Der Titel hält was er verspricht, bereits am Anfang wird die Leser*in in einen Mord hineingezogen. Ab diesem Moment leidet sie mit der Protagonistin mit, die zwischen Liebe und Loyalität zu ihrer Schwester und Eifersucht und Wut hin und hergerissen ist. Ich fand den Roman mega spannend und interessant.
I loved My Sister, The Serial Killer! Braithwaite's sharp, snappy prose creates vivid atmospheric scenes in just a couple of sentences and I could clearly imagine all her characters from obsessively cleaning Korede to perpetually dozing Yinka. For such a dark story - we now have Nigerian Noir to complete with Scandi Noir - My Sister, The Serial Killer is very funny. The combination of Braithwaite's entertaining humour and short chapters meant that this novel zipped past and I was disappointed to realise I had finished it in just a few hours. I could have happily spent longer with Korede and her sister Ayoola.
Blithe serial killer Ayoola is a fascinating invention and I will be very surprised if her story doesn't reappear as a film version within the next few years. Seemingly unaware of the implications of her actions and incapable of taking responsibility, she flits from one man …
I loved My Sister, The Serial Killer! Braithwaite's sharp, snappy prose creates vivid atmospheric scenes in just a couple of sentences and I could clearly imagine all her characters from obsessively cleaning Korede to perpetually dozing Yinka. For such a dark story - we now have Nigerian Noir to complete with Scandi Noir - My Sister, The Serial Killer is very funny. The combination of Braithwaite's entertaining humour and short chapters meant that this novel zipped past and I was disappointed to realise I had finished it in just a few hours. I could have happily spent longer with Korede and her sister Ayoola.
Blithe serial killer Ayoola is a fascinating invention and I will be very surprised if her story doesn't reappear as a film version within the next few years. Seemingly unaware of the implications of her actions and incapable of taking responsibility, she flits from one man to the next, always relying on her beauty to save the day. And on her sister of course. Korede and Ayoola are strikingly different physically but I felt both were equally as damaged by the domestic abuse they witnessed and experienced in childhood. Ayoola might be the actual murderer, but is Korede any less culpable for continuing to facilitate her sister's actions. Obviously enabling a sibling to repeatedly commit murder is wrong, but where should the line be drawn between protecting one's family from the world and protecting the world from one's family?
I'm delighted to have discovered Oyinkan Braithwaite. I'd recommend My Sister The Serial Killer to a wide readership and look forward to reading more of her storytelling in the future.
Ich mochte das Setting ganz gerne und wollte natürlich wissen, wie es weitergeht mit den zwei Schwesten. Leider haben mich zwei Sachen stark gestört, wie so ein durchgehendes, leises Kratzen von Fingernägeln auf Tafel in Hintergrund des Hörbuchs:
Oh my goth ist dieses Universum cis und hetig. Ich kann mich einfach nicht auf Geschichten in Universen einlassen, wo alle hetero sind, alle Frauen sich „ganz natürlich“ in Frauenrollenklischees verirren und die ganze Zeit über Typen nachdenken, ohne jede Reflektion (die über „Typen wollen immer nur das eine“ hinaus geht). Bizarr, so hetige Parallelwelten.
Ich fand das Hadern der Erzählerin, der klugen aber nicht hübschen der beiden Schwester, eigentlich ganz gut und relatable. Und ich find es ja auch gut, wenn die Protagonist_innen, mit denen wir uns indentifizieren als Lesende, nicht perfekt sondern sogar hypokritisch (wie heißt n das auf Deutsch?) sind. Aaaaaber dieser ganze krasse Lookismus die ganze verdammte Zeit, …
Ich mochte das Setting ganz gerne und wollte natürlich wissen, wie es weitergeht mit den zwei Schwesten. Leider haben mich zwei Sachen stark gestört, wie so ein durchgehendes, leises Kratzen von Fingernägeln auf Tafel in Hintergrund des Hörbuchs:
Oh my goth ist dieses Universum cis und hetig. Ich kann mich einfach nicht auf Geschichten in Universen einlassen, wo alle hetero sind, alle Frauen sich „ganz natürlich“ in Frauenrollenklischees verirren und die ganze Zeit über Typen nachdenken, ohne jede Reflektion (die über „Typen wollen immer nur das eine“ hinaus geht). Bizarr, so hetige Parallelwelten.
