There’s a princess trapped in a tower. This isn’t her story.
Meet Toadling. On the day of her birth, she was stolen from her family by the fairies, but she grew up safe and loved in the warm waters of faerieland. Once an adult though, the fae ask a favor of Toadling: return to the human world and offer a blessing of protection to a newborn child. Simple, right?
If only.
Centuries later, a knight approaches a towering wall of brambles, where the thorns are as thick as your arm and as sharp as swords. He’s heard there’s a curse here that needs breaking, but it’s a curse Toadling will do anything to uphold…
Its a fairytale. I did not read the synopsis at all, just read it for a book club. I wasn't bored of it and liked the characters. I took it as just that: a fairytale. Doesn't need to be complicated or detailed.
Maybe the world is full of changelings who learned to adapt
Such an interesting Sleeping Beauty retelling with a focus on fairies and changelings and a kinda ambiguous take on who is the princess and who is the fairy that cursed her—it kind of works both ways. It has as much heart as I’ve come to expect from T. Kingfisher’s novellas, and it’s everything a story about faeries should be: beautiful, slightly creepy, and fair in the most unfair of ways.
I really liked Toadling, the MC who was stolen as a kid and raised by scary bog fae who genuinely loved her and then was given a mission by a hare goddess, and Halim, the very nice knight who shows up to rescue a princess from a tower but is willing to listen and learn and genuinely figure out what’s up. What endeared me to them especially is how …
Maybe the world is full of changelings who learned to adapt
Such an interesting Sleeping Beauty retelling with a focus on fairies and changelings and a kinda ambiguous take on who is the princess and who is the fairy that cursed her—it kind of works both ways. It has as much heart as I’ve come to expect from T. Kingfisher’s novellas, and it’s everything a story about faeries should be: beautiful, slightly creepy, and fair in the most unfair of ways.
I really liked Toadling, the MC who was stolen as a kid and raised by scary bog fae who genuinely loved her and then was given a mission by a hare goddess, and Halim, the very nice knight who shows up to rescue a princess from a tower but is willing to listen and learn and genuinely figure out what’s up. What endeared me to them especially is how kind they both are. While I love digging into the psyche of flawed characters, I also sometimes just love reading about genuinely good people trying their best, and this book absolutely delivers on that front.
The funny thing about the central plot element is, if I were to read this story a few years ago, I would have probably given it a far lower rating and grumbled at Fontaine being just evil because she’s evil and it’s her nature to be evil and she can’t be redeemed, only contained and destroyed. This would have felt so flat and simplistic—and yet now, looking at the political realities we live in, I find this to be such a good and meaningful part of the story. Sometimes, evil is just evil (though admittedly usually through choice and not because it’s inherent and inevitable), and the truly kind and good thing is to destroy it if you can.
The prose here is evocative and sometimes quirky, the fairy tale vibes are ever-thick, and the ending is hopeful with a subtle touch of bittersweet. There’s something so soothing and cozy about this book, despite the darker sides of fae lore woven into the narrative. Highly recommended.
This was a really sweet fairytale-y tale. Pretty short, felt like the relationship to its inspirations was different enough to not feel like a ‚retelling‘ to me, nice descriptive prose, two very clear delightful characters. The twists are for the most part pretty guessable ahead of when they‘re revealed, but the writing and emotional story were nice enough for me to not really mind. I would have read more of this, but it makes sense for it to end when it did! I think the main character will stick around in my head for a while.
This fun fairy tale novella is a reversed sleeping beauty situation. The hapless toad fairy and awkward knight are good-natured and trying to do their best, while the sleeping beauty is the dangerous one.
This has all the things I like out of T. Kingfisher's similar works: interesting characters and a fresh take on an old tale.
Probably the best novella I have ever read. Innovative take on a fairy tale with an original main character. The writing was very well thought, but I had difficulty with the flashback time changing. A clear explanation (i.e. past or present) would have done the job.