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The first Buddhist art is strikingly different from the pure and philosophically abstracted Buddhism admired around the world today, with its familiar image of the Buddha lost in meditation. Instead, early Buddhist art is aniconic, yet every bit as vibrant, crowded and cacophonous as so much later Buddhist art is still, silent and quietly meditative.

One reason for this is that the art of the first Buddhist monasteries is shot through with the cosmology of ancient animist cults that existed before the arrival of the new teachings. The first Buddhist monks believed that they lived in a spiritually charged landscape, alive with powerful local godlings and spirits - called yakshas when male and yakshis when female - who took up residence in the trees and stones and streams around monasteries.These spirits personified the forces of nature and revealed themselves at will.…

In all this early art, you feel strongly the Buddhist intuition that the natural and animal worlds are closely related to humankind through great cycles of reincarnation: a neglected Elephant Queen in the earliest murals of the Ajanta Caves may be reborn as the Queen of Varanasi, yet she remains the same essence. Animals are therefore depicted with the same love and respect as humans. After all, in a world where trees could be spirits and the waters are alive with sentient beings, ethical living requires treading softly on this earth, guarding the purity of water and preserving the life of both trees and animals.

— The Golden Road by William Dalrymple (Page 46 - 47)

That is why I think the first, most basic step in these matters is to start with the moments of real feeling in your life, when your heart is truly moved, and to think about the meaning of those. The things that you feel most deeply, from the very bottom of your heart, will never deceive you in the slightest. And so at all times, in all things, whatever feelings you may have, consider these carefully.

If you do this, then someday, somewhere, a unique, once-in-a-lifetime experience will leave a deep impression on you, and you will come to understand something that has a meaning that is not just limited to that one moment. That thought will be an idea that is truly your own.

To put it a slightly more difficult way, you must make a habit of thinking honestly, with your own experience as a foundation, and-Copper, this is very important!—if some one fakes this part, no matter what kind of great-sounding things they think or say, they are all lies in the end.

— How Do You Live? by Genzaburō Yoshino (Page 48)

When it comes to English, geometry, algebra even someone like me could teach you these. However, people come together and build this world, and they live their different lives in it individually, and I cannot teach you what that means or what value it all has. That is something you must discover on your own as you get older-and even after that, when you are grown, you will have to study this and seek out the answers for yourself.

— How Do You Live? by Genzaburō Yoshino (Page 46)