020 fantasy fiction standalone novel written by …
Faustian fiction with some art and history
3 stars
Not that I've read Faust, but this is solidly in the selling-your-soul genre. The deal is interesting and sets up a fun few centuries of struggle with some peripheral history emphasizing art. The way darkness can enhance art is a nice undercurrent.
Even through the roar and effervescence of the 1920s, everyone in New York has heard …
Historical fiction fiction
4 stars
Not my usual fare, and I considered stopping in the first book. Glad I didn't! I didn't put a lot of effort into following all the hints, but I definitely enjoyed the gradual assembly of perspectives from the series of fictional authors. I feel like I got a few looks at Wall Street history, mostly unfamiliar to me.
Moon has spent his life hiding what he is--a shape-shifter able to transform himself into …
Found Family in a delightfully imaginative setting
5 stars
Moon, the main character of the Raksura series, shares a great many characteristics with Murderbot: he's isolated, traumatized, often inspires fear in others through no fault of his own, and doesn't know where he belongs or how to fit in. Naturally, the first book is mostly concerned with reuniting Moon with his people and chronicling the joys and pains of integrating into this complex society. The plot is slightly predictable, but this is easily compensated for by the sheer originality of the setting: one of the few fantasy books/series I've read that does not bother with the conceit of fitting human society into a world where magic exists, but rather imagines a world where magic is just another routine natural force. There are no humans in this world but there are hundreds, possibly thousands, of sentient humanoid species, and just as many sentient non-humanoids. There are also floating islands, flying …
Moon, the main character of the Raksura series, shares a great many characteristics with Murderbot: he's isolated, traumatized, often inspires fear in others through no fault of his own, and doesn't know where he belongs or how to fit in. Naturally, the first book is mostly concerned with reuniting Moon with his people and chronicling the joys and pains of integrating into this complex society. The plot is slightly predictable, but this is easily compensated for by the sheer originality of the setting: one of the few fantasy books/series I've read that does not bother with the conceit of fitting human society into a world where magic exists, but rather imagines a world where magic is just another routine natural force. There are no humans in this world but there are hundreds, possibly thousands, of sentient humanoid species, and just as many sentient non-humanoids. There are also floating islands, flying boats, ruins of wondrous monuments built by long-vanished peoples, and trees large enough to hold entire forests on one of their branches. It's fun, it's compelling, and it has distinct elements of coziness that make it a comforting re-read for me.
There is one criticism I think is valid, which is the gender essentialism of the Raksura. I don't believe this is deliberate on Wells' part; it's simply an extension of the magical but somewhat caste-ist conception of how Raksura society works. Certain people just get certain jobs by virtue of their phenotype at birth. Which could be oppressive, except that Raksura society doesn't have money and nobody has to work for food and shelter. This didn't HAVE to mean that Raksura don't experience gender dysphoria, but that's what ends up happening--even though one of the MCs has an unexpected shift of body plan and has challenges dealing with that. There is, however, a laidback background acceptance of multiple sexual orientations. I didn't find this to be enough to ruin the story, but some people have, so I thought it was worth mentioning.
The broken earth has a lot of appealing elements (sorry) with narrative experiments going on at different scales. Some worked better than others for me, none were total flubs. The power dynamics between characters are fairly well balanced, but sometimes the characters felt a little too imaginary to me.
