This book weaves together a coming of age novel, a heroic myth, and Mayan and modern (in the flappers era sense of modern) Mexican cultural tidbits.
Good story. It's written a bit too young-adult-like, which is okay for the young protagonist but not for gods. And for me, the ending didn't pack the emotional punch it could have.
This is a story told in dream logic, where you believe the impossible things that are right in front of you because to deny them would just waste everyone's time. The protagonist is unflinchingly practical, and learns to use her temper to her advantage. The antagonist is an embodiment of the petulant powerful who fear being laughed at, and find that that somehow justifies the disproportionate misery they inflict on others. The setting is a concentrated infusion of off-axis 1920s that seeps into every crevice of the narrative. Beautifully delivered.
Like so many of Moreno-Garcia's books, this was steeped in history and culture, and as with many of her books it was a remarkable shift in genre. This book felt like a fairy tale and had all the special touches of the hero (or heroine) journey.
So highly recommended.
The book is entertaining and easy enough to read. Has an interesting-to-follow plot
haven't actually finished this, but I don't like seeing the in-progress notification. I'll come back to it later, but I think it'll be better for my mental health if I mark this as finished so I don't have to see it
A good enough book, following a god trying to get his realm back with the help of a young Christian woman from Yucatan. The middle is a travelog of Mexico in the 1920s. The show build of the romance is sweet. Wasn't impressed with the final Christian themes of sacrifice and forgiveness tying the story into a neat package. OTOH, that ending was better than the promised death and destruction as far as the eye could see.
Silvia Moreno-Garcia must be a weight lifter, because she’s carrying the weight of my will to live with her.
I went in to the book craving an American Gods-like read, but in Mexico. In the best of the book I got that, but in the worst I got a bit of a predictable "weird-boy-meets-simple-girl" type beat that I got tired of.
i chose this as the first book of a book club. i am not regretting it. such a shiny book and a neat reading experience.
Really enjoyed this one. I enjoy hearing about mythology that's totally unfamiliar to me.
To some extent, reminded me of American Gods, but it's not a copy of that story.
Wonderful characters. Who doesn't love some Mayan Death Gods! A fine adventure down a dark and adventurous road. Enjoyable and fun.
This is a fantastic fantasy/mythology novel that deals with themes of belonging, family, aspiration, and mythmaking. I was dazzled by Moreno-Garcia’s descriptions of Jazz Age Mexico, a setting I am woefully ignorant of. I picked up this book because it concerned Maya mythology, and I’m a sucker for indigenous Mesoamerican myths and cultures—especially the Aztec, but the Maya as well. Moreno-Garcia brings the Popol Vuh alive in this text; regrettably, I have not read the original text, but I can imagine that the author is faithful to it. There are a lot of references to Maya culture and mythology to enliven the plot and characters.
The writing style felt juvenile at times; there was more ‘telling’ than ‘showing’. At several points of the story, Moreno-Garcia recounts the themes of the book and even highlights specific motifs, as if the reader were not careful enough to find those on their own. …
This is a fantastic fantasy/mythology novel that deals with themes of belonging, family, aspiration, and mythmaking. I was dazzled by Moreno-Garcia’s descriptions of Jazz Age Mexico, a setting I am woefully ignorant of. I picked up this book because it concerned Maya mythology, and I’m a sucker for indigenous Mesoamerican myths and cultures—especially the Aztec, but the Maya as well. Moreno-Garcia brings the Popol Vuh alive in this text; regrettably, I have not read the original text, but I can imagine that the author is faithful to it. There are a lot of references to Maya culture and mythology to enliven the plot and characters.
The writing style felt juvenile at times; there was more ‘telling’ than ‘showing’. At several points of the story, Moreno-Garcia recounts the themes of the book and even highlights specific motifs, as if the reader were not careful enough to find those on their own. Still, it was delightful to read and the plot moved at a fair pace. The ending was not overly surprising, and I did not find myself confounded by the ‘twists’. The plot was compelling; I found the characters less so, and certain developments seemed haphazard or sudden. There were complex characters to be sure, but they did not always feel dynamic. Yet, the novel still manages to come alive and pull the reader along for Casiopea Tun’s adventure.
On another note, the romance elements in the novel were annoying to me. There was hardly any build-up, and the characters did not that they underwent a serious or monumental change. A lot of the novel involves Casiopea following around Hun-Kamé, which is sensible, since he is a god. But the author described this novel as a bildungsroman, and aside from Casiopea traveling to a lot of places and being enamored with a god, not much happens. What she does accomplish, aside from stubbornness, is power derived from the god. Also, I could not stand Casiopea describing Hun-Kamé—it felt like she used to word ‘handsome’ nearly every time. After the fourth or fifth time, I imagine the reader has an idea of what he looks like and what Casiopea thinks of that, thanks very much. The romance was not for me, but I suspect a lot of readers would enjoy that element more.
Despite these nitpicks, the novel is an enjoyable one and Moreno-Garcia’s writing has its impressive moments. I enjoyed seeing a novel that celebrates Maya and Mexican culture and puts it at the forefront. (There was a moment where Casiopea mocks how disgusting American food is—I’m sure Moreno-Garcia anticipated a reaction there, at least from American readers.) I would recommend this novel to anyone curious about indigenous mythology and the themes I mentioned above, particularly mythmaking (AKA mythopoesis).
I really like the way Moreno Garcia takes Mayan mythology and twists it into a jazz age tale of a quest to restore a God to his former glory with all the attendant sacrifices.
The characters were interesting and I really enjoyed Moreno Garcia's narrative voice.
I had high expectations for this book coming in - the jazz age historical fiction + mythology combo had me reflecting on media I've loved like American Gods and the classic video game Grim Fandango.
The early section of the book felt awkward to me, whether because of my own high expectations or because the book was still finding its footing. By the middle I was invested and enjoying the ride. The ending was thoroughly satisfying, in a way that makes the whole book shine a bit brighter in retrospect.
