Marra — a shy, convent-raised, third-born daughter — is relieved not to be married off for the sake of her parents’ throne. Her older sister wasn’t so fortunate though, and her royal husband is as abusive as he is powerful. From the safety of the convent, Marra wonders who will come to her sister’s rescue and put a stop to this. But after years of watching their families and kingdoms pretend all is well, Marra realizes if any hero is coming, it will have to be Marra herself.
If Marra can complete three impossible tasks, a witch will grant her the tools she needs. But, as is the way in stories of princes and the impossible, these tasks are only the beginning of Marra’s strange and enchanting journey to save her sister and topple a throne.
Two old women, a dead dog, a princess, and a soldier
5 stars
Sometimes the book you need comes along unexpectedly. This one had been in my to-read list for quite a while, and so I finally decided to pick it up, knowing I love Kingfisher's writing but not knowing what to expect from this particular book.
I loved every moment of it, and already want to read it again. I heartily recommend it.
So it is not a tightly wound intricate world, and it falls short of being a fantasy masterpiece, but nonetheless twas a damn fun book. The characters and atmosphere are riveting. The first page is hook- line- sinker -read -this- book -in- a -day good. Dust wives? YES. Bone dogs? Gothtastic! Our lady of the Grackles? How do I join, hell yes! I liked the Twisted Ones as well, and was impressed with how easily she slipped into the fantasy genre. What works is the grip, the imagination, the lovely horror that casts shadows without banging your head against a wall of horrific violence. I feel like she could go deeper, more back stories, maybe a 700 pager, but perhaps this is not the mode in publishing now. However, I am definitely a fan now.
It's a fantastic depiction (as far as a man can tell) of the hardships women face. It's not a new topic, but it's so well done here that it still feels fresh and makes the whole book. We see a lot of woman characters, and each of them is a whole story. They end up very different (and all extremely likable) as they handle their challenges differently.
Or maybe I'm wrong about this? We don't learn anything about the past of the dust-wife or Agnes. We only see Marra's mother and Kania from a distance. I still feel like I know their story. This is the magic of brilliant characterization.
The writing is beautifully crafted. The dialogs are all amazing. Every line feels completely unpredictable and yet spot-on for the character. The pacing is great. Every little bit of detail is used in some way to say something interesting. For …
It's a fantastic depiction (as far as a man can tell) of the hardships women face. It's not a new topic, but it's so well done here that it still feels fresh and makes the whole book. We see a lot of woman characters, and each of them is a whole story. They end up very different (and all extremely likable) as they handle their challenges differently.
Or maybe I'm wrong about this? We don't learn anything about the past of the dust-wife or Agnes. We only see Marra's mother and Kania from a distance. I still feel like I know their story. This is the magic of brilliant characterization.
The writing is beautifully crafted. The dialogs are all amazing. Every line feels completely unpredictable and yet spot-on for the character. The pacing is great. Every little bit of detail is used in some way to say something interesting. For example, Marra's faith has little bearing on the story, but we learn this:
"We're a mystery religion," said the abbess, when she'd had a bit more wine than usual, "for people who have too much work to do to bother with mysteries. So we simply get along as best we can. Occasionally someone has a vision, but [Our Lady of Grackles] doesn't seem to want anything much, and so we try to return the favor."
Or the excellent conversation on chopping wood.
"It's all right," he said. "I've done many things that were terribly important, lives hanging in the balance and so on and so forth. There is something pleasant about chopping wood. If I miss a stroke, nothing awful happens. If a piece of wood is not quite right, it will still burn. If I stack it and it isn't perfect, clans will not fall."
Fenris is a curious character. It's gracious to include a good man in the cast, when the evil of men is a core theme. And he's really a perfect role model. But he's too perfect. He has no struggles, or at least his struggles are not the topic of this book, and he knows it. And his good nature may not be nature at all — it may be a blessing from his godmother. It's impossible not to love him anyway.
All the threads are satisfyingly joined at the end. I guess that's is relatively easy in this world. It's a sort of magical realism. Most of the world is non-magical, but the magic is very unpredictable and strong when it comes. It has no rules at all for the writer. Anything goes. But we still get satisfying consistency when we feel like we're starting to learn the rules. This version of magic felt fresh and entertaining.
My only gripe is with the references to opening the lids of jars. It struck me as a modern problem. Can jars have twisting lids in a fantasy setting? It feels like you would need factories for that.
It's a dangerous and sometimes dark story, but everyone survives! I love happy endings!
