Hardcover, 464 pages
English language
Published June 29, 2010 by Del Rey.
Kraken is a fantasy novel by British author China Miéville. It is published in the UK by Macmillan, and in the US by Del Rey Books. The book bears the subtitle "An Anatomy" on the title page. It was the winner for the 2011 Locus Award for Best Fantasy Novel. Miéville has described the book as "a dark comedy about a squid-worshipping cult and the end of the world. It takes the idea of the squid cult very seriously. Part of the appeal of the fantastic is taking ridiculous ideas very seriously and pretending they’re not absurd."
weirdly excellent. Takes some getting into but is riveting and fast paced action once you get the lingo.
Not a terrible yarn, but it seems to wander for a good chunk of the book. The more stream of consciousness writing it hard to get through. It only seems to illustrate that something strange is going on here, which would be fine if it wasn't surrounded by tons of weird stuff going on. Will look out for shorter ones by this author, rather than longer.
By far one of the WEIRDEST books I've ever read. A lot of talk about the end of the world, and religions with krakens as gods...it was just very odd. I felt like I was reading a different language half the time. Granted some of that comes from my unfamiliarity with British slang, but really the whole vocabulary surrounding the people who could do "magic" confused me to no end. I obviously liked it well enough to finish it, but I'm not sure if I'll read another of his soon. Goss and Subby were the creepiest, most disturbing villains I've read in a while. The description of how they killed the guy in the jail cell...still gives me the shivers.
Another great work by Miéville, this novel obviously draws heavily on a certain Lovecraftian flavor but adds more dimensions. As with Miéville's other novels, this one is essentially about London.
I had a little difficulty wading through this one. It's quite different than Mieville's previous works, though it's not difficult to see how this evolved from them. Characterization is very strong, with characters that strengthen and evolve logically throughout the narrative. The plot and magical system mesh precisely: both are constructed out of thickly layered and highly detailed metaphor.
Absolutely a book where every little detail is important, will likely come back to effect the plot at some later point.
The missing star in this review is really only to do with the slightly disjointed transition between events, which was rather annoying to me in a few instances. Overall, I would absolutely recommend this book.
The magic system in this book is so incredibly brilliant, that I keep coming back to it. I really hope to see Mieville use it again.
You've all heard the anecdotes about the guy who sits down in a restaurant, plops a chunk of money on the table and says, "this is the tip; I'll be making deductions for every misstep!" What a jerk.
Well, it's a bit how I approach novels. At page one, everyone has five stars (assuming the first line isn't "It was a dark and stormy night.")
The Kraken lost one star a couple of chapters in when I thought "who does this guy think he is: Neil Gaiman?" Think of every derivative work slightly tweaking The Lord of the Rings and I think that's where we're headed with Gaiman's style. Mieville might be the start of it or just the first I've read.
The Kraken lost its second star when I realized that Mieville is no Neil Gaiman. For all its quirk and dark oddity (Mieville might have an edge on …
You've all heard the anecdotes about the guy who sits down in a restaurant, plops a chunk of money on the table and says, "this is the tip; I'll be making deductions for every misstep!" What a jerk.
Well, it's a bit how I approach novels. At page one, everyone has five stars (assuming the first line isn't "It was a dark and stormy night.")
The Kraken lost one star a couple of chapters in when I thought "who does this guy think he is: Neil Gaiman?" Think of every derivative work slightly tweaking The Lord of the Rings and I think that's where we're headed with Gaiman's style. Mieville might be the start of it or just the first I've read.
The Kraken lost its second star when I realized that Mieville is no Neil Gaiman. For all its quirk and dark oddity (Mieville might have an edge on Gaiman in creative profanity, I guess) the story doesn't contain its threads as well as it should. There are little weak links in the chain that aren't soldered in place by a concrete mythology; your disbelief falls through a rotted wood slab on a hastily constructed suspension bridge.
The Kraken lost its third star for slighting characters it had gone through some effort in getting you to care about. I won't say more about it because I don't want to click the 'this review contains spoilers' box.
Two stars and a suggestion that you read Mieville's The City and the City, which reminds me of no one else's work in style or plot and is well-formed and satisfying.
Maybe not Miéville's best story, but the book is so loaded with fascinating and strange ideas that I couldn't help but find it just as compelling as his other novels.
