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Often rambling, ranting, and rigorous in odd measure, still a strong critique of computers-substituted-for-intelligence-AI. Computers ought not do some things we will come to believe they are capable of: through the instrumentalist and reductionist narrowing of rationality (and history) to what is computable and recordable; mistaking analogies and models of humans as information processors; and compulsive, addictive, and imperialist closing off of multiple and incommensurate perspectives.

Dark visceral history and encouraging strength through a long view of civil rights. A good collection of responses and reflections.

The early 2000s, fractured implied narrative in short scenes set in Nevada's bleakness, in global trade's corners, in conceptual micronationality, in the simultaneous confidence in and impermanence of technology.

Engaging tangent sequel on borders, racial justice, and love in a violent world. Plot details and world shifts aside, characterization pulls the weight well here.

Stunning, a climate apocalypse grounded in our current reality, that powerfully conveys a violent experience of living through a lifetime's decline in an intensely personal and local story - no boom-post-apocalypse, yet so many sharp inflections of loss and choosing between things you thought wouldn't matter til after you were gone away. It would be bizarre to call this a hopeful novel, but the undercurrent grows towards acceptance and dependence in the face of uncertainty, and it is beautifully done.

I'd be curious what genre readers enjoy this, as it choppily blends historical fiction, romance, time travel, spy thriller, and reflections on genocide. Only the first two seem a strength here, and they're not my taste, but I would have settled in more easily for a slow burn romance across the last few centuries if the author hadn't kept interrupting me with the rest.

Did not love the individual pursuit of militaristic honor to defeat a singular evil, in a story of systemic imperial injustice. But it is a pretty and in its way empowering YA graphic novel.

What to take seriously? I am always here for spider aliens in space, and for retrospective comparisons of life under communist oppressive distrust and capitalist freewheeling distrust, and maybe for reflections on marital aspirations to common purpose or individual, and a slice of unfamiliar perspective in historical allusion... this was also a mess of a story.

Most valuable for the vignettes of small movements by individuals reaching out to neighbors, cross-town faith and community groups, city action spurred by organizing to redress and counteract the enumerated and on-going harmful effects of racial segregation.