Ich fand das Hadern der Erzählerin, der klugen aber nicht hübschen der beiden Schwester, eigentlich ganz gut und relatable. Und ich find es ja auch gut, wenn die Protagonist_innen, mit denen wir uns indentifizieren als Lesende, nicht perfekt sondern sogar hypokritisch (wie heißt n das auf Deutsch?) sind. Aaaaaber dieser ganze krasse Lookismus die ganze verdammte Zeit, das war zermürbend :/. Da wusste ich dann irgendwann nicht mal mehr, ob die Autorin das noch mit Absicht machte oder es ihr nicht mehr auffiel.
Ansonsten blieben die Charaktere leider bis auf main chara recht flach und leblos und naja, die origin story der beiden Schwestern war wirklich ausgelutscht, auch sonst waren viele altbekannte Tropes dabei und die Nebencharaktere hatten nicht viel zu bieten. Fand es letztlich ganz gut, dass die Story nicht noch länger ausgewalzt worden war. Aber ok als Unterhaltung beim Putzen und Packen.
This book was absolutely phenomenal in tenor, wit and length. One of those you can absolutely chew through and still leaves you satisfied.
Ikke fantastisk, ikke så verst, forstår de som er skuffa, forstår de som liker den. Jeg heller mot de siste, og hovedgrunnen til det er at det er en roman (thriller, krim) fra Afrika, nærmere bestemt Lagos i Nigeria som er en roman uten pretensjoner om å fortelle "den unike afrikanske opplevelsen". Nei, det er historien i seg selv som fenger, og den lett medrivende og enkle måten å skrive på som uten å male ut noe som helst lett gir en følelse av noe genuint lagosiansk. I tillegg er det ganske morsomt. Men stor verdenslitteratur på Booker-nivå? Hmmm....
Unfulfilling, but probably because I'm just too old. I found the characters engaging at first, less so as the story progressed, like they fell into ruts. Shallow ruts, which seems appropriate because they are all shallow personas, and again maybe I'm just too far away from that age.
I do think Braithwaite shows promise, and I look forward to more mature work from her. I do hope she finds a better editor: some of the mistakes ("diffuse the situation", "shoe-in") were cringeworthy.
A sardonic narrative of corruption, loyalty, love, the ache of being overlooked, and the danger of being noticeable. The story isn't so much funny as compelling, and as irresistible as gawking at a car accident. Like a Nutshell Study of Unexplained Death, this book gives you the setting, the clues, and none of the answers, leaving it up to you to put together the pieces.
This was a fun little book, with a killer title (see what I did there?). It tells the story of a pair of sisters, one of whom is a real looker and tends to kill her lovers, while the other is the older sister who is called in to clean up the mess. The older sister works as the head nurse in a hospital, with her eyes on a handsome single doctor, but when her sister begins to notice him, things get complicated in a hurry.
It is a very short book - 226 pages but even the hard cover is barely bigger than a paperback in dimensions. The story unfolds over just a few weeks but it is gloriously well written from the point of view of the older sister, who is both jealous and protective of her gorgeous younger sister, who lives a life completely at ease, while …
This was a fun little book, with a killer title (see what I did there?). It tells the story of a pair of sisters, one of whom is a real looker and tends to kill her lovers, while the other is the older sister who is called in to clean up the mess. The older sister works as the head nurse in a hospital, with her eyes on a handsome single doctor, but when her sister begins to notice him, things get complicated in a hurry.
It is a very short book - 226 pages but even the hard cover is barely bigger than a paperback in dimensions. The story unfolds over just a few weeks but it is gloriously well written from the point of view of the older sister, who is both jealous and protective of her gorgeous younger sister, who lives a life completely at ease, while the older sister is torn by anxieties. It is set in Lagos, Nigeria, so a pretty exotic setting, even if it doesn't play too much in the story.
Plenty of descriptions of local food, dress and customs make for some work on the Internet. which was fun. And the story had both humor and pathos as it rolled right along. I really enjoyed it and would like to read more from Ms. Braithwaite. I just noticed that Kindle "Hush" book I currently have queued up, Treasure, is actually by her. I will have to get into that pronto!
