Girl of Fire and Thorns

This felt like bog-standard fantasy with the exception of the protagonist's magic umbilicus. Yes, see, her navel is a gem that turns hot and cold (and more, but...spoilers, I guess.) Did her umbilical artery run through it? Did it grow once her cord fell off? Is the belly button just decorative in this world? Inquiring minds got too distracted by umbilical anatomy to pay too much attention to the plot, which is good, because again, cliche fantasy + Stockholm syndrome.

OK, to add one more comment: I liked having a heroine who was larger, and the body positivity that went with it. Of course, she lost a ton of weight while being kidnapped and was thrilled with her smaller body...Rae Carson is not exactly svelte herself and this all felt like a very unhealthy weight fantasy situation.

Full review on Reader's Dialogue: readersdialogue.blogspot.com/2013/09/the-girl-of-fire-and-thorns.html

This book was recommended to me because I love Robin McKinley's Damar novels. And I immediately saw why. The two series are very similar, though each one has its own unique voice and style. It starts with a girl who thinks she's worthless and winds up being the most important person in the world. Along the way, there's kidnapping, royal marriages, intrigue, budding romance, stark loyalty, friendship, loss...

Elisa is so compelling right from the start, even as she's being obnoxiously insecure and finding comfort in food. I absolutely loved the food aspect, by the way. Because Elisa turns to food so often, there's a ton of mention of food throughout the book, and I loved the inventiveness as some foods were recognizable and some were completely novel and delightfully exotic (I'll pass on the rat soup, though, which apparently Elisa will too!). Her insecurities actually become the point of entry for us to identify with her, and the way the king treats her leaves us as confused as she is. She of course thinks there's a deeper reason for the king marrying her than her beauty, of which she assumes she has none, but when he appears to love her, she begins to tentatively hope. And though the king is far from a bad person, I couldn't help hating him a little as he was so blind to Elisa as a person needing love and acted kind in a way that cut deep.

The Godstone that rests in Elisa's navel is just as confusing. She thinks she gets help and responses from God, but she doubts it also, and she hates it at times for allowing her friends to die when she prays and it sends warmth as if it's accepting her prayer. Her relationship with the Godstone is central to the story, of course, and is essential to her growth.

Humberto is possibly the only person who doesn't act ambiguously. Elisa doesn't trust him at first, but I loved every scene that he was in, because he has such a quiet strength and is such a perfect gentleman. I sort of fell in love with him. Which makes what happens so much harder, of course, and I really hope Elisa finds a way out of it in the next book - like in the first few pages, maybe, please? Though I know that's not really possible.

But the main part of Elisa's journey is discovering her own worth and rising to the challenge presented to her, and I think her realization at the end of the book about the connection between her being chosen and her choosing to act is so heartwarming. And I can't wait to find out how it all plays out further...