Lucas reviewed Negative Space by B.R. Yeager
It's not just hopeless, but against hope. The world is already over.
3 stars
Content warning Mild spoilers for events later in the book and themes overall
The point-of-view characters seek the very few people around them that should, according to common social or familial understanding—girl/boyfriend, parent, school, church, high-tech care home, etc.—be present, helpful, understanding, caring, but are not (are instead, themselves, closing up in hatred, roiling in despair). The teens, even knowing they've been discarded, have no future, are driven nonetheless by these expectations and desires into hateful, doomed relationships. The most fortunate ones are abandoned; the rest are used and abused, scraped out from the inside for as long as they can bear putting off suicide, hitting snooze with minor distractions (drugs, sex, work).
I felt it sagged in the middle, where many hallucinatory passages felt samey, sludgy. Then the end rushes not to resolution, but to obliteration. Definitely a mood.
[Further thoughts contain mild spoilers, I suppose.]
I also thought it interesting that the experiences under the influence of WHORL were not straight-forward, that they were, once you got past the creepiness of the black tendrils, mostly affirming of emotional and social connection—not only snaking in/out of orifices through which humans relate through smells, kisses, sex, but also bringing to life the emotional connections one has with the living and the dead (your dead pets, relatives, exes), whether that leaves you reassured or frightened. I mean, it even smashes your phone for you—real human connections only! (Jill never seems to learn this and is always being left on read.)
If anything, Lu—and to a lesser extent, the crosses-on-eyes My Boyfriend's Back fella—learn to find some sort of balance between self/other through "occult" ritual; that it's often Onanistic is meaningful, I think. Whether/what that says about Lu and her, presumably, place on the spectrum, I'm not in a good position to say. Notably, almost all the characters' "normal" social relations—parents, school, church, hospitals, retail etc.—are toxic, demanding, shuttered, discarding responsibility for providing for their psychological and emotional well-being. It's only through WHORL that the real relationships—good and certainly bad—seem to be enabled, encouraged. And, given the world they're in, they really need to grieve and rage at God.