Un roman de fantasy noire sans être désespérée, magnifique.
5 stars
Ce roman vient de gagner une place dans mon panthéon personnel dès la première lecture. Il est noir, mais aussi plein d'espoir, le personnage principal est fouillé, complexe et crédible, l'intrigue est parfaite.
I really enjoyed this fantasy slash fairy tale quest story about a youngest daughter working to try to free her elder sister from abuse. It has fresh worldbuilding, many characters with depth, multiple older women characters, and ultimately a story about working together to free people from powerful and abusive men.
I think the weakest part of the book was the romance angle for me. It was cute, but I felt like I was missing some extra characterization about "why these two" other than just romance-through-proximity. This was all a bit of a surprise for me, as I quite enjoyed the various T. Kingfisher sad paladin romances. (One could make a good argument that Fenris may as well also be yet another sad paladin, which doesn't help here either.)
That said, I feel like the romance was an exceptionally small part of the book (arguably much smaller than other books …
I really enjoyed this fantasy slash fairy tale quest story about a youngest daughter working to try to free her elder sister from abuse. It has fresh worldbuilding, many characters with depth, multiple older women characters, and ultimately a story about working together to free people from powerful and abusive men.
I think the weakest part of the book was the romance angle for me. It was cute, but I felt like I was missing some extra characterization about "why these two" other than just romance-through-proximity. This was all a bit of a surprise for me, as I quite enjoyed the various T. Kingfisher sad paladin romances. (One could make a good argument that Fenris may as well also be yet another sad paladin, which doesn't help here either.)
That said, I feel like the romance was an exceptionally small part of the book (arguably much smaller than other books in the same genre of story) and so don't let that put you off. I just feel like the story would have been more powerful had there not been as much understated flirting there and they had just been buddies working together to right wrongs (or even some explicit aro or ace angle, which is how I had been reading Marra the rest of the book).
I wouldn't describe this as a comedy book, but there were so many funny moments to the book that I had to hold myself back from posting a dozen quotes. I laughed so hard at the dust-wife's exasperation leading into her third impossible task (and it was such good characterization too). Overall, this was a lot of fun but I also found it to have quite a bit more depth than I was expecting.
At this point I know what I'm getting into every time I open up a T. Kingfisher book, whether it's horror, fantasy or romance - and most of her books have all three, mixed at different distillations. The writing will be breezy, the plot will both be interesting and turn in directions that you wouldn't expect, the characterizations will be unique and not standard cardboard cutouts (well, her male love interests tend to be big noble depressed guys, but they're all well written).
"Nettle & Bone" hits all of these - a fun read that conceals depth and absolutely wrenching moments. My only complaint is that I wish it didn't move so fast - that there was a bit more room to breathe. But across the board I'm always so excited to read new stuff from her. Every book so far has been great, and I feel like she's closing …
At this point I know what I'm getting into every time I open up a T. Kingfisher book, whether it's horror, fantasy or romance - and most of her books have all three, mixed at different distillations. The writing will be breezy, the plot will both be interesting and turn in directions that you wouldn't expect, the characterizations will be unique and not standard cardboard cutouts (well, her male love interests tend to be big noble depressed guys, but they're all well written).
"Nettle & Bone" hits all of these - a fun read that conceals depth and absolutely wrenching moments. My only complaint is that I wish it didn't move so fast - that there was a bit more room to breathe. But across the board I'm always so excited to read new stuff from her. Every book so far has been great, and I feel like she's closing in on masterpieces.
Wieder ein hervorragendes Begleit-Tier, nämlich ein Hund, der im ersten Kapitel aus Draht, abgenagten Knochen und Magie zusammengebaut wird. Der Rest war auch gut, winzige Schwächen im letzten Drittel (mein pet peeve Handlungs-Nacherzählung, aber hier wirklich auf wenige Absätze beschränkt), angenehm unglamouröse Heldinnen (zwei sind alt und die dritte ist meistens ratlos) und viel unterhaltsame Nebenhandlung.
I had no idea what to expect when I started this one, and I enjoyed the mystery. Nettle & Bone is a very well-done fairtytale-style fantasy with some gritty, creepy aspects. Compared to many weighty fantasy tomes, this is rather short, and rather than explaining its fantasy world in detail, it leaves a lot of mystery, focuses on character interaction and driving the plot - I really liked that approach.
In short, highly recommended! I'm keen on reading more by T. Kingfisher.