Writing that book was like shining a beacon from a lighthouse, I suppose. Are there any ships on the horizon? Will they signal back to me?
If you like dark academia and gothic, explorations of misogyny, themes like the impact of stories, and romance subplots focus on healing, definitely pick this one up. Especially if you also value vibes over plot and get that special longing, anxious feeling in your chest whenever you so much as think about the sea.
This was a slow read for me, and I changed my opinion about it a bunch of times, but ultimately, I liked far more about it than I didn’t. The prose, in particular, is such a strong part of the book, doing so much to create a heavy, uncertain, gothic atmosphere and to support the themes of the book. This is indeed a study in drowning: because of the Drowning as an event important to the setting, because the sea creates a threat, because Effy spends almost the entirety of the story metaphorically drowning. And so the prose is pretty much full of water. There are water-themed metaphors and similes everywhere, water-related colors and qualities to the various scene settings, and every time there is a word choice that can be even remotely associated with water, you bet the author takes it. The watery themes just never let go, and it creates a beautiful effect.
The worldbuilding was occasionally confusing. The bigger concepts, like the politics, the folklore, the academic and literature culture, were really well-realized. On the smaller scale, though, while the vibes were impeccable, I struggled to actually feel grounded. It was kind of like listening to a “decrepit gothic mansion by the sea” soundtrack without getting a visual. The setting is a secondary world that has phones, cars, indoors plumbing, ceiling fans, etc—but for the love of the sea, I can’t tell you what era or mix of eras one should be envisioning with them all. 1920s? 1950s? 1980s? Might be a “me” problem, but I legit don’t know. Guess this isn’t particularly important; but it kept making me feeling shaky and uncertain. If the setting was farther divorced from the real world, I would be completely fine with the existing level of descriptions, I think. But here, it was like… hmmm… like when you’re learning a language that has a lot of common with your native one. You really need to explicitly understand the differences and the similarities.
The plotting was probably the weakest part of the story. The central mystery about the real authorship of the novel
Angharad was rather predictable and kind of… oddly executed? The specific actions Effy and Preston took and their mindsets throughout the investigation felt less like “we’re solving a mystery” and more like “we’ve got this conspiracy theory we want to spread.” Also, the reveal is pretty much based on one glaring plot hole that I won’t comment on in detail to avoid spoilers, and I also kind of understand how you can squint and ignore the hole-ness of it in favor of focusing on the themes, but still, it felt pretty meh to me. In general, there were times when that central plot felt like it was just interfering with the vibes and the characters’ inner journeys rather than helping both.
Speaking of characters, I really loved Effy throughout the book, and I felt for her a lot: the pain she was in, the survival mechanisms she’s developed, her quiet strength mixed with anxiety, the way she gave herself the chance to heal. She’s really been dealt a shitty lot in life, but I feel like she’s going to be fine eventually. Preston was a cinnamon roll, and I appreciated how supportive he was of Effie and how focused on lifting her up. It’s worth noting that the book promises enemies to lovers and doesn’t deliver—they’re barely rivals, tbh, and even though there’s some light animosity at the start, it gives way quickly enough to seeking understanding. Which, I feel, really suits these characters and the story. They just aren’t the kind to get locked in a more typical enemies-to-lovers type of dynamic—good for them! Though i do feel there were some missed opportunities here, in particular with the impact the politics of the world might have on their relationship given that, even though his mother is Llyrian, Preston has Argantian origins and the tensions between the countries are considerable, to say the least. It felt like the book did try to explore that at first, with Effy’s preconceived notions about Preston, but that line of thinking was quickly dropped in favor of other themes.
Overall, I’m a big fan of the work the author does with the prose and the vibes, and when the next book comes out, I’m quite likely to pick it up. It will be interesting to see further character development from both leads, and I’m looking forward to once again feeling like my ereader now smells of the sea. 🌊
