"L'universo ha avuto origine da un immenso respiro trattenuto. Perché non si sa, ma quale che ne sia stato il motivo, mi fa davvero piacere sia andata così, se sono vivo lo devo infatti a quel fenomeno. Tutti i miei desideri e le mie riflessioni non sono altro che vortici d'aria generati dalla successiva e graduale espirazione dell'universo. E finché questa grande espirazione non avrà termine, i miei pensieri continueranno a vivere.". Nel racconto che dà il nome alla raccolta, il protagonista è uno scienziato che fa una scoperta impossibile sulla propria esistenza. E chiude proprio con un'esortazione che contiene la poetica dell'autore: «Anche se quando mi leggerai, esploratore, io sarò morto da tempo, mi congedo adesso rivolgendoti un invito: contempla la meraviglia che è l'esistenza e rallegrati di poterlo fare. Mi sento in diritto di dirtelo. Mentre scrivo queste parole, infatti, io sto facendo lo stesso.» In questo uso …
"L'universo ha avuto origine da un immenso respiro trattenuto. Perché non si sa, ma quale che ne sia stato il motivo, mi fa davvero piacere sia andata così, se sono vivo lo devo infatti a quel fenomeno. Tutti i miei desideri e le mie riflessioni non sono altro che vortici d'aria generati dalla successiva e graduale espirazione dell'universo. E finché questa grande espirazione non avrà termine, i miei pensieri continueranno a vivere.". Nel racconto che dà il nome alla raccolta, il protagonista è uno scienziato che fa una scoperta impossibile sulla propria esistenza. E chiude proprio con un'esortazione che contiene la poetica dell'autore: «Anche se quando mi leggerai, esploratore, io sarò morto da tempo, mi congedo adesso rivolgendoti un invito: contempla la meraviglia che è l'esistenza e rallegrati di poterlo fare. Mi sento in diritto di dirtelo. Mentre scrivo queste parole, infatti, io sto facendo lo stesso.» In questo uso della fantascienza come contenitore dei sentimenti e dei pensieri umani, Chiang è degno erede di Philip K. Dick. Nelle altre otto storie che compongono la raccolta ci sono sempre personaggi fuori dall'ordinario, che sperimentano la vita in dimensioni diverse dalla nostra. Come ne "Il mercante e il portale dell'alchimista", il racconto che apre la raccolta, in cui un varco temporale costringe un venditore di stoffe nell'antica Baghdad a fare i conti con i propri errori e gli offre il modo di rimediare. Come in tutte le sue opere, Chiang sfiora la fantascienza immaginando mondi diversi, intelligenze artificiali, forse viaggi nel tempo (sicuramente nella memoria), e in realtà mette sul tavolo temi umanissimi: il valore della vita, l'ineluttabilità, la paura e il dolore della morte, la necessità della memoria, la ricchezza salvifica del sapere, e volere, comunicare.
My kind of sci-fi. Chiang transcends the engineering approach to life typical of much science fiction. He creates believable cultures that aren't superficial tweaks but shows a deep understanding of what life is about.
My kind of sci-fi. Chiang transcends the engineering approach to life typical of much science fiction. He creates believable cultures that aren't superficial tweaks but shows a deep understanding of what life is about.
Confession time: I am in love with Ted Chiang. Deeply. I fell hard in 2003 with his story “Liking What You See: A Documentary.” Today, having finished “The Truth of Fact, the Truth of Feeling” and “Anxiety is the Dizziness of Freedom,” I’m head over heels. What a beautiful mind. The stories in this collection all dance around the nature of consciousness; of personality, decisionmaking, determinism. Communication, empathy, freedom, culture, storytelling, adapting to change. Everything we think about what makes us human, he takes in interesting directions. All told with grace, empathy, humility, compassion and gentle humor. All of them, every one, making me stop reading afterward to reflect.
Whoever you are, wherever you are, read these. You’ll grow.
The author is a well-known short-fiction and technical writer with an unusually simple and lucid style at the sentence level. In that regard, he reminds me of Kazuo Ishiguro. This book is a collection of 10 good to excellent short stories that do not have strong plot development or dramatic conclusions but have clever and insightful themes with unusually deep intellectual rumination. Chiang is concerned about the intersection of technology and humanity, the costs of progress, linguistics, and the nature of human and animal cognition.
Ted Chiang is perhaps the most cerebral sci-fi author I have read; he accomplishes in 30 pages what Neal Stephenson needs 300 [3,000?] pages to do. (I enjoy Stephenson very much, but he's a slow-burn kind of guy, you know?)
