User Profile

Paranoid Fish

Paranoid-Fish@bookwyrm.social

Joined 3 years, 1 month ago

Trying to explore a wide range of literature, especially fiction, and I'm not afraid of challenging texts. In general, all periods and genres, with a preference for postmodern literature and Science Fiction. Reading in german and english.

Versuche, mir ein möglichst weites Feld an Literatur, vor allem der Belletristik, zu erschließen; es darf gerne auch mal herausfordernd sein. Grundsätzlich alle Epochen, alle Genres, mit besonderer Vorliebe für die Postmoderne und Science-Fiction. Lese auf deutsch und auf englisch.

My Favorite Books/Lieblingsbücher

read in 2024

read in 2025

Mastodon: Weird Fish weirdfish@literatur.social

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Paranoid Fish's books

Currently Reading

Stopped Reading (View all 6)

2026 Reading Goal

4% complete! Paranoid Fish has read 2 of 50 books.

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Hubert Selby, Jr., Hubert, JR. Selby: Last Exit To Brooklyn (2011, Penguin Books)

Last Exit to Brooklyn is a raw depiction of life amongst New York's junkies, hustlers, …

A landmark book

I'm deeply moved by this novel. Some scenes in this book are really hard to bear. But its language is so strong and so beautiful in its coarseness, and the characters are so real and deeply tragic and unforgettable. Wow.

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Sarah Bosetti: Make Democracy Great Again! (EBook, German language, Rowohlt E-Book) No rating

«Ich halte das Handeln der AfD zwar für rechtswidrig, deshalb sollten wir das Verfahren anstreben, aber wenn das Gericht entscheidet, dass sie aktuell nicht verboten werden muss, bin ich nicht deprimiert, sondern erleichtert, weil das ja bedeutet, dass sie offenbar weniger gefährlich ist, als ich angenommen hatte.»

Make Democracy Great Again! by 

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Haruki Murakami: 1Q84 (Hardcover, 2013, Turtleback Books)

A young woman named Aomame follows a taxi driver’s enigmatic suggestion and begins to notice …

"cue-teen eighty-four"?

A long one, but held me until the end. Murakami does this thing with repetition: an idea or phrase is reiterated sometimes word-for-word at different times or different povs. Its obvious on the diction level but has a parallel in the larger scale of the story as well. It strings together a long strung out story and gives it consistency, familiarity. Murakami often lures the reader into familiarity even to the point of drip-feeding the clues to a coming plot point, dramatic irony appearing at the last moment. However, the familiarity is also a ruse, a way to shock the reader when something truly unprecedented is revealed. I appreciate the sympathetic powers in employ of Murakami's writing; characters who are hardly likeable in any easy sense are made intimately understandable even if we hate them at times. His stories often culminate in supernaturally charged climaxes and 1Q84 is no exception, …

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Kazuo Ishiguro: Klara and the Sun (Hardcover, 2021, Alfred A. Knopf)

From the best-selling author of Never Let Me Go and The Remains of the Day

Do androids pray to an electric god?

There's a million things one could say about this book. To me the most powerful choice was telling the story from the perspective of Klara. In her telling, there is a bareness; an absence of background and critical information that creates mystery and interest. She herself is not so much interested in this mystery. It's either irrelevant to her small picture life and/or simply unavailable to her. We witness in the absence of human drives and background, separate artificial drives that constellate into a different kind of sense. To Klara, the sun is a tangible, all powerful, sentient god; like to many of our ancestors and it guides her, she prays, she has faith. It feels both innocent like a child and pious as any religious person. Ishiguro seems to suggest that spirituality is basic; a sign of actual intelligence, and counterposes it to the venue scientific worldview that creates …