When editor Susan Ryeland is given the manuscript of Alan Conway’s latest novel, she has no reason to think it will be much different from any of his others. After working with the bestselling crime writer for years, she’s intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan’s traditional formula has proved hugely successful. So successful that Susan must continue to put up with his troubling behavior if she wants to keep her job.
Conway’s latest tale has Atticus Pünd investigating a murder at Pye Hall, a local manor house. Yes, there are dead bodies and a host of intriguing suspects, but the more Susan reads, the more she’s convinced that there is another story hidden in the pages of the manuscript: one of real-life jealousy, greed, ruthless ambition, …
When editor Susan Ryeland is given the manuscript of Alan Conway’s latest novel, she has no reason to think it will be much different from any of his others. After working with the bestselling crime writer for years, she’s intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan’s traditional formula has proved hugely successful. So successful that Susan must continue to put up with his troubling behavior if she wants to keep her job.
Conway’s latest tale has Atticus Pünd investigating a murder at Pye Hall, a local manor house. Yes, there are dead bodies and a host of intriguing suspects, but the more Susan reads, the more she’s convinced that there is another story hidden in the pages of the manuscript: one of real-life jealousy, greed, ruthless ambition, and murder.
Masterful, clever, and relentlessly suspenseful, Magpie Murders is a deviously dark take on vintage English crime fiction in which the reader becomes the detective.
Brilliant novel. This is my first "whodunit" and I loved it. The characters were very interesting and it was def a meta approach he took. It was extremely clever and had a lot of references to Agatha Christie. The first story captured the period well while aligning later with his second story. It is a solid read and I recommend.
The new BBC series about the book is marvellous! All my issues about Crete were properly addressed and there are no issues any more! Now, if only the relation between Miss Ryeland and Pünt was like this in the book...!
I knew nothing about this book, Corinna picked it as an Audiobook for a road trip, and it was great. I was not expecting it to be as meta as it was, but it really worked for me. There were a few times it got a little tricky as an audiobook, but overall it worked for me.
Gosto de livros que contém outros livros dentro da história. Em outros que já li neste estilo, normalmente são utilizados apenas trechos, mas aqui o autor incorpora completamente um livro completo dentro de outro livro completo. Uma narrativa que liga os dois, um crime "fictício" e um crime " real". Eu ia começar pelo segundo desta série, mas acabei pegando este, que é o primeiro. Realmente, é melhor ler na ordem.
What a fun and interesting murder in a murder story experience! The combination of accidental death, suicides, and murders gave the mind lots to play with! And untangling the characters of the "book in a book" and the book itself was a challenge in and of itself. The ending was as expected in terms of the main character and her boyfriend ending up together as should be, and the relationship between the author and his main detective (of the book within a book) was fascinating and gave a sort of spice to the whole thing.
I like books with meta narratives. I also like puzzles, and this book entangles both in quite a clever way.
It also teases the reader by throwing in pieces of information that are obviously pertinent, and avoids explaining them for as long as possible, or flat out tells the reader that a conclusion turned out to be false, but again not explaining why for as long as possible.
If any of the above sounds tantalizing, this book is for you.
I really enjoyed this. It was fun and clever and really very well done. The first half was a flawless Christie-esque ‘cozy’; the second half was a modern whodunnit that acknowledged how truly unlikely such things are to actually happen to real people: ‘But I wasn’t a detective. I was an editor - and, until a week ago, not a single one of my acquaintances had managed to die in an unusual and violent manner.’ I was amused by the main character’s mentions of Horowitz’s own television shows - realistically, a modern murder-mystery enthusiast really would be a fan of ‘Midsomer Murders’ as well as similar shows, but it still seemed so consciously self-referential that it made me laugh.
Probably a 4.5. Great book but something has to blow my mind for it to be a 5. VERY clever, about a murder mystery inside another murder mystery. Lots of fun twists.