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Trying to explore a wide range of literature, especially fiction, and I'm not afraid of challenging texts. In general, all periods and genres, with a preference for postmodern literature and Science Fiction. Reading in german and english.
Versuche, mir ein möglichst weites Feld an Literatur, vor allem der Belletristik, zu erschließen; es darf gerne auch mal herausfordernd sein. Grundsätzlich alle Epochen, alle Genres, mit besonderer Vorliebe für die Postmoderne und Science-Fiction. Lese auf deutsch und auf englisch.
My Favorite Books/Lieblingsbücher
Mastodon: Weird Fish weirdfish@literatur.social
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Paranoid Fish's books
2026 Reading Goal
4% complete! Paranoid Fish has read 2 of 50 books.
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Paranoid Fish rated Der letzte Sessellift: 4 stars

Der letzte Sessellift by John Irving
1941 in Aspen, Colorado. Die 18-jährige Rachel tritt bei den Skimeisterschaften an. Eine Medaille gibt es nicht, dafür ist sie …
Paranoid Fish finished reading Der letzte Sessellift by John Irving

Der letzte Sessellift by John Irving
1941 in Aspen, Colorado. Die 18-jährige Rachel tritt bei den Skimeisterschaften an. Eine Medaille gibt es nicht, dafür ist sie …
Iulian quoted Frankenstein by Mary Shelley
A human being in perfection ought always to preserve a calm and peaceful mind, and never allow a passion or a transitory desire to disturb his tranquility.
— Frankenstein by Mary Shelley (Page 37)
Paranoid Fish started reading It Can't Happen Here by Sinclair Lewis
Paranoid Fish reviewed Last Exit To Brooklyn by Hubert Selby, Jr.
A landmark book
5 stars
I'm deeply moved by this novel. Some scenes in this book are really hard to bear. But its language is so strong and so beautiful in its coarseness, and the characters are so real and deeply tragic and unforgettable. Wow.
I'm deeply moved by this novel. Some scenes in this book are really hard to bear. But its language is so strong and so beautiful in its coarseness, and the characters are so real and deeply tragic and unforgettable. Wow.
Paranoid Fish rated Last Exit To Brooklyn: 5 stars

Last Exit To Brooklyn by Hubert Selby, Jr., Hubert, JR. Selby
Last Exit to Brooklyn is a raw depiction of life amongst New York's junkies, hustlers, drag queens and prostitutes. An …
Paranoid Fish finished reading Last Exit To Brooklyn by Hubert Selby, Jr.

Last Exit To Brooklyn by Hubert Selby, Jr., Hubert, JR. Selby
Last Exit to Brooklyn is a raw depiction of life amongst New York's junkies, hustlers, drag queens and prostitutes. An …
«Ich halte das Handeln der AfD zwar für rechtswidrig, deshalb sollten wir das Verfahren anstreben, aber wenn das Gericht entscheidet, dass sie aktuell nicht verboten werden muss, bin ich nicht deprimiert, sondern erleichtert, weil das ja bedeutet, dass sie offenbar weniger gefährlich ist, als ich angenommen hatte.»
Paranoid Fish commented on Last Exit To Brooklyn by Hubert Selby, Jr.
Paranoid Fish wants to read Das Leben und die Ansichten Tristram Shandys by Laurence Sterne

Das Leben und die Ansichten Tristram Shandys by Laurence Sterne
Tristram Shandy setzt an, seine Lebensgeschichte lückenlos zu erzählen. Doch dabei wird er immer wieder gestört. Da tritt sein Vater …
Die Petition "Keine Führung eigener Register zur Erfassung von trans* und nichtbinärer Personen" hat jetzt 10595 Zeichnungen. 19405 stimmen bis zum Quorum. Wir brauchen also noch 1764 Stimmen pro Tag.
Also werbt wo ihr könnt.
https://epetitionen.bundestag.de/petitionen/_2025/_07/_14/Petition_183950.$$$.a.u.html
willowmillway reviewed 1Q84 by Haruki Murakami
"cue-teen eighty-four"?
5 stars
A long one, but held me until the end. Murakami does this thing with repetition: an idea or phrase is reiterated sometimes word-for-word at different times or different povs. Its obvious on the diction level but has a parallel in the larger scale of the story as well. It strings together a long strung out story and gives it consistency, familiarity. Murakami often lures the reader into familiarity even to the point of drip-feeding the clues to a coming plot point, dramatic irony appearing at the last moment. However, the familiarity is also a ruse, a way to shock the reader when something truly unprecedented is revealed. I appreciate the sympathetic powers in employ of Murakami's writing; characters who are hardly likeable in any easy sense are made intimately understandable even if we hate them at times. His stories often culminate in supernaturally charged climaxes and 1Q84 is no exception, …
A long one, but held me until the end. Murakami does this thing with repetition: an idea or phrase is reiterated sometimes word-for-word at different times or different povs. Its obvious on the diction level but has a parallel in the larger scale of the story as well. It strings together a long strung out story and gives it consistency, familiarity. Murakami often lures the reader into familiarity even to the point of drip-feeding the clues to a coming plot point, dramatic irony appearing at the last moment. However, the familiarity is also a ruse, a way to shock the reader when something truly unprecedented is revealed. I appreciate the sympathetic powers in employ of Murakami's writing; characters who are hardly likeable in any easy sense are made intimately understandable even if we hate them at times. His stories often culminate in supernaturally charged climaxes and 1Q84 is no exception, but i feel he really outdid himself in this case of fates converging and veils thinning; the inexplicable phenomenon having such terrible power until the very end. In conclusion: Put a Tiger in Your Tank 👍🏻.
willowmillway reviewed Klara and the Sun by Kazuo Ishiguro
Do androids pray to an electric god?
4 stars
There's a million things one could say about this book. To me the most powerful choice was telling the story from the perspective of Klara. In her telling, there is a bareness; an absence of background and critical information that creates mystery and interest. She herself is not so much interested in this mystery. It's either irrelevant to her small picture life and/or simply unavailable to her. We witness in the absence of human drives and background, separate artificial drives that constellate into a different kind of sense. To Klara, the sun is a tangible, all powerful, sentient god; like to many of our ancestors and it guides her, she prays, she has faith. It feels both innocent like a child and pious as any religious person. Ishiguro seems to suggest that spirituality is basic; a sign of actual intelligence, and counterposes it to the venue scientific worldview that creates …
There's a million things one could say about this book. To me the most powerful choice was telling the story from the perspective of Klara. In her telling, there is a bareness; an absence of background and critical information that creates mystery and interest. She herself is not so much interested in this mystery. It's either irrelevant to her small picture life and/or simply unavailable to her. We witness in the absence of human drives and background, separate artificial drives that constellate into a different kind of sense. To Klara, the sun is a tangible, all powerful, sentient god; like to many of our ancestors and it guides her, she prays, she has faith. It feels both innocent like a child and pious as any religious person. Ishiguro seems to suggest that spirituality is basic; a sign of actual intelligence, and counterposes it to the venue scientific worldview that creates Klara and downplays intelligence as mere circuitry. I feel it bears reminding that scifi is not a reflection of the future or of actual possibilities, rather it elaborates on themes resonant in the present and in ourselves. That said, this isn't a story about AI, it's a story about the perennial question of soul and meaning. Objectively this is an incredible, tight story that is worth it for entertainment value alone if not for its deeper inquires.










