656 pages
English language
Published April 22, 2014 by HarperCollins Publishers.
A Prayer for Owen Meany is the seventh novel by American writer John Irving. Published in 1989, it tells the story of John Wheelwright and his best friend Owen Meany growing up together in a small New Hampshire town during the 1950s and 1960s. According to John's narration, Owen is a remarkable boy in many ways; he believes himself to be God's instrument and sets out to fulfill the fate he has prophesied for himself. The novel is also an homage to Günter Grass's most famous novel, The Tin Drum. Grass was a great influence for John Irving, as well as a close friend. The main characters of both novels, Owen Meany and Oskar Matzerath, share the same initials as well as some other characteristics, and their stories show some parallels. Irving has confirmed the similarities. A Prayer for Owen Meany, however, follows an independent and separate plot.
I'm an angry antitheist and /still/ loved this book. A true masterpiece.
My daughter’s gilrfriend is reading this for the first time, and it got me amped up to re-read it myself. There’s a special place in my heart reserved especially for this book. For Gravesend, New Hampshire, and for John Wheelwright, for Hester and even John’s stern grandmother, Harriet. And of course for the miracle of Owen himself.
YOU CAN’T TAKE A MIRACLE AND JUST SHOW IT!
YOU CAN’T TAKE A MIRACLE AND JUST SHOW IT!
I'm an ex-Catholic atheist that picked up this book based on some recommendations on baseball forums (of all places).
This book was far better than I expected. It only loosely counts as baseball literature (compared to fic. lit. like The Art of Fielding, which I also enjoyed), but it really stands out as an expansive tale about growing up with the inimitable Owen Meany and his effect on basically everyone in the fictional town of Gravesend, NH.
The story gets off to a bit of a slow start, but it only feels that way because the book needs to lay a broad foundation for the story that Irving unfolds masterfully. With hindsight, each bit of lore that seems tangential early on is important later and that's a sign of great writing. Once you've become familiar with the core of characters, the story flits easily from one time period to another, …
I'm an ex-Catholic atheist that picked up this book based on some recommendations on baseball forums (of all places).
This book was far better than I expected. It only loosely counts as baseball literature (compared to fic. lit. like The Art of Fielding, which I also enjoyed), but it really stands out as an expansive tale about growing up with the inimitable Owen Meany and his effect on basically everyone in the fictional town of Gravesend, NH.
The story gets off to a bit of a slow start, but it only feels that way because the book needs to lay a broad foundation for the story that Irving unfolds masterfully. With hindsight, each bit of lore that seems tangential early on is important later and that's a sign of great writing. Once you've become familiar with the core of characters, the story flits easily from one time period to another, one character arc to another, without ever being boring or confusing. Irving has a talent for brief yet powerful description and dialogue that makes even the most everyday scene carry weight.
In threads about this book there seems to be a lot of hand-wringing about the religious aspect. I will admit some of the recounted hymns and prayers can be a bit tedious for a non-believer, but at the same time the religious characters in the book are real and flawed and despite the equation of faith with courage, the book is actually critical of the blindly dogmatic aspect of religion. The supernatural/divine element of the book is light and restricted to Owen Meany himself, so there's no sappy come-to-Jesus tearful conversion crap.
There is also a very political component of the book. As the story moves into the Vietnam Era, the characters generally take a strong anti-war stance for a variety of reasons. Time passing is usually underlined by describing the situation in Vietnam, and characters compare the euphemistic doublespeak of the government with what they know is actually happening on the ground. The first person narrator, John Wheelwright, also flashes forward to 1987 ("modern day") and offers criticism of Reagan and Iran-Contra as evidence of American misdeeds. This might have felt stale just a few years after the book was published, but in the world of George W. Bush and Donald Trump a lot of the criticisms aimed at the insanity of the American public are still well targeted.
Where this book really shines though is weaving all of the various stories of Owen, John and a large cast of Gravesenders into one great story while defying your predictions, but also without leaving any loose ends. Maybe I read too much sequel-obsessed science fiction but it's rare that I've felt so satisfied by the end of a story and that's why I had to give it 5 stars instead of a more typical 4.
John Irving has an astonishing ability to create in a few sentences a complete, flesh and blood, breathing human being with a million quirks and distinct traits who you could pick out of a crowd.
I have never had my opinion of a book turn around so completely as this.
For the first half of the book I fixated on how much I disliked the religious aspects of the story.
In the second half I realised I was attached to and invested in the characters.
By the end I didn't want the characters to be gone.
If you're just starting this book and you're feeling put off by any aspect I recommend you stick with it to the end.
This book introduced me to John Irving, and it set me on a path to read a bunch of his other books. I thoroughly enjoyed the ideas presented in this book, and have thought about them many times since first reading it about ten years ago.
A number of people have criticized Prayer for its inaccurate portrayal of Christianity and faith. I disagree. When I read the book, I was amazed at how spot-on Irving was in describing many of the thoughts and feelings I had experienced in my own Christian upbringing.
Perhaps the most intriguing aspect of the book for me is the sense of wonder that the narrator, John Wheelwright, feels toward Owen Meany's seemingly charmed--in multiple senses of the word--life. Watching someone who seems to have a purpose, a destiny, as his life unfolds while not sensing a similar purpose in one's own life provides a horde …
This book introduced me to John Irving, and it set me on a path to read a bunch of his other books. I thoroughly enjoyed the ideas presented in this book, and have thought about them many times since first reading it about ten years ago.
A number of people have criticized Prayer for its inaccurate portrayal of Christianity and faith. I disagree. When I read the book, I was amazed at how spot-on Irving was in describing many of the thoughts and feelings I had experienced in my own Christian upbringing.
Perhaps the most intriguing aspect of the book for me is the sense of wonder that the narrator, John Wheelwright, feels toward Owen Meany's seemingly charmed--in multiple senses of the word--life. Watching someone who seems to have a purpose, a destiny, as his life unfolds while not sensing a similar purpose in one's own life provides a horde of conflicting thoughts and emotions. On the one hand, John as a child is awed and fascinated, and at times almost convinced, by Owen's seemingly unshakable belief that he is an instrument of God. At the same time, however, John feels insecure and at the mercy of uncontrollable events in his own life--which despite being intertwined with the events of Owen's life, do not seem to him to be the destined history of a benevolent.
In the end, John comes to believe in God based on the events of Owen's life. But even that belief becomes something outside his own life, a faith that is less of a heart-felt truth and more a conclusion that there simply is no better way to explain the arcane and impossible-to-understand world outside.
