G. Deyke reviewed Revenant Gun by Yoon Ha Lee (The Machineries of Empire, #3)
[Adapted from initial review on Goodreads.]
5 stars
I gave Ninefox Gambit five stars, which means by rights I should be giving Revenant Gun six or seven. This book was an absolute delight to read, and I'm at something of a loss as to how to review it without just gushing. All the stuff I loved about the two books that came before it is still there, but it ramps up some of the more fun elements - cute robots! A servitor is one of the main perspective characters! We have a teenage version of Jedao feeling completely out of his depth! Even characters who are opposed to each other are awesome and loveable and worth rooting for! We finally learn about voidmoths, which I guess hovers sort of between "fun" and "horrifying in a dystopian way", but either way: awesome!
I did a lot of complaining about the sociopathic villain trope embodied in Nirai Kujen in the …
I gave Ninefox Gambit five stars, which means by rights I should be giving Revenant Gun six or seven. This book was an absolute delight to read, and I'm at something of a loss as to how to review it without just gushing. All the stuff I loved about the two books that came before it is still there, but it ramps up some of the more fun elements - cute robots! A servitor is one of the main perspective characters! We have a teenage version of Jedao feeling completely out of his depth! Even characters who are opposed to each other are awesome and loveable and worth rooting for! We finally learn about voidmoths, which I guess hovers sort of between "fun" and "horrifying in a dystopian way", but either way: awesome!
I did a lot of complaining about the sociopathic villain trope embodied in Nirai Kujen in the earlier books, and... I feel a lot better about it now. The language surrounding it is not optimal, but in Revenant Gun we learn Kujen's history and, critically, how he came to be the way he is - and it's both chilling and tragic, because (given the available in-universe technology and all that) it's thoroughly realistic and has an all-too human origin. At the same time, his evil (a word I do not like to use very much, but I am comfortable applying it to him) is not at all downplayed. Nirai Kujen is an absolutely horrible person, in a way that many people might become if they had the chance, and for entirely understandable - if not necessarily sympathetic - reasons. It also helps that he has a foil in Shuos Mikodez, who has the same sort of language used around him and is purportedly without scruples, but throughout all of it remains, fundamentally, not evil. It's a low bar to cross, especially in comparison to Kujen, but Mikodez manages it admirably.
So I feel better about that, and there's a lot of fun in here, but there's a lot of depth too; themes of humanity and autonomy and rights (and who deserves them) continue, and the series ends with a focus on healing and reparations, and it's all just very satisfying. Love this book, love this series, and am deeply glad that I read it.
Selling points: queer cast; non-white cast; magic space battles; cute robots; teenage Jedao feeling out of his depth; excellent worldbuilding; weird alien stuff from an excellent angle.
Warnings: suicidal ideation; also something very complicated that amounts to a rape warning.