This novel is an extraordinarily poignant evocation of a lost happiness that lives on in the memory. For years now the Ramsays have spent every summer in their holiday home in Scotland, and they expect these summers will go on forever.In this, her most autobiographical novel, Virginia Woolf captures the intensity of childhood longing and delight, and the shifting complexity of adult relationships. From an acute awareness of transcience, she creates an enduring work of art.
Cette Promenade au Phare est un véritable joyau littéraire qui prend la forme d'une œuvre picturale. L'un des personnages du récit achève son tableau de la même manière que l'auteure réalise ici son dessein : « C’était fait ; c’était fini. Oui, se dit-elle, reposant son pinceau avec une lassitude extrême, j’ai eu ma vision. ». Le roman se résume en peu de mots : la vie qui s'écoule, les relations entre hommes et femmes, entre père et enfants ; le caractère fugace de la vie sous le regard du phare qui surplombe et veille sur tout cela. Mais il y a un tel génie dans ce peu (en termes d'action) qu'il vous emporte et vous subjugue. On referme ce livre avec l'idée de perfection, de complétude, d'une œuvre que le moindre petit changement aurait dénaturée.
È stata una lettura dosata nel tempo; straordinaria per il flusso delle parole. Per me ogni libro della Woolf è una ricerca da prendere con calma. Arrivo alla fine con gioia ma quasi stremata. Non riesco a farne a meno.
Review of 'To the Lighthouse (Vintage Classics Woolf Series)' on 'Goodreads'
5 stars
In the late-1990s, Modern Classics Library marked To The Lighthouse as #15 on their Top 100 list for fiction in the twentieth century. This high rating was due, in part, to Woolf’s experimentation here with exploring the human psyche and consciousness. According to one source, Woolf spent many of her days ruminating on lived consciousness and trying to map out her precise reactions to emotional stimuli and the chain of thoughts that cross through her mind. In other words, Woolf was an early pioneer of what we now call “mindfulness meditation.”
The plot of To The Lighthouse revolves around the Ramsay family—Mr. and Mrs. Ramsay, and their eight children. Part I of the novel opens with the Ramsay family vacationing with close friends at a home near the Isle of Skye off Scotland. Mrs. Ramsay wishes to visit the lighthouse off shore on a small island in the Hebrides. Mr. …
In the late-1990s, Modern Classics Library marked To The Lighthouse as #15 on their Top 100 list for fiction in the twentieth century. This high rating was due, in part, to Woolf’s experimentation here with exploring the human psyche and consciousness. According to one source, Woolf spent many of her days ruminating on lived consciousness and trying to map out her precise reactions to emotional stimuli and the chain of thoughts that cross through her mind. In other words, Woolf was an early pioneer of what we now call “mindfulness meditation.”
The plot of To The Lighthouse revolves around the Ramsay family—Mr. and Mrs. Ramsay, and their eight children. Part I of the novel opens with the Ramsay family vacationing with close friends at a home near the Isle of Skye off Scotland. Mrs. Ramsay wishes to visit the lighthouse off shore on a small island in the Hebrides. Mr. Ramsay declares that the weather will preclude any travel on the following day. Thus emerges tension between husband and wife, with Mrs. Ramsay becoming contemplative about the relationship she has forged with her husband, his constant need for self-validation, her role in supporting his ego, and her rumination about the meaning of life. The family is unable to visit the lighthouse and thus Mrs. Ramsay cannot deliver her parcel of goods for the lighthouse keeper and his disabled son.
Part II is a transitional point in the novel as a decade elapses. The First World War begins and ends during this span of time, and the Ramsay’s eldest son, Andrew, is killing in the war. Their eldest daughter, Prue, dies in childbirth, and Mrs. Ramsay also dies unexpectedly. This portion is told from the perspective of the omniscient narrator and partly from the perspective of an old housekeeper who desperately tries to hold back the rot of time within the abandoned vacation home.
Part III focuses on the return of Mr. Ramsay and two of the children and their attempt to cross the sound to the lighthouse and finally fulfill the mission of delivering parcels to the lighthouse keeper.
The plot here is really secondary to the psychological exploration of consciousness that Woolf embarks on throughout the novel. You will find no dialogue, and the perspective can transition from one character to another within the same sentence. In other words, if you are not following along with focused attention you can very easily lose track of what is happening.
There are many positive remarks I could mention about this book, but I’ll focus on one before closing the review. In A Room of One’s Own and Three Guineas (Woolf’s non-fictional essays), Woolf considers how the art of women suffered under a patriarchal system during the 19th and early 20th centuries. She notes that women like Jane Austen or the Bronte sisters produced flawed art because they were either a) sheltered and could not engage in world-building (I.e. Austen), or b) channeled their anger against the patriarchal system through their characters and thus spoiled any opportunity to comment dispassionately on both male and female psyches and egos (I.e. Charlotte Bronte). It seems to me that in To The Lighthouse, Woolf was able to avoid both of these common pitfalls. There is robust world-building within the vicinity of the vacation home and the Isles of Skye. Furthermore, Woolf speaks pointedly about human nature common to men and women, and the specific foibles of each. That Woolf, a female writer in the early twentieth century, could write a character like Mr. Ramsay (a self-absorbed and fatalistic philosophy professor) that resonates so well with me even in the twenty-first century is remarkable. Through Mr. Ramsay, Woolf showed that she had a command of understanding human nature in ways that most of us simply lack today.
I am not sure why I chose to read this at this phase of life, but the intuition was correct. It strikes me now as being somewhat in the vein of Joyce's The Dead. Fiction that speaks to me now, I think, is that which is a hard fought struggle to recover, and perhaps redeem, something, as this assuredly is. Not exactly a roman a clef, but much about Woolf's family is in it. Mrs Ramsey is Woolf's mother. It is a glorious and strange novel in which almost nothing happens.
Review of 'To the Lighthouse (Vintage Classics Woolf Series)' on 'Import'
3 stars
This book is a series of narrative paintings, asking the reader to wait patiently and explore instead of guiding them (to the lighthouse). Unfortunately, I found the first half too stodgy to read (although I understand the perceived difficulties) - the second and third sections are brilliant.
