Batman: Dark Victory is a 14-part American comic book limited series (including a #0 issue) published by DC Comics, featuring the superhero Batman. The series, which ran from 1999 until 2000, was written by Jeph Loeb and drawn by Tim Sale, and it serves as a sequel to Batman: The Long Halloween. Batman: Dark Victory takes place primarily three to four years into Batman's career as a vigilante crimefighter. The plot centers on a series of murders involving Gotham City police officers by a mysterious serial killer only known as the Hangman. Central to the storyline is a territory war between Two-Face and the remnants of the Falcone mob, led by Sofia Falcone.
The story is also a re-telling of the origins of Batman's sidekick Robin and his adoption by Bruce Wayne. The story brings closure to many characters introduced in Frank Miller's Batman: Year One.
There is also a …
Batman: Dark Victory is a 14-part American comic book limited series (including a #0 issue) published by DC Comics, featuring the superhero Batman. The series, which ran from 1999 until 2000, was written by Jeph Loeb and drawn by Tim Sale, and it serves as a sequel to Batman: The Long Halloween. Batman: Dark Victory takes place primarily three to four years into Batman's career as a vigilante crimefighter. The plot centers on a series of murders involving Gotham City police officers by a mysterious serial killer only known as the Hangman. Central to the storyline is a territory war between Two-Face and the remnants of the Falcone mob, led by Sofia Falcone.
The story is also a re-telling of the origins of Batman's sidekick Robin and his adoption by Bruce Wayne. The story brings closure to many characters introduced in Frank Miller's Batman: Year One.
There is also a sequel, Robin: Year One, by Chuck Dixon and Scott Beatty.
In 2004, Loeb and Sale produced a follow-up titled Catwoman: When in Rome, focusing on Catwoman's movements in Italy. The story takes place during the events of Dark Victory, between Valentine's Day (when Catwoman leaves Gotham) and Labor Day.
Dark Victory is pretty much a direct sequel to [b:Batman: The Long Halloween], and is every bit as good as the first one. All together it's one long story & if you liked one, there's a good chance you'll enjoy this one.
The twists are bigger, the story is deeper and everyone gets to come back for one more shot in the spotlight before the story ends.
Personal favorite bit of this book? Bringing Robin into the picture. His existence is something I've felt is, and has always been, crucial to Batman's character and Bruce's emotional stability. Seeing his appearance in this reboot was a welcome addition and added to the story's already satisfying ending.
I thought long and hard before giving two stars to this one. It's possible that I should have given it three.
It was long, and a decent enough read. In many ways it resembles Frank Miller's acclaimed Batman Year One miniseries. Much of the art closely resembles David Mazzucchelli's subdued, semi-realistic and oddly crumpled-looking style in Year One. That's not a style I particularly like, but I don't hate it either.
Many of the secondary characters from Year One appear in Dark Victory. But the storytelling style diverges more from Miller's, particularly in the latter half of the book.
In fact, that's the reason I ended up giving Dark Victory only two stars; it starts well, with a promising mystery that seems as if it might be a mystery - that is, that it might be a mystery which the reader could actually have a chance to …
I thought long and hard before giving two stars to this one. It's possible that I should have given it three.
It was long, and a decent enough read. In many ways it resembles Frank Miller's acclaimed Batman Year One miniseries. Much of the art closely resembles David Mazzucchelli's subdued, semi-realistic and oddly crumpled-looking style in Year One. That's not a style I particularly like, but I don't hate it either.
Many of the secondary characters from Year One appear in Dark Victory. But the storytelling style diverges more from Miller's, particularly in the latter half of the book.
In fact, that's the reason I ended up giving Dark Victory only two stars; it starts well, with a promising mystery that seems as if it might be a mystery - that is, that it might be a mystery which the reader could actually have a chance to figure out, rather than simply read and wait for a deus ex machina. The characters are interesting. But as the book progresses, it goes downhill.
I don't like the way that the various supervillains are drawn, for one thing. Semi-realism goes out the window for them, and the effect doesn't work. Two-Face looks as if he's half Mafioso, and half Red Skull - but with a strange-looking nose that manages to be both weirdly long and pug at the same time (and not just on one side, which might make sense, but on both). The Joker is drawn so unrealistically that he might as well be from another universe; his head is twice the size of anyone else's, and half of his face is giant teeth. Again, the effect doesn't work. Robin looks as if he's drifting towards an anime look, of the typical "cute/frightened little kid with a tiny mouth" type.
The writing goes downhill even faster than the art. A major plotline involving betrayal is resolved in an unsatisfying, off-hand manner. The mystery, which began with such promise, sputters out with a whimper; no matter how I try to connect the interesting clues to the resolution, I can't make sense of it. Batman makes more stupid mistakes than he should, throughout; this is NOT a character who should often miss the obvious, and it's annoying when an author plays that tired old card to extend the story.
The addition of Robin to the story doesn't work at all. This is the "dark" Batman, or purports to be, and adding a cutesy/spunky sidekick to that character is a tricky proposition at best. I don't consider Frank Miller to be infallible, but at least he handled the same issue far more skillfully in Batman The Dark Knight Returns. In this book, Robin is just annoying. I can see what the author was going for, an attempt to make the sidekick issue work with the "dark lone avenger" theme, but he simply fails to carry it off successfully.
I think I might have given this book three stars if it hadn't resembled a far superior work so closely in the beginning, and then failed so completely to fulfil its promise.
