mass market paperback, 505 pages
English language
Published July 2011 by Anchor Books.
Presents a collection of twenty stories of horror and nightmarish fantasy that transform everyday situations into experiences of compelling terror in the worlds of the living, the dying, and the nonliving.
A few of the stories in here I liked more than the others, but every story in this book was fantastic. I'm ready to dig into a novel length story from Stephen King in the near future.
A few of the stories in here I liked more than the others, but every story in this book was fantastic. I'm ready to dig into a novel length story from Stephen King in the near future.
La nota se queda.
El libro empezó dándome una alegría con el mejor relato que había leído de King hasta el momento (relato corto, me refiero). Pero a partir de entonces, y sin seguir un patrón destacable, la calidad subía y bajaba persiguiendo la estela de una montaña rusa.
Hay cuentos soberbios, de una calidad estilográfica ejemplar, a los que le siguen lo que se me antojan notas, borradores, ideas incipientes a las que les falta trabajo o desarrollo mental. Hasta ahora no compartía las quejas de otros lectores sobre los finales del maestro del terror. Tampoco es que me haya leído la bibliografía completa. Pero en estos caso, la mayor parte de los relatos que componen esta obra adolecen de esa falta, de un final poco trabajado, o que ni siquiera puede considerarse un final, ni abierto ni cerrado. Un punto y aparte que queda en suspenso.
Así que …
La nota se queda.
El libro empezó dándome una alegría con el mejor relato que había leído de King hasta el momento (relato corto, me refiero). Pero a partir de entonces, y sin seguir un patrón destacable, la calidad subía y bajaba persiguiendo la estela de una montaña rusa.
Hay cuentos soberbios, de una calidad estilográfica ejemplar, a los que le siguen lo que se me antojan notas, borradores, ideas incipientes a las que les falta trabajo o desarrollo mental. Hasta ahora no compartía las quejas de otros lectores sobre los finales del maestro del terror. Tampoco es que me haya leído la bibliografía completa. Pero en estos caso, la mayor parte de los relatos que componen esta obra adolecen de esa falta, de un final poco trabajado, o que ni siquiera puede considerarse un final, ni abierto ni cerrado. Un punto y aparte que queda en suspenso.
Así que no, no puedo perdonarle los fallos, por mucho que los ponga en una balanza trucada por la subjetividad. No puedo subirle una estrella ni media. Pero eso sí: no puedo permitir que os penséis que la fama que tiene este hombre es inmerecida. Como muchos otros, es producto de su tiempo, su tercer o cuarto libro. Digamos que está empezando su carrera de autor publicado, así que no os toméis esta reseña como un disuasorio de leerlo.
(Que ni esta, ni ninguna, pero por si acaso hago especial hincapié en esta).
This review can be found at The Book Review
1) "'Come, Mrs. Cloris,' I prompted her. 'You've come this far. Now can you finish what you've begun?'
The strangest expression of terror, pique, and---I would swear to it---religious awe passed over her face. 'Some die not,' she whispered. 'Some live in the twilight shadows Between to serve--Him!'"
2) "So here we were, with the whole human race wiped out, not by atomic weapons or bio-warfare or pollution or anything grand like that. Just the flu. I'd like to put down a huge plaque somewhere, in the Bonneville Salt Flats maybe. Bronze Square. Three miles on a side. And in big raised letters it would say, for the benefit of any landing aliens: JUST THE FLU."
3) "Harold stood helplessly aside and the lawnmower man tromped ahead of him down the hall, through the living room and kitchen, and onto the back porch. Now Harold had placed the man …
1) "'Come, Mrs. Cloris,' I prompted her. 'You've come this far. Now can you finish what you've begun?'
The strangest expression of terror, pique, and---I would swear to it---religious awe passed over her face. 'Some die not,' she whispered. 'Some live in the twilight shadows Between to serve--Him!'"
2) "So here we were, with the whole human race wiped out, not by atomic weapons or bio-warfare or pollution or anything grand like that. Just the flu. I'd like to put down a huge plaque somewhere, in the Bonneville Salt Flats maybe. Bronze Square. Three miles on a side. And in big raised letters it would say, for the benefit of any landing aliens: JUST THE FLU."
3) "Harold stood helplessly aside and the lawnmower man tromped ahead of him down the hall, through the living room and kitchen, and onto the back porch. Now Harold had placed the man and everything was all right. He had seen the type before, working for the sanitation department and the highway repair crews out on the turnpike. Always with a spare minute to lean on their shovels and smoke Lucky Strikes or Camels, looking at you as if they were the salt of the earth, able to hit you for five or sleep with your wife anytime they wanted to. Harold had always been slightly afraid of men like this; they were always tanned dark brown, there were always nets of wrinkles around their eyes, and they always knew what to do."
4) "Maine blizzard---ever been out in one?
The snow comes flying so thick and fine that it looks like sand and sounds like that, beating on the sides of your car or pickup. You don't want to use your high beams because they reflect off the snow and you can't see ten feet in front of you. With the low beams on, you can see maybe fifteen feet. But I can live with the snow. It's the wind I don't like, when it picks up and begins to howl, driving the snow into a hundred weird flying shapes and sounding like all the hate and pain and fear in the world. There's death in the throat of a snowstorm wind, white death---and maybe something beyond death. That's no sound to hear when you're tucked up all cozy in your own bed with the shutters bolted and the doors locked. It's that much worse if you're driving. And we were driving smack into 'Salem's Lot."
Hit or miss, largely - in particular, Children of the Corn, The Ledge, One for the Road and Night Shift stand out. The others are worth a read just to see Stephen King's origins. Oh - and Sometimes they come back was nice too :)
Hit or miss, largely - in particular, Children of the Corn, The Ledge, One for the Road and Night Shift stand out. The others are worth a read just to see Stephen King's origins. Oh - and Sometimes they come back was nice too :)
