357 pages
English language
Published Oct. 13, 2009
Alexia Tarabotti is laboring under a great many social tribulations. First, she has no soul. Second, she's a spinster whose father is both Italian and dead. Third, she was rudely attacked by a vampire, breaking all standards of social etiquette. Where to go from there? From bad to worse apparently, for Alexia accidentally kills the vampire -- and then the appalling Lord Maccon (loud, messy, gorgeous, and werewolf) is sent by Queen Victoria to investigate. With unexpected vampires appearing and expected vampires disappearing, everyone seems to believe Alexia responsible. Can she figure out what is actually happening to London's high society? Will her soulless ability to negate supernatural powers prove useful or just plain embarrassing? Finally, who is the real enemy, and do they have treacle tart?SOULLESS is a comedy of manners set in Victorian London: full of werewolves, vampires, dirigibles, and tea-drinking.
I hope I don't loose my literary cred, but G*d help me, I liked a romance novel... and Victorian to boot.
The supernatural bent pulled me in.
Alexia Tarabotti is a spinster in her mid-twenties, mostly content to spend her time at home, in libraries, or with her friend Ivy who has unfortunate taste in hats. She’s also soulless, a preternatural whose touch can temporarily revert any supernatural persons to their formerly mortal state.
Alexia and the London werewolf Alpha, Conall, have chemistry built on mutual annoyance. He enjoys someone who will surprise and stand up to him (a limited commodity when one is the Alpha of a pack of werewolves), and she seems surprised when annoying him for fun turns into something more. Professor Lyall is his Beta, a competent and unassuming older werewolf who is a quiet, steady presence. Ivy, Alexia’s hat-obsessed friend, is one of my favorite characters but this isn’t yet the book where she shines. Lord Akeldama is a flamboyant and well-informed vampire who is utterly delightful.
The worldbuilding is cohesive and …
Clearly this book was not written for me. Probably more entertaining to the target audience.
bello bello bello!
Gail Carriger's Soulless starts with some great action. You can't help but be attracted to Alexia Tarabotti right from the start. To be in her twenties and already written off as a spinster is amusing to modern readers, but so very Victorian. Why she's still a spinster is where things get interesting. Alexia is a “soulless” – literally, she has no soul. In a Victorian England occupied by werewolves and vampires, as well as ordinary humans, this makes her quite the unique young (old) lady.
Gail Carriger carries off Steampunk with the best of the genre. Her interpretation of supernatural beings (vampires and werewolves) is well thought-out. There's serious backstory to her universe, not just men changing into animals or pale-skinned women biting necks. The notion of a “preter-natural” being, the soulless Alexia, complicates things for Lord Connall Maccon, head of the Bureau of Unnatural Registery (hey, this is England, …
Gail Carriger's Soulless starts with some great action. You can't help but be attracted to Alexia Tarabotti right from the start. To be in her twenties and already written off as a spinster is amusing to modern readers, but so very Victorian. Why she's still a spinster is where things get interesting. Alexia is a “soulless” – literally, she has no soul. In a Victorian England occupied by werewolves and vampires, as well as ordinary humans, this makes her quite the unique young (old) lady.
Gail Carriger carries off Steampunk with the best of the genre. Her interpretation of supernatural beings (vampires and werewolves) is well thought-out. There's serious backstory to her universe, not just men changing into animals or pale-skinned women biting necks. The notion of a “preter-natural” being, the soulless Alexia, complicates things for Lord Connall Maccon, head of the Bureau of Unnatural Registery (hey, this is England, there must be bureaucracy!), as she inserts herself into supernatural affairs. Lord Maccon's investigation of missing vampires gets an assist from Alexia, exposing Carriger's world while giving the reader an enjoyable adventure.
I came to Carriger's novels via an interesting route—The Steampunk Tarot. The deck caught my eye, and upon perusing the Major Arcana cards, I was struck by The Chariot. In a Steampunk universe, the chariot is artificially powered, and driven by a strong young woman. The companion book for the deck (well-written, by the way, for any deck) describes the woman, and essentially says she's a shout-out to Alexia. Mentioning Carriger by name as well, I figured this was a solid recommendation. I was right.
Alexia and her associates (some friends, social/political connections, some frenemies) become an informal group of “irregulars” known as the “Parasol Protectorate,” who continue their romp through London (and other cities in Europe) for four more novels. Entertaining plots with a well-developed backstory—my kind of fantasy story!
Had been on my radar for some time now as something I would probably enjoy - bitlit in victorian steampunk-y setup, yes please! And it definitely delivered - it's fast-paced, funny, and it Just Works. Loved it. The werewolf/vampire ratio is not exactly in my favorite range, but it still works ;) Looking forward to the next ones, but they're not available as eBooks in Switzerland as far as I'm aware, so I'll need to get a dead tree version.
Regency romance, mystery, steampunk, vampires & werewolves — oh my! This reminds me of Elizabeth Peterson's Amelia Peabody books, if Peabody had to deal with vampires and werewolves.
It's a better Regency with the aristocratic packs of werewolves, and vampire nests, and monster etiquette. Our heroine, Alexia Tarabotti, is souless, which means she's able to disarm monsters, and that she is very logical and unemotional. There is no fainting. This is the first book in the series, and I read all five of them within 4 weeks.
A favorite comfort read, a favorite series.
3.5 stars. Simply a fun, sassy paranormal romance. For once I wasn't irritated by the arrogant hero and stubborn (yet usually slightly stupid) heroine set up.
Interesting, but I wasn't really wowed by it. The alternate historical/supernatural setting was very intriguing and had a good consistency, but at the end it left me feeling that there was not enough meat to the story.
The book feels like a weak attempt at mimicking Peabody & Emerson (from Crocodile on the Sandbank) with the addition of werewolves & vampires. Still the book moved at a nice, fast pace and was a light (if rather fluffy) read. I guess I'd call this book a circus peanut read, which is to say you know it's not really any good but you like it anyway.
