Paperback, 608 pages
Published Oct. 27, 2022 by Orion Publishing Group, Hachette UK.
Nine hundred thousand years ago, something wiped out the Amarantin.
For the humans now settling the Amarantin homeworld, it’s of little more than academic interest, even after the discovery of a long-hidden, almost perfect city and a colossal statue of a winged Amarantin.
For brilliant, ruthless scientist Dan Sylveste, it’s more than merely intellectual curiosity – and he will stop at nothing to get at the truth. Even if it costs him everything.
But the Amarantin were wiped out for a reason, and that danger is closer and greater than even Syveste imagines . . .
Exactly what I was promised, epic sci-fi with so many fascinating ideas, I'm really looking forward to reading the other books of the cycle!
Reading this right after Tchaikovsky's Children of Time was perfect. I understand CoT's praise, but I felt that it's writing fell flat time and time again. Reynolds not only creates vast, fascinating worlds, but has the storytelling skill to keep me interested and imbue everything with a sense of mystery. This was a great book.
It took me ages to get into this book. At the start it moves very slowly. It's chock full of ideas by the end of the book though which is something I look for in a sci-fi novel. Will definitely read this again in a few years.
Character motivation was a problem throughout the book (just freaking kill people once you defeat and capture them over and over, jeeze!) and the author is a little too impressed with his own vocabulary but the setting and some clever storytelling redeem the story
Fun and expansive but I'm now convinced Reynolds has no clue how to end his ideas.
I was expecting a similar style to Reynolds' other books like Blue Remembered Earth (one of my favourites) and I found it to be very wordy. The story is interesting but coming off The Expanse books (I've read the first two so far), Revelation Space felt like a bit of a slog at times and a little too caught up in itself. I keep thinking of it as very European with somewhat drawn out dialogues where the characters seem to opt for this excessively honest, oral interaction.
I really wanted to like this book much more than I do - I've read much praise for the author and the series. It has all the right elements to be a good book in theory - an intriguing and well thought out plot, interesting characters, a great pace etc. But in practice it just didn't work for me for a variety of reasons.
The biggest problem I had was with the exposition - the author deliberately withheld key information, privy to the characters we were following, for the vast majority of the book just for a final reveal at the end. It was an annoying trick and he did it not once but twice - it was blatantly obvious, jarring and very frustrating. Other completely obvious plot elements were also held back and revealed as if they should be some kind of surprise - these were not and they …
I really wanted to like this book much more than I do - I've read much praise for the author and the series. It has all the right elements to be a good book in theory - an intriguing and well thought out plot, interesting characters, a great pace etc. But in practice it just didn't work for me for a variety of reasons.
The biggest problem I had was with the exposition - the author deliberately withheld key information, privy to the characters we were following, for the vast majority of the book just for a final reveal at the end. It was an annoying trick and he did it not once but twice - it was blatantly obvious, jarring and very frustrating. Other completely obvious plot elements were also held back and revealed as if they should be some kind of surprise - these were not and they just added to the sense of frustration.
Add to that some dodgy characterisation - the characters have interesting histories and motivations but some of them were surprisingly bland. The narrative told us that certain characters were perceived in certain ways but this just didn't come across well in the actual story - a supposedly dangerous villain, an egomaniac and a complex soldier character all came across as surprisingly one dimensional and uninteresting. The narratives purported perception of them by other characters seemed at odds with my understanding of them as a reader.
Finally the ending felt very rushed; surprisingly for a long book which had been doing a good job of building to a big climax despite its other flaws. The author even threw in a huge deus ex machina plot element in the final few chapters which really undermined the hard work put in. The excellent back story and clever overall plot were sadly let down by this - the crux of the ending was actually superb but it was let down by these unnecessary elements and the afore mentioned deliberate omissions of plot details. The deus ex machina could have been completely omitted and the ending would actually have had more impact.
Overall its far from a bad book, but it could have been so much better and it is this that has left a slightly bitter after taste. I actually bought the whole series as it was on offer - I will read the next book and don't regret buying the lot, but my expectations have been lowered somewhat. Its a shame - its a clever book with good pace and decent prose, but its faults don't allow those achievements to shine as they should. Worth reading but don't expect a great book.
I really liked this.
But I can't help comparing it to Peter F. Hamilton's Commonwealth saga, which had more verbose world building, and many more parallel plot lines which converged in the end, and a lot more Chekov's guns(maybe used in other books of the universe).
Revelation space was darker, the plot was tighter, and it had a a bit of an edge on the science over Commonwealth saga.
I enjoyed the book. The end got a little trippy, but there was lots of plot twists and it constantly made me want to continue reading.
An old rule is that the first sentence of a book should suck you right in. In this case, it's “There was a razorstorm coming in”, which is right at the top.
In fact, Reynolds manages to continue this for the whole book: each paragraph sucks you right in to the next. The sense of urgency is so palpable that it's almost impossible to put this book away. I know, it's a clichée, but it's absolutely true for this one. In addition, there is an abundance of ludicrous ideas that he somehow manages to make seem plausible. That way, he creates a living universe where everything is possible – and actually happens.
One of the best of the decade.
Purchasable
https://uk.bookshop.org/p/books/the-female-man-the-best-of-the-sf-masterworks-joanna-russ/2630764.