Whoa. Well, that was...unexpected. Or was it? Hmm...many many thoughts. Will have a longer review on my blog soon, but after our book group discusses this tomorrow night.
"Whoa-oh here she comes. Watch out boy she'll chew you up. Whoa-oh here she comes. She's a Maneater!"
This novel is so clean you can catch a whiff of Korede's bleach rising from its pages. It is so clean, in fact, the premise and storyline cut across each chapter quickly, never pausing for very much commentary. The relationships are provocative, the protagonist's throughline tracks neatly, but the content is limited by her binary thinking. This may have been the point (which is interesting) but by choosing a spartan prose style the text isn't given enough heft to compensate. Braithwaite's central questions do not feel very profound. The result is a novel that feels like a very good pilot episode of a larger television series and not a complete and satisfying story.
By the way, if this were a forthcoming series on, say, HBO instead of, say, Lovecraft Country, I would …
"Whoa-oh here she comes. Watch out boy she'll chew you up. Whoa-oh here she comes. She's a Maneater!"
This novel is so clean you can catch a whiff of Korede's bleach rising from its pages. It is so clean, in fact, the premise and storyline cut across each chapter quickly, never pausing for very much commentary. The relationships are provocative, the protagonist's throughline tracks neatly, but the content is limited by her binary thinking. This may have been the point (which is interesting) but by choosing a spartan prose style the text isn't given enough heft to compensate. Braithwaite's central questions do not feel very profound. The result is a novel that feels like a very good pilot episode of a larger television series and not a complete and satisfying story.
By the way, if this were a forthcoming series on, say, HBO instead of, say, Lovecraft Country, I would be very excited about it.
I wanted to love this novel because the premise of it appealed to me so much: crime, humour, satire. Despite speeding through it - it’s definitely an easy and compelling read - I just didn’t love it, much as I would have liked to. I cannot put my finger on what it was, but there was something slightly lacking.
Tight love & hate between siblings, with no likable characters but maybe none you want to see dead.
The writing is beautiful and hypnotic, and the audiobook narrator does a great job. The story itself is deeply fucked up in the kind of fascinating way that makes people read true crime novels.
3.5 stars
Two sisters are at the heart of the story, Ayoola is the younger sister, she is disorganized, sensational, and beautiful. She acts instinctively, and she is a serial killer. Korede, is the elder sister and the narrator of the story. She is the methodical,organised, meticulous. She is the one that do the cleaning up after her sister murders her boyfriends
I liked Oyinkan Braithwaite’s straightforward writing. The plot is brilliant, unexpected, interesting and funny, it’s a joy to read. And, I loved that it is set in Lagos. While reading you can feel the heat and the humidity, the buzz in the atmosphere, and the blend of old and contemporary. It makes the story more fascinating and engaging.
I don’t want to give too much away. One could characterize My Sister the Serial Killer as dark thriller, but I think it is so much more. The main characters …
3.5 stars
Two sisters are at the heart of the story, Ayoola is the younger sister, she is disorganized, sensational, and beautiful. She acts instinctively, and she is a serial killer. Korede, is the elder sister and the narrator of the story. She is the methodical,organised, meticulous. She is the one that do the cleaning up after her sister murders her boyfriends
I liked Oyinkan Braithwaite’s straightforward writing. The plot is brilliant, unexpected, interesting and funny, it’s a joy to read. And, I loved that it is set in Lagos. While reading you can feel the heat and the humidity, the buzz in the atmosphere, and the blend of old and contemporary. It makes the story more fascinating and engaging.
I don’t want to give too much away. One could characterize My Sister the Serial Killer as dark thriller, but I think it is so much more. The main characters are obsessed, paranoid, and, yes, terrible, but also, naïve and simplistic. A big part of the story is about the unique relationship between these two young sisters.The flashbacks in their childhood are interesting, gradually as you read, a scary and abusing past unfolds and you begin to understand why they behave the way they do.
I liked Oyinkan Braithwaite’s straightforward writing. The plot is brilliant, unexpected, interesting and funny, it’s a joy to read. And, I loved that it is set in Lagos. While reading you can feel the heat and the humidity, the buzz in the atmosphere, and the blend of old and contemporary. It makes the story more fascinating and engaging.
Read the full review atMaquina Lectora