This collection is notable in that I actually enjoyed every story in it. (Okay, okay, "The Lifecycle of Software Objects" could've been a tad shorter — but I still liked it overall.) The standouts for me, however, are "The Merchant and the Alchemist's Gate," "The Truth of Fact, the Truth of Feeling," "Anxiety Is the Dizziness of Freedom," and of course, the eponymous "Exhalation." Special thanks to [a:Amy Sturgis|785795|Amy H. Sturgis|https://images.gr-assets.com/authors/1278628951p2/785795.jpg] for introducing me to that last one several years ago in one of her classes, which largely prompted me to pick up this collection in the first place.
For all the differences in these stories, there is also an …
Ted Chiang is perhaps the most cerebral sci-fi author I have read; he accomplishes in 30 pages what Neal Stephenson needs 300 [3,000?] pages to do. (I enjoy Stephenson very much, but he's a slow-burn kind of guy, you know?)
This collection is notable in that I actually enjoyed every story in it. (Okay, okay, "The Lifecycle of Software Objects" could've been a tad shorter — but I still liked it overall.) The standouts for me, however, are "The Merchant and the Alchemist's Gate," "The Truth of Fact, the Truth of Feeling," "Anxiety Is the Dizziness of Freedom," and of course, the eponymous "Exhalation." Special thanks to [a:Amy Sturgis|785795|Amy H. Sturgis|https://images.gr-assets.com/authors/1278628951p2/785795.jpg] for introducing me to that last one several years ago in one of her classes, which largely prompted me to pick up this collection in the first place.
For all the differences in these stories, there is also an unexpected, but much welcome, cohesiveness to them. Each of the stories in this collection explores a variation in what it means to be human and the significance (and insignificance) of our thoughts, decisions, actions in a nihilistic and deterministic universe. Chiang does not offer any answers, only approaches, and that is, I believe, a large reason for why his stories ultimately succeed.
Замечательный набор зарисовок, которые автор использует чтобы исследовать большие вопросы: свобода воли, взаимное влияние науки и религии, формирование картины мира через несовершенные воспоминания. Ни одна не даёт ответов, это работа уже для читателя.
Не пять звёзд только из-за того, что The Lifecycle of Software Objects, занимающая треть книги, ставит вопросы, замученные в жанре (миры Чана обычно не слишком типичны для современной научной фантастики, и имеют больше общего с творчеством Филипа Дика - титульный рассказ, Exhalation, вдохновлён Electric Ant - чем с привычными картинами далёкого и не очень будущего, но эту историю я бы условно отнёс к посткиберпанку, и довольно спокойной и степенной даже его разновидности) уже абсолютно до смерти, и не смогла захватить мой интерес какими-то новыми интерпретациями.
Остальные - чистое удовольствие; собственно Exhalation уже была в... хотел написать, что в самом известном (спасибо фильму Arrival) сборнике автора Stories of Your Life and Others, но беглый фактчек это не подтверждает, …
Замечательный набор зарисовок, которые автор использует чтобы исследовать большие вопросы: свобода воли, взаимное влияние науки и религии, формирование картины мира через несовершенные воспоминания. Ни одна не даёт ответов, это работа уже для читателя.
Не пять звёзд только из-за того, что The Lifecycle of Software Objects, занимающая треть книги, ставит вопросы, замученные в жанре (миры Чана обычно не слишком типичны для современной научной фантастики, и имеют больше общего с творчеством Филипа Дика - титульный рассказ, Exhalation, вдохновлён Electric Ant - чем с привычными картинами далёкого и не очень будущего, но эту историю я бы условно отнёс к посткиберпанку, и довольно спокойной и степенной даже его разновидности) уже абсолютно до смерти, и не смогла захватить мой интерес какими-то новыми интерпретациями.
Остальные - чистое удовольствие; собственно Exhalation уже была в... хотел написать, что в самом известном (спасибо фильму Arrival) сборнике автора Stories of Your Life and Others, но беглый фактчек это не подтверждает, ладно, я её уже читал ГДЕ-ТО, но даже это не позволило мне её пропустить. Good stuff.
Such an excellent collection of stories. Just so very good.
'The Truth of Fact, the Truth of Feeling' is my favourite, by far, for how the story dovetails with an anthropological description of writing. Reading 'Omphalos' during the holidays -- a story which revolves around the role of faith in science and research -- was illuminating and interesting. And the beauty of the redemption arc in 'Anxiety is the Dizziness of Freedom' was a perfect end to the series.
Highly recommended.
Such an excellent collection of stories. Just so very good.
'The Truth of Fact, the Truth of Feeling' is my favourite, by far, for how the story dovetails with an anthropological description of writing. Reading 'Omphalos' during the holidays -- a story which revolves around the role of faith in science and research -- was illuminating and interesting. And the beauty of the redemption arc in 'Anxiety is the Dizziness of Freedom' was a perfect end to the series.
