Invisible Life of Addie LaRue

I feel like the author was trying to follow the pattern of the classic writers to create a long literary work. However, it ended up being a very long story with tangents that don't contribute much value to the story line or character development. I found that despite the length, main characters are not fully developed emotionally, they lack depth and believability. Also, unlike the classics, this book doesn't provide much social commentary. Its redeeming value is that it does cause a reader to ponder what is the value and the meaning of a life and how one chooses to live it.

The first third of the book is good and engaging. But then it goes even slower and by the second third I was ready to give up. However, I was a bit invested into the story and was bored enough to continue listening; I'm not sure if I had continued if I was reading the book.

In many instances, the author uses a multitude of words where one will do. Some scenes repeat with variation of details. Others are alluded to a few times, and only later the full story is told. It can be viewed as a creative expression, but to me, it was overly verbose and unnecessary.

If you like a long long long long and slow journey feel free to dive in. The premise of the book is good, but as many other critical reviews mention, it doesn't live up to the potential offered.

very long intricate book about Addie LaRue, who makes a deal with Luc (the devil?) so she can escape an arranged marriage in the early 1700s. In exchange for her soul at some time in the future, Addie become forgettable. No, I mean really well and truly forgettable - as soon as she is out of sight of a person, she is completely forgotten. And also, she is immortal.

So the story follows Addie into the present, with many flashbacks and flash forwards. Luc periodically shows up to ask for her soul, but she refuses to give in.

A very interesting conceit, pretty well pulled off. It is kind of funny how she gets by. Even going to sleep will make some forget her, so she gets the "who are you?" treatment from the morning after quite often.

So I liked it but thought it went on extra long. Probably could have done with far fewer vignettes of her life across the centuries. It was well written, with some pretty turns of phrases. Addie herself was a dynamic starring character, although I still really have no idea who "Luc" is and what he finds in Addie.

I was quite excited to read this book after hearing about it from an ‘upcoming recommended books’ list back in the autumn. I ended up ordering a physical copy of it in January, yet only just now managed to finally read it… the day I actually read a book the same day I get it is probably never going to happen. I have some mixed feelings about this book. It provides an interesting premise—a Faustian deal, a woman who can’t be remembered, immortality—all things I’m a huge fan of in literature; yet, it also contains some lackluster characters and a dull narrative. On one hand, it was fast-paced enough to distract me from my term papers (this is entirely my fault, though). On the other hand… it was also difficult to continue reading the book after the first 100 or so pages. Other reviewers have mentioned that the middle of this book was slow going, and I would agree. The final 100 pages get a bit more interesting, but the ending we get is not necessarily one that completely satisfies.

One of my main issues with this book are the characters. At its core, this novel is a character study of Addie LaRue—what motivates her, how she deals with her situation, and her growth in a 323+ years life. Unfortunately, a lot of this book is just Addie ruminating on her poor decision-making and her efforts at being stubborn just to spite the ‘devil’ she makes a deal with. For all her talk of wanting to live a real life and explore, we as the reader hardly get to see any of it. It takes her until WWII (more than 200 years after she makes the deal) to even leave the continent of Europe—and where does she go? The US, of course, land of the free! This book made it blatantly obvious it was written by an American, which was very jarring when you consider that Addie is supposed to be French. For some reason NYC is the best location for Addie to be (not to mention certain other characters, particularly of the immortal variety); this seemed nonsensical. You could’ve replaced Addie LaRue with Jane McAmerican and countryside France with countryside Maine, and this story wouldn’t have been that different. She learns several languages, but all of them are European. I got the sense that Schwab tried to make the characters seem ‘progressive’ by making both of the main characters bisexual, but in the end, this story is still a heteronormative romance. Several times, Schwab demonstrates how Addie being a woman is detrimental to her trying to exist in ordinary life, but she does nothing to challenge these misogynistic stereotypes. Addie becomes yet another victim to be saved by her ‘prince’ (in this case, the devil).

When it comes to the romance—an element of this book that really felt overplayed—there was little buildup, and little to none rhyme or reason for the main relationship of this story. It felt like a desperate attempt to be seen, rather than love; it could have just as well been an intimate friendship. Admittedly I’m not a fan of romance, and obviously other readers seemed to have enjoyed this a lot more than I did. But it’s a little weird to be falling head over heels as an immortal 323 year being when you have known a guy only for a few days. That brings us to the love interest, Henry, who has little more of a personality than ‘bookshop seller’. His friends, though they are minor side characters, are some of the only minority representation in the book, but their presence in the book is ultimately worthless. Nothing they do actually matters to the plot. For that matter, Henry himself seems to matter little in the overall course of the story, which is partly why the ending felt so disappointing. I’m trying not to reveal too much, but Henry’s story seems to be sidelined by Addie’s.

As mentioned, this is a character study, so it makes sense that there is little in the way of plot. Instead, the reader gets a lot of inner monologues, which are a sort of stream-of-consciousness writing. This would work well in theory… if the characters are ones the reader actually cares about and has some attachment to. I don’t know who made it a popular tend in YA/NA fantasy to write like this, but whoever did should be fired and sent to the Bad Place. It’s extremely annoying and not a mark of good writing; instead it disrupts the reading flow and makes the book seem rather like a diary than a novel. (Actually, see Simona's review for a better explanation of this than I give here.) This is an example of what I mean:

I don’t get why authors like Schwab write like this.
I really don’t.
Schwab might think this is well-written.
Or even quirky.
But I tend to think it’s just annoying.
So annoying, in fact, that I’d rather trudge through War and Peace than read a novel like this.
War and Peace is an extremely long novel, if you didn’t know.
Pages upon pages of dense writing.
(No, I haven’t read it.)
Oh, and like text messages, every new sentence must be on a new line.

