Homegoing is the debut historical fiction novel by Ghanaian-American author Yaa Gyasi, published in 2016. Each chapter in the novel follows a different descendant of an Asante woman named Maame, starting with her two daughters, who are half-sisters, separated by circumstance: Effia marries James Collins, the British governor in charge of Cape Coast Castle, while her half-sister Esi is held captive in the dungeons below. Subsequent chapters follow their children and following generations.
The novel was selected in 2016 for the National Book Foundation's "5 under 35" award, the National Book Critics Circle's John Leonard Award for best first book, and was longlisted for the Dylan Thomas Prize in 2017. It received the Hemingway Foundation/PEN Award for 2017, an American Book Award, and the Vilcek Prize for Creative Promise in Literature.
Homegoing is the debut historical fiction novel by Ghanaian-American author Yaa Gyasi, published in 2016. Each chapter in the novel follows a different descendant of an Asante woman named Maame, starting with her two daughters, who are half-sisters, separated by circumstance: Effia marries James Collins, the British governor in charge of Cape Coast Castle, while her half-sister Esi is held captive in the dungeons below. Subsequent chapters follow their children and following generations.
The novel was selected in 2016 for the National Book Foundation's "5 under 35" award, the National Book Critics Circle's John Leonard Award for best first book, and was longlisted for the Dylan Thomas Prize in 2017. It received the Hemingway Foundation/PEN Award for 2017, an American Book Award, and the Vilcek Prize for Creative Promise in Literature.
Really enjoyed this book. I had a hard time remembering who's who in the family tree as the book went on but the core idea of the book remained strong. Slavery and its history has been done countless times but this one feels quite personal (and is). Starting from the Gold Coast and stretching to Harlem, I really "enjoyed" the painful ride.
Really enjoyed this book. I had a hard time remembering who's who in the family tree as the book went on but the core idea of the book remained strong. Slavery and its history has been done countless times but this one feels quite personal (and is). Starting from the Gold Coast and stretching to Harlem, I really "enjoyed" the painful ride.
It's an incredible book but not one I particularly enjoyed. The reason I'm reading this is for a book club. If you think this sounds interesting, you'll love it.
It's an incredible book but not one I particularly enjoyed. The reason I'm reading this is for a book club. If you think this sounds interesting, you'll love it.
This book is HEAVY. Would not recommend picking this one up if you are in an emotional state at all because this will rip you apart. Gyasi does an amazing job with writing about the Black experiences throughout history. You're following a family line through multiple generations from the beginning of slaves being sold off to the white men.
While this is a very heavy book on the emotions, it is not just trauma on display. There are a lot of heartfelt, joyful moments between family members and an underlying vein of hopefulness that you'll be able to see the family break out of the literal and metaphorical chains that they were placed in. The ending of the book was perfect and made me smile.
Cannot recommend this enough. Read this book!
This book is HEAVY. Would not recommend picking this one up if you are in an emotional state at all because this will rip you apart. Gyasi does an amazing job with writing about the Black experiences throughout history. You're following a family line through multiple generations from the beginning of slaves being sold off to the white men.
While this is a very heavy book on the emotions, it is not just trauma on display. There are a lot of heartfelt, joyful moments between family members and an underlying vein of hopefulness that you'll be able to see the family break out of the literal and metaphorical chains that they were placed in. The ending of the book was perfect and made me smile.
A brilliant tale of a family separated by the slave trade, growing through the generations, on opposite sides of the ocean. For 14 storylines, Gyasi did an incredible job making each character feel unique both in circumstance and motivation, never shying away from difficult subjects, and providing pertinent perspectives and proverbs. "You cannot stick a knife in a goat and then say, Now I will remove my knife slowly, so let things be easy and clean, let there be no mess. There will always be blood."
A brilliant tale of a family separated by the slave trade, growing through the generations, on opposite sides of the ocean. For 14 storylines, Gyasi did an incredible job making each character feel unique both in circumstance and motivation, never shying away from difficult subjects, and providing pertinent perspectives and proverbs. "You cannot stick a knife in a goat and then say, Now I will remove my knife slowly, so let things be easy and clean, let there be no mess. There will always be blood."
"Heimkehren" von Yaa Gyasi hat mich von Anfang bis zum Ende in seinen Bann gezogen. Die Verästelung der Geschichten von zwei Halbschwestern, die aus den gleichen Wurzeln entspringen, aber völlig verschiedene Leben führen, ist faszinierend. Die Art und Weise, wie die Autorin die verschiedenen Zweige dieses komplexen Stammbaums miteinander verknüpft, ist beeindruckend.
Die Geschichte war durchweg spannend, und ich konnte kaum aufhören zu lesen. Es stimmt, dass es gelegentlich verwirrend sein kann, auf welchem Ast des Stammbaums man sich gerade befindet. Doch diese Verwirrung trägt auf gewisse Weise zur Tiefe und Komplexität der Erzählung bei.
Die erste Geschichte hat mir bereits gut gefallen, und ich finde den Schreibstil von Yaa Gyasi äußerst ansprechend. Sie versteht es, die Emotionen und die Tiefe der Charaktere auf eindrucksvolle Weise darzustellen. Insgesamt hat sich die Lektüre von "Heimkehren" definitiv gelohnt, und ich bin beeindruckt davon, wie die Autorin die Leben dieser beiden …
"Heimkehren" von Yaa Gyasi hat mich von Anfang bis zum Ende in seinen Bann gezogen. Die Verästelung der Geschichten von zwei Halbschwestern, die aus den gleichen Wurzeln entspringen, aber völlig verschiedene Leben führen, ist faszinierend. Die Art und Weise, wie die Autorin die verschiedenen Zweige dieses komplexen Stammbaums miteinander verknüpft, ist beeindruckend.
Die Geschichte war durchweg spannend, und ich konnte kaum aufhören zu lesen. Es stimmt, dass es gelegentlich verwirrend sein kann, auf welchem Ast des Stammbaums man sich gerade befindet. Doch diese Verwirrung trägt auf gewisse Weise zur Tiefe und Komplexität der Erzählung bei.
Die erste Geschichte hat mir bereits gut gefallen, und ich finde den Schreibstil von Yaa Gyasi äußerst ansprechend. Sie versteht es, die Emotionen und die Tiefe der Charaktere auf eindrucksvolle Weise darzustellen. Insgesamt hat sich die Lektüre von "Heimkehren" definitiv gelohnt, und ich bin beeindruckt davon, wie die Autorin die Leben dieser beiden Halbschwestern so meisterhaft miteinander verwebt hat.
Die Tatsache, dass diese Geschichten über so viele Jahrhunderte hinweg gelebt wurden, ist großartig. Es hat mir ermöglicht, tiefer in die Geschichte schwarzer Menschen einzutauchen und viele wichtige Einblicke zu gewinnen. Diese Buch hat mir gezeigt, wie wichtig es ist, die vielfältigen Erzählungen und Erfahrungen von PoC (People of Color) zu hören und zu verstehen.
Nach der Lektüre von "Heimkehren" bin ich definitiv motiviert, mehr Bücher von PoC-Autoren zu lesen. Es ist von großer Bedeutung, verschiedene Perspektiven zu erkunden und von den Geschichten und Erfahrungen anderer zu lernen. Dieses Buch hat mir die Augen geöffnet und mich dazu inspiriert, weiterhin nach Büchern zu suchen, die diese wichtige Vielfalt widerspiegeln.
This book gripped me immediately. A wonderfully written dive into how the slave trade effected and shaped not just the Americas, but also the land the slaves came from. I was enamored in how each generation built on the tragedy and triumphs of the previous generations. I also honestly appreciated that the book wasn't the equivalent of trauma porn, with moments of joy and achievement throughout.
I remember I finished this book on my lunch break at work, and I literally gasped in joy at the ending, as I felt it was the best way that things could have ended.
This book brought me so much joy, as well as great insight into the Black experience through the years and how each historical era changed things.
I've been verbally recommending this book to everyone, and now I'll do it online too.
This book gripped me immediately. A wonderfully written dive into how the slave trade effected and shaped not just the Americas, but also the land the slaves came from. I was enamored in how each generation built on the tragedy and triumphs of the previous generations. I also honestly appreciated that the book wasn't the equivalent of trauma porn, with moments of joy and achievement throughout.
I remember I finished this book on my lunch break at work, and I literally gasped in joy at the ending, as I felt it was the best way that things could have ended.
This book brought me so much joy, as well as great insight into the Black experience through the years and how each historical era changed things.
I've been verbally recommending this book to everyone, and now I'll do it online too.
Wonderful premise and also lovely execution. Hear me out: two sisters, separated at birth, in Ghana, end of 18th century. One of them ends up married to a slaver, the other one is sent as a slave to North America. Every chapter follows the story of each sister's son or daughter. And it goes on for generations until modern day US/Ghana. Parallel stories unfolding, one event determining the future of so many.
Made me consider my ancestors in ways I'd never thought of before. How choices, luck, chance, fortune or misfortune will not only determine the course of your life but also the course of everyone who will go after you. This books connects people vertically in a beautiful and spiritual way that I found very compelling.
On the other hand of course, I must mention the horrible, horrible experiences that are depicted in the book, mostly from the American …
Wonderful premise and also lovely execution. Hear me out: two sisters, separated at birth, in Ghana, end of 18th century. One of them ends up married to a slaver, the other one is sent as a slave to North America. Every chapter follows the story of each sister's son or daughter. And it goes on for generations until modern day US/Ghana. Parallel stories unfolding, one event determining the future of so many.
