There is another school for children who fall through doors and fall back out again.
It isn't as friendly as Eleanor West's Home for Wayward Children.
And it isn't as safe.
When Eleanor West decided to open her school, her sanctuary, her Home for Wayward Children, she knew from the beginning that there would be children she couldn't save; when Cora decides she needs a different direction, a different fate, a different prophecy, Miss West reluctantly agrees to transfer her to the other school, where things are run very differently by Whitethorn, the Headmaster.
She will soon discover that not all doors are welcoming...
The Wayward Children is always a solid series to return to. This entry is more of a stepping stone: set in our world instead of another on the other side of a door that a child stumbles through. It feels like a necessary, if slightly less compelling, step to prepare a larger stage. But McGuire still gives us unsettling glimpses into the particular deliverance/torments each person finds on the other side. đź’”
This novella is book 7 in the Wayward Children series. This book focuses on recurring character Cora (as well as Sumi and Regan, with some mentions of Eleanor and Kade). I wanted to like this book more, especially with how absolutely creepy the competing Whitethorn school is and how much it feels to me like a conversion therapy metaphor.
But, there's just a lot of things that don't work for me. There's so much retelling of who all of these characters are (and even when I agree with the politics it's a lot of telling instead of showing). It's way too much retread ground if you've read them all but also likely not enough for somebody who hasn't. Cora is clearly going through some trauma, but I don't feel like there's any growth for her or anybody else; by the end of the story, there's not any shift in what's …
This novella is book 7 in the Wayward Children series. This book focuses on recurring character Cora (as well as Sumi and Regan, with some mentions of Eleanor and Kade). I wanted to like this book more, especially with how absolutely creepy the competing Whitethorn school is and how much it feels to me like a conversion therapy metaphor.
But, there's just a lot of things that don't work for me. There's so much retelling of who all of these characters are (and even when I agree with the politics it's a lot of telling instead of showing). It's way too much retread ground if you've read them all but also likely not enough for somebody who hasn't. Cora is clearly going through some trauma, but I don't feel like there's any growth for her or anybody else; by the end of the story, there's not any shift in what's causing her trauma either even though the events of the book are largely caused by her trying to alleviate her feelings. The final reveals also don't really play into the climax of the story; the final moments could have easily happened without knowing any of those things and so that knowledge felt like setting up some plot for three books in the future rather than creating a satisfying ending for this one.
I love the concept of this series dealing with the fallout of portal fantasies so much, but the execution overall has been mixed for me. I think my favorite is still In An Absent Dream (book 4), largely because it's the most solid standalone story.
Review of 'Where the Drowned Girls Go' on 'Goodreads'
5 stars
Cora the mermaid is near and dear to my heart since her first appearance in this series, and I was happy to get a book where she is the main character this time (although Sumi also makes an appearance later). She's been haunted since her last quest, and hopes a drastic change will help her get over that, but changing schools turns out to be more than she bargained for.
This was very intense at times, but fantastic like all the books in the series. There's hardly any book I look forward to more than the next one, but I'll take a short story in the meantime, so hello, Skeleton Song.
Review of 'Where the Drowned Girls Go' on 'Storygraph'
5 stars
Cora can't stop hearing the Drowned Gods and wants to escape their oil-slick rainbows on her skin. She transfers to Whitethorn Academy in the hopes that it'll be better to forget, but it turns out conversion therapy for kids returned from portals doesn't work any better than the other kind.
Cora is a mermaid even if her scales aren't on the outside right now, but because of some previous events she's currently a mermaid who is having trouble being in the water. The stress of this drives her to think that being severed from both the Drowned Gods and from her Trenches-derived mermaid nature altogether might be better than having both and being haunted by nightmares. She's fat and comfortable in her own skin, the descriptions of fatphobia in the narrative are about how other people are seeing her and assuming things, and she's rejecting those assertions. Fatphobia is just …
Cora can't stop hearing the Drowned Gods and wants to escape their oil-slick rainbows on her skin. She transfers to Whitethorn Academy in the hopes that it'll be better to forget, but it turns out conversion therapy for kids returned from portals doesn't work any better than the other kind.
Cora is a mermaid even if her scales aren't on the outside right now, but because of some previous events she's currently a mermaid who is having trouble being in the water. The stress of this drives her to think that being severed from both the Drowned Gods and from her Trenches-derived mermaid nature altogether might be better than having both and being haunted by nightmares. She's fat and comfortable in her own skin, the descriptions of fatphobia in the narrative are about how other people are seeing her and assuming things, and she's rejecting those assertions. Fatphobia is just one facet of the food control at Whitethorn, but it's the one she feels most keenly.
Cora doesn’t get to know the other girls very well and that feels purposeful in the narrative. No one at the school is there to bond, they’re there to forget and break in a way that fits the Academy’s version of the world. This gradually changes, especially once a new student appears and they both run into Regan (the protagonist of ACROSS THE GREEN GRASS FIELDS).
The world of Whitethorn Academy is at least partly modeled after “conversion therapy”, which is a euphemist term for the practice of emotionally and physically torturing people (usually children) until they stop exhibiting some “undesirable” behavior (specifically that of being queer). At Whitethorn, the undesirable behavior is anything having to do with the doors. There are a lot of little subtle things that I appreciate about this manner of worldbuilding, but due to what it’s copying a detailed description would likely be very triggering. The big one I will comment on is that Cora notices that almost all the faculty were former Whitethorn students, because the way in which the school breaks them makes them detached from their doors but also ill-suited for the normal world outside. There’s a lot of little things like that which make for a chilling read, forming a complete vision of a place which takes pleasure in breaking children, but told in a way that makes it clear at every moment that this is a horrible thing.Â
This continues Cora’s story from her appearances in previous books, as well as showing Regan who was introduced in ACROSS THE GREEN GRASS FIELDS. There's a new storyline which revolves around the continuing effects on Cora from her time spent with the Drowned Gods, and her attempt to break their hold by going to Whitethorn. A big thing is introduced and resolved, but this was just the introduction for Whitethorn Academy and I’m sure we’ll get more in the future. It set up a lot of fascinating things about that school and the contrast between their mission and Eleanor’s. Cora is a new narrator in the series and her voice is distinct from the previous ones. This book is a turning point in the series and might be a bit much for someone to try and start here. It relies in a basic understanding of the doors and why someone might want to either return or forget, so it’s definitely better to start with the first book instead. The ending is well done, with a bittersweet mix of triumph and terror. I'm very excited for whatever's next, this introduced several new characters and I'd love to see their doors.
Review of 'Where the Drowned Girls Go' on 'Goodreads'
5 stars
I feel like every time I read a Wayward Children book, it is my favorite Wayward Children book. I really like Cora. I like her even more after this. I just love these people and all their worlds and how beautiful these novellas are.
Review of 'Where the Drowned Girls Go' on 'Goodreads'
5 stars
Whitethorn is the exact opposite of Eleanor West's Home for Wayward Children. An analogy for coversion therapy this was an excellent addition to the series. I hope we learn about the fate of the other school in a future book.