In short, this style is repetitive, speaks in grammatically incorrect sentence fragments, and offers up four or five different phrases that all embody the same idea—for what purpose? I guess the style tries to make the reader feel more intimate with Addie’s inner thoughts, or something. I don’t know, so I can only speculate—whatever its purpose, it did not work for me. First person or third person, either way, this style gets on my nerves.

As for the little narrative we do get, it is also repetitive. Since Addie is forgotten by the people she meets (with the singular exception, of course), every brief spark she has follows the exact same pattern. Even the same-sex relationships are little distinguished from the pattern. This also goes for her love interest, Henry, whose narratives follow a slightly different but similarly predictable pattern. There was nothing truly exciting in the narrative, and the few ‘twists’ we get were easy to predict. At the end of the novel, I was left wondering if anything that had happened in the novel makes much of a difference. I suppose this is also something the characters have to wrestle with, but in the life of an immortal being, how exactly is a few months or a year supposed to matter? Without giving too much away, the ending also seemed derivative, a bit of a cop-out. The premise establishes these stringent rules for the narrative, and Schwab, instead of trying to work out a clever resolution, just slaps a bow on it and calls it a day. As a reader, I can confidently say that the ending did not feel like a present. I read 400+ pages for... that?

So, like Addie herself, this book finds me at a crossroads… between enjoying it or not. At the very least this novel didn’t live up to my expectations, but there were kernels of ideas that had some promise. For a fantasy novel, there was not really much fantastical elements, besides the deal, which itself only serves as the catalyst for the narrative, not as a main feature of it. Still, I ended up liking Addie as a character, at least in the beginning; it was a bit more than I would have expected, honestly. But at the end of the novel, I did not find myself feeling attached to her or any other character, which is not ideal for a character study novel. Perhaps if there were more of a narrative besides ‘girl, who is not-like-other-girls, meets a special boy, a boy-not-like-the-others, falls in love, and there’s a tiny bit of fantasy’, I would have cared a bit more. This is my first Schwab book, and I’m a little hesitant to try her other works.

I don't know whether to consider this historical fiction, romance, sci fi, or fantasy, but whatever it is, I loved it. There were so many things done well in the construction of this story, but the characters really stood out. I felt them all to be interesting, dynamic, and genuine: comparable to actual humans. All of the characters had a beautifully drawn arc that kept me very engaged throughout. I'm familiar with Schwab's style of writing in her previous works, which is short, choppy chapters that focus on action, but I felt the short chapters in this book complemented the slower pace of the book really well. My favorite parts of the book were the glimpses through time at major historical moments to the point that I wish we spent a bit more time there and less in the present. The romance was.. okay. Despite the characters being believable, I had a hard time understanding what drew Henry to Addie in the first place, and the speed at which it happened was jarring. My main disappointment was at the end with a really tired trope that always bothers me which is when the book your reading is actually referenced as a book that is being read/written in the story as well. I just think it's uncreative, but I suppose I can appreciate the tie-in of the book to Addie's influence on art throughout history. This was such a change of pace from Schwab's other works, it was refreshing and really demonstrates strong versatility!

A very unusual premise; a young girl in a tiny village in France, 1714, chafes against the restraints that her gender and family put on her. She wants to see more of the world; she doesn't want to be forced to marry the first person who comes along, have a series of children, and grow old taking care of them. In short, she wants to be completely free - and so she makes a deal for her soul with the Darkness to be completely free and he can have her soul when she's tired of living.

Well, needless to say, a deal with the Darkness usually has strings attached and Addie definitely hasn't thought the details through very well. She ends up free- because everyone who meets her forgets her the instant she's out of sight. She ends up immortal - because she has to live long enough to become tired of living, but the conditions of her life are enough to make anyone tired of life pretty fast. She's forced into an existence on the margins of the world - stealing what she needs (although she doesn't actually need to eat, it hurts being hungry), unable to even rent a room because as soon as she leaves the landlady or hotel clerk they won't remember she exists or that the room is taken. She can make friends or lovers, but as soon as they part or fall asleep she'll be forgotten. In short, it's not a great life - but nonetheless, she is free, and determined to spite the Darkness and find things to enjoy about life year after year. Over the centuries, she develops a friendship of sorts with the Darkness; she's the only human he interacts with regularly (checking in most anniversaries of their bargain to see if she's ready to give up her soul yet) and she challenges and interests him. The whole book is really a battle of wits between the Darkness and Addie, and sometimes it's hard to tell who's got the upper hand. When she finally meets a boy who actually remembers her, against all odds, she thinks she's found a loophole. But has she really?

Anyway, it's a very interesting premise, poetically written in parts, although it dragged a bit long in the middle and there are quite a few too many references to black curls and seven freckles - we got the point already! Addie and Henry seem so young (despite the fact she's over 300) that it reads in parts almost like a young adult book. Anyway, it's an interesting premise and I enjoyed it, but 4 stars rather than 5 because I don't imagine I'd ever want to read it a second time through.