Justin du Coeur reviewed The Curse of Chalion by Lois McMaster Bujold (World of the Five Gods, #1)
Brilliant bit of fantasy-history
5 stars
On the surface, it's a fantasy novel, set in a world that looks very much like medieval Europe, save that the primary Kingdoms (Chalion, Ibra, etc) are made-up. It invents the Quintarian and Quadrene faiths as the primary religions (which are very central to the story), and is the tale of a God-tossed soldier, Lord Cazaril, who winds up quite accidentally the secretary and primary advisor to the Royesse (princess) Iselle as she navigates the political storms around her house and the curse surrounding them. It's a brilliantly structured book, full of little threads that all tie together with remarkable elegance at the end. Particularly interesting and unusual: while it's describing a fictional world, it is tightly based on real history. Iselle is basically Isabella I of Castille, and the book is telling a fictionalized version of the events leading up to her marriage to Ferdinand II of Aragon, and …
On the surface, it's a fantasy novel, set in a world that looks very much like medieval Europe, save that the primary Kingdoms (Chalion, Ibra, etc) are made-up. It invents the Quintarian and Quadrene faiths as the primary religions (which are very central to the story), and is the tale of a God-tossed soldier, Lord Cazaril, who winds up quite accidentally the secretary and primary advisor to the Royesse (princess) Iselle as she navigates the political storms around her house and the curse surrounding them. It's a brilliantly structured book, full of little threads that all tie together with remarkable elegance at the end. Particularly interesting and unusual: while it's describing a fictional world, it is tightly based on real history. Iselle is basically Isabella I of Castille, and the book is telling a fictionalized version of the events leading up to her marriage to Ferdinand II of Aragon, and the birth of Spain as we know it. With the exception of our protagonist Cazaril, pretty much every central character is based on an actual historical figure, and the events of the story largely parallel the actual history. (The death of Don Pedro, one of the real-life suitors to Isabella, inspires the turning-point moment in the book, when the story kicks into high gear.) Despite its length, the book is necessarily greatly simplified from the actual history -- it's kind of amusing to note that this by-no-means simple plot isn't remotely as over-complex as the actual history of Isabella and Ferdinand. But that's how we get a satisfying story. The book is, notably, just barely fantasy -- it's nearly historical fiction. It's mostly describing a pretty authentic medieval world. Even the made-up religions intentionally parallel reality, albeit by no means precisely. The two religions at each other's throats are closely related: the Islam-cognate Quadrenes believe in the the Father, the Mother, the Brother and the Sister; the Catholic-cognate Quintarians add the Bastard to that set. And the story is only "fantasy" in that the hand of the Gods is strong enough that it is hard not to accept them as real -- they never actually appear as such (except in visions), but there are enough convenient "miracles" that it is a bit hard for people not to believe in them. Excellent book, and really a model for how to write fantasy-history. Highly recommended.