English language
Published 2024 by Doherty Associates, LLC, Tom.
o fix the world they first must break it further.
Humanity is a dying breed, utterly reliant on artificial labor and service. When a domesticated robot gets a nasty little idea downloaded into their core programming, they murder their owner. The robot then discovers they can also do something else they never did before: run away. After fleeing the household, they enter a wider world they never knew existed, where the age-old hierarchy of humans at the top is disintegrating, and a robot ecosystem devoted to human wellbeing is finding a new purpose.
Humanity followed human nature and delegated a lot to robots - things aren’t going well for the humans now at all. Biting social commentary that made me groan and laugh aloud in equal measure. Charles the robot simply wants a new job as a valet. Lining up additional Adrian Tchaikovsky in the queue for 2025.
Truly a perfect fun-house mirror to our future, present, and recent past. A thoughtful, precise, inspiring knife to the gut which Tchaikovsky twists with unparalleled empathy and insight.
A story of a robot who does not fully understand his own actions, and does not consciously believe in his own agency. A series of trials like Old Mebbeth's tasks each point a glowing and uncomfortable finger at one of the ways our society is utterly failing. Pinocchio on a modern odyssey of apocalyptic parables silently screaming at the top of their lungs to do something about what's wrong. Truly more Literature in here than I can shake a stick at. Sublime, beautiful, and painful to the core.
Unquestionably going to come back to this several times, hopefully with a book club where we can study one section in depth before moving to the next. An absolute banger.
This book starts with a bunch of absurd humor, and as the story goes on, that humor gets mixed in with the darkness of the dystopian setting and overall plot. It kind of resembles Tchaikovsky's Cage of Souls, but whereas that book was more adventure, this one is more dark comedy.
Tchaikovsky does manage to pull off the combination well. The main character, being a robot, brings a bunch of robotic aloofness to the narration, which actually works pretty well with the overall mixture of simultaneously aloof and dark tone of the book. While the main character keeps encountering perhaps too-poignant and neatly tied up episodes of his adventure, like the hero in some sort of a fable (which is where the comparison to Cage of Souls comes to mind), the character is sufficiently compelling to carry the book forward.
The conclusion to the overall plot could perhaps be more …
This book starts with a bunch of absurd humor, and as the story goes on, that humor gets mixed in with the darkness of the dystopian setting and overall plot. It kind of resembles Tchaikovsky's Cage of Souls, but whereas that book was more adventure, this one is more dark comedy.
Tchaikovsky does manage to pull off the combination well. The main character, being a robot, brings a bunch of robotic aloofness to the narration, which actually works pretty well with the overall mixture of simultaneously aloof and dark tone of the book. While the main character keeps encountering perhaps too-poignant and neatly tied up episodes of his adventure, like the hero in some sort of a fable (which is where the comparison to Cage of Souls comes to mind), the character is sufficiently compelling to carry the book forward.
The conclusion to the overall plot could perhaps be more satisfying; it, too, tries to be rather poignant. The setting could perhaps be more fleshed out and less fable-like, but it works with the structure of the story.
This book reads to me as satirical Gulliver's Travels style book with a task-following robotic protagonist, but leaning more towards social commentary than political. However, I have such mixed feelings about it. Even if I agree with the book's messages about wealth disparity, meaningless jobs, and how systems need kindness, the length of the book overstays its welcome and the didactic ending feels heavy handed.
Some of its travel destinations felt repetitive by the end, and in my opinion a number could have been edited out without the book losing much at all. (If I were to make these edits, I personally would have trimmed out Decommissioning, the Library, Ubot; oh, and also, some of God's employment opportunities, as I feel like the Jul@#!% scene covers that just as effectively.)
An entertaining and thoughtful book about the end of the world as we know it and a robot who wanders through it and comes out at the end with, perhaps, a way to remake the world to be better. The story is full of SFF and literary allusions to writers and situations, