At an exclusive school somewhere outside of Arlington, Virginia, students aren’t taught history, geography, or mathematics—they are taught to persuade. Students learn to use language to manipulate minds, wielding words as weapons. The very best graduate as “poets,” and enter a nameless organization of unknown purpose.
Whip-smart runaway Emily Ruff is making a living from three-card Monte on the streets of San Francisco when she attracts the attention of the organization’s recruiters. Drawn in to their strage world, which is populated by people named Brontë and Eliot, she learns their key rule: That every person can be classified by personality type, his mind segmented and ultimately unlocked by the skilful application of words. For this reason, she must never allow another person to truly know her, lest she herself be coerced. Adapting quickly, Emily becomes the school’s most talented prodigy, until she makes a catastrophic mistake: She falls in love. …
At an exclusive school somewhere outside of Arlington, Virginia, students aren’t taught history, geography, or mathematics—they are taught to persuade. Students learn to use language to manipulate minds, wielding words as weapons. The very best graduate as “poets,” and enter a nameless organization of unknown purpose.
Whip-smart runaway Emily Ruff is making a living from three-card Monte on the streets of San Francisco when she attracts the attention of the organization’s recruiters. Drawn in to their strage world, which is populated by people named Brontë and Eliot, she learns their key rule: That every person can be classified by personality type, his mind segmented and ultimately unlocked by the skilful application of words. For this reason, she must never allow another person to truly know her, lest she herself be coerced. Adapting quickly, Emily becomes the school’s most talented prodigy, until she makes a catastrophic mistake: She falls in love.
Meanwhile, a seemingly innocent man named Wil Parke is brutally ambushed by two men in an airport bathroom. They claim he is the key to a secret war he knows nothing about, that he is an “outlier,” immune to segmentation. Attempting to stay one step ahead of the organization and its mind-bending poets, Wil and his captors seek salvation in the toxically decimated town of Broken Hill, Australia, which, if ancient stories are true, sits above an ancient glyph of frightening power.
A brilliant thriller that traverses very modern questions of privacy, identity, and the rising obsession of data-collection, connecting them to centuries-old ideas about the power of language and coercion, Lexicon is Max Barry’s most ambitious and spellbinding novel yet.
Good thriller. A little more violent than I usually prefer, but it's well-written and exciting. It has lots of interesting thoughts about language, meaning, persuasion/manipulation, and what makes people tick.
Lexicon has the form and pace of a thriller, but it plays with the fantasy trope of magic words. Persuasion and marketing stand in for geas, and the conceit holds together wonderfully. This is the strongest of the novels I've read by Barry, with a cohesion and immersion that stands out.
Action thriller with capable light sci-fi themes of shadowy secrets, persuasive control, and corporate surveillance. The linguistic and marketing angles were weak to my cynical experience and central holes in what matters, I probably would have loved this when I was 20. There's a reasonable comparison to Vita Nostra here that puts this as the brash and somewhat flat American branch of the org that's a bit stuck in their 1950s categories and also wants to be a legible action movie?
I had previously read Jennifer Government, and rated it highly, so I figured I'd give this book a shot. It's nothing like Jennifer, but a very compelling read. The basic conceit is clever, the characters are well-written, and it keeps you on the edge of your seat to the very end, with many twist, turns, and fake-outs. The non-chronological story telling can be a bit disorienting, probably especially so in the audiobook.
I loved the entire concept and the world-building, but the characters were hard to like. Their motivations were poorly defined and their relationships were muddled by a convoluted timeline. Five-star concept, two-star execution.
Programación neurolingüística, sociedades secretas, conspiraciones, traiciones, canguros... Parece que el libro lo tiene todo y aún así ha conseguido dejarme frío. El mayor problema que tiene está causado por su propio sistema de ¿magia?, que obliga a los personajes a parecer patatas que se mueven y hablan. Por si acaso eso no era suficiente, también tiene problemas con el ritmo, resolviendo situaciones demasiado apresuradamente para mi gusto.
Totally fun. I would've given it five stars if the ending had pulled things together a bit better. Regardless, the concept was fun. Reminded me a bit of "Lock In."
It was pretty regular Max Barry. I liked it, but I guess I ended up feeling like I'd heard it all before. If you read Syrup or Jennifer Government, don't pass this book, but don't go rush to read it either.
Lexicon is the rare book that I found both completely unpredictable and intensely thrilling. I’d call it a page-turner, but I listened to the audiobook version, so instead I’ll tell you that I was so enthralled that I spent the several hours just sitting on my couch listening so that I could finish it. That’s also rare – normally I only listen to audiobooks while I’m doing something else (dishes, chores, exercise, driving, etc.) – so I’d definitely call it a mark in Lexicon’s favor.
Fans of Lev Grossman’s The Magicians will find much to enjoy here. Like that book, Lexicon tells the story of a school for talented youngsters that involves far more sinister and heartbreaking developments than ever graced the pages of Harry Potter. However, where The Magicians passes through pitch-black satire into chilling horror, Lexicon is equal parts paranoid “wrong man” thriller and cracked coming-of-age story, with …
Lexicon is the rare book that I found both completely unpredictable and intensely thrilling. I’d call it a page-turner, but I listened to the audiobook version, so instead I’ll tell you that I was so enthralled that I spent the several hours just sitting on my couch listening so that I could finish it. That’s also rare – normally I only listen to audiobooks while I’m doing something else (dishes, chores, exercise, driving, etc.) – so I’d definitely call it a mark in Lexicon’s favor.
Fans of Lev Grossman’s The Magicians will find much to enjoy here. Like that book, Lexicon tells the story of a school for talented youngsters that involves far more sinister and heartbreaking developments than ever graced the pages of Harry Potter. However, where The Magicians passes through pitch-black satire into chilling horror, Lexicon is equal parts paranoid “wrong man” thriller and cracked coming-of-age story, with constantly shifting motivations and alliances that hammer the fact that trust is a liability.
In Lexicon’s world, language is a technology indistinguishable from magic, and the right words make it possible to control anyone as long as you know their psychological profile. A society of “poets” founded on these principles collects words of power and trains recruits in the art of persuasion at an exclusive private school. In the outside world, this society’s activities extend from brute force mental takeovers of susceptible civilians to more subtle campaigns of influence embedded in advertising or political websites.
The book jumps between two primary story lines: the kidnapping, by poets, of Will Park, a middle-mannered man who is an “outlier” unaffected by their words of power, and the recruitment, schooling and eventual downfall of a seventeen-year-old con artist named Emily Ruff who joins the poets to escape her life on the street. At first, the connection between these story-lines isn’t entirely clear, and in fact they almost feel like entirely different books. Will is living in a paranoid thriller while Emily comes of age in a young adult novel with the occasional dark moment.
However, the genius of Lexicon is the way Barry doles out revelations and slowly but surely pulls the rug out from under you. It isn’t long before the connection between Will and Emily’s stories starts to become clear, and you begin to wonder if Barry is actually doing what it seems like he is doing. Barry seems to delight in undermining expectations, and it’s oftentimes hard to know who to root for when so many of the characters take part in despicable events. Even still, I found myself drawn into their stories, wondering if my worst fears or dearest hopes might come true. I wasn’t entirely sure how the book might resolve itself until the very last moments, but that resolution didn’t feel any less earned because of it.
There is the occasional minor plot hole, and one character’s stated motivations don’t completely make sense in the end, but none of that detracted from my enjoyment. Lexicon was an absolutely thrilling read, and I can’t recommend it enough.
The funniest thing about Barry is that when I read Jennifer Government many years ago, I didn’t particularly like it. However, I’ve read two more of his books this year (Company was the other), and thoroughly enjoyed both. I suppose it just goes to show that you can’t always judge an author by a single book. I’ll definitely be checking out his other books soon.
Tore through it, and in many ways enjoyed it. And yet now that I'm done I find myself focusing too much on the shortcomings- I found the ending entirely too deus ex machina to be satisfying; the character development was also too spare for my tastes these days; etc. Would still generally recommend, but not enthusiastically.
A somewhat more elaborate review: You should be in the mood for this book before you read it, so you'll enjoy it fully. There's a strong current of conspiracy/hidden power/nature of humanity hoohah running through it, and there's at least one character whose story and development you become engrossed in, and it's very well written, in terms of exposition (its narrative timeline is what you might call "serpentine," but it works), pacing, dialogue and such. But what it really is is a highly enjoyable shoot-em-up, quippy one-liner, this-town's-not-big-enough-for-the-both-of-us, who do I root for? action story. If you want to read one of those that treats you like you have a vocabulary and a brain, I think you'll enjoy Lexicon.
The premise is that each of 200 or so human personality types are susceptible to certain primal words, different and effective to varying degrees for each type, which "unlock" their …
Wow.
A somewhat more elaborate review: You should be in the mood for this book before you read it, so you'll enjoy it fully. There's a strong current of conspiracy/hidden power/nature of humanity hoohah running through it, and there's at least one character whose story and development you become engrossed in, and it's very well written, in terms of exposition (its narrative timeline is what you might call "serpentine," but it works), pacing, dialogue and such. But what it really is is a highly enjoyable shoot-em-up, quippy one-liner, this-town's-not-big-enough-for-the-both-of-us, who do I root for? action story. If you want to read one of those that treats you like you have a vocabulary and a brain, I think you'll enjoy Lexicon.
The premise is that each of 200 or so human personality types are susceptible to certain primal words, different and effective to varying degrees for each type, which "unlock" their minds and make them malleable to suggestion, even subservience. We have a shadow group that finds promising young people to teach these words and how to do all that (and how to prevent it being done on them), making them "poets": agents of this shadow group, the overall stated purpose of which actually escapes me. (I don't think it's ever made clear. But it's OK!) One of our main characters is an exceptionally gifted "poet" prodigy who ends up at pretty drastic odds with the organization. And meanwhile, there is something called a "bareword," a word with power so primal as to make anyone who sees it more or less a slave for life to the next suggestion they get, regardless of personality, training, or anything else. These pop up every few hundred years or so, and sometimes trigger massive shifts in history (e.g., Babel). And hey, look, we've found one!
We follow the prodigy, a poet who considers himself responsible for her fall from grace, an "outlier" who is for some reason immune to the effects of the bareword, and assorted others -- and when I say "follow," I mean we wind our way through the narrative as it's structured, which is definitely not chronological -- as they fight for power, or survival, or love, or redemption, things like that. It's a page-turner without artificial cliffhangers -- it's a really good story, and you want to know what happens next, and how it ends. Very satisfying, throughout.
I alluded to one of my minor issues with the novel above, i.e. there's onecharacter you really care about, and that's about it. Others range from somewhat implausible to downright one-dimensional. But the villains are easy to hate, and the dialogue among some of the implausible, one-dimensional characters is real snappy. You don't feel cheated by the lack of Multifaceted Characters Struggling to Make Important Decisions in the vein of "literary" fiction. The pieces fit the board perfectly.