Made me consider my ancestors in ways I'd never thought of before. How choices, luck, chance, fortune or misfortune will not only determine the course of your life but also the course of everyone who will go after you. This books connects people vertically in a beautiful and spiritual way that I found very compelling.
On the other hand of course, I must mention the horrible, horrible experiences that are depicted in the book, mostly from the American side of it all. The tales of slavery are evidently despicable, but post-slavery America is undoubtedly terrifying as well. How Black people are integrated in a seemingly normal society but not really cuz it's all filled with ENRAGING RACISM ughhhhh.
As with many books I've read this book, it is enriching to live out the experiences of people of color via their lives and stories, fictional or not. I am happy I'm embarking in this journey and steering away from the mf classics and reading books that matter, that can open people's eyes and minds to others, and most importantly to those who have less opportunities. thx for attending my ted talk.
Grand scope, a family saga that delivers challenge and perspective at every step, and succeeds both as small stories and in setting the stage for deep thinking about the whole span of racial injustice.
Um livro belíssimo, com uma escrita que nos faz viajar para locais recônditos e inesperados.
Abordando temas cruciais, como o colonialismo ou o racismo, a autora mostra-nos duas faces do ser humano: uma delas, cruel e sem escrúpulos; e uma outra, mais humana, compassiva e terna.
Esta obra ficará na minha memória, e aproveito para congratular todas as organizações que permitiram à autora seguir a sua missão e partilhar connosco tal obra, através do apoio financeiro fornecido.
A ti, que estarás a ler este comentário, lê e sente este livro dentro de ti...
I will never walk a mile or even one step in their shoes. I’ll never feel a whip shredding my flesh; never be condemned to hard labor in a coal mine or fear being abducted into such a life. I have, I suspect, had job applications tossed out because of my name but I’ve never had entire career possibilities closed off. I’ve never been hauled to prison for smoking a joint while nearby anglos, doing the same, look on. This is privilege, and it makes my reading experience both uncomfortable and so rewarding.
Damn, what a book. Gyasi offers a visceral feel for the crushing inescapable suffering of one subset of humanity at the hands of another subset. It’s impossible for most of us to really feel what those lives were like, but Gyasi lets us come close to imagining it. The book follows two parallel timelines, the (mostly mis)fortunes …
I will never walk a mile or even one step in their shoes. I’ll never feel a whip shredding my flesh; never be condemned to hard labor in a coal mine or fear being abducted into such a life. I have, I suspect, had job applications tossed out because of my name but I’ve never had entire career possibilities closed off. I’ve never been hauled to prison for smoking a joint while nearby anglos, doing the same, look on. This is privilege, and it makes my reading experience both uncomfortable and so rewarding.
Damn, what a book. Gyasi offers a visceral feel for the crushing inescapable suffering of one subset of humanity at the hands of another subset. It’s impossible for most of us to really feel what those lives were like, but Gyasi lets us come close to imagining it. The book follows two parallel timelines, the (mostly mis)fortunes of two Ghanaian sisters and their progeny across two centuries: one sister taken—involuntarily, and you know what I mean—to the American colonies, the other remaining in Ghana; each one, and each descendant, suffering cruelties we just can’t really fathom. The glimpses Gyasi coolly gives us are stomach-turning, often more so because we know we will never in our armchair lives feel anything close to those horrors, and certainly not every day for the entire duration of our lives. My privilege humbles me.
The suffering isn’t just in the West: none of the characters in the Ghana storyline leads a charmed life either. The evils, though, are different in scope and kind and scale and intention; theirs are by and large the everyday ills of humankind. The contrast with the lives of those in the US is stark and sobering. I could go on at great length, but have already blathered too much. Beautiful language, deeply moving stories, perspectives that may stay with you. Just read it.
One recommendation: read it in hardcopy, not ebook or audio. There’s a family tree diagram in the front that is invaluable; I flipped back to it at least once per chapter, sometimes more.
This was not what I was expecting. I had been putting it off because even though everyone loved it, I had gotten the impression that this was a heavy literary novel. It isn't that at all. It is pretty standard historical fiction. (That's a good thing in my world.)
Two half-sisters in Ghana start the story. One stays in Ghana and marries a British man. The other is sold into slavery by that British man. One member of each generation tells their story up until the present.
Everyone is right. It really is good. Go read it.
This was not what I was expecting. I had been putting it off because even though everyone loved it, I had gotten the impression that this was a heavy literary novel. It isn't that at all. It is pretty standard historical fiction. (That's a good thing in my world.)
Two half-sisters in Ghana start the story. One stays in Ghana and marries a British man. The other is sold into slavery by that British man. One member of each generation tells their story up until the present.
I thought for a little while that the generational vignettes were decreasing the emotional impact, but by the end, compiling whole lineages of people was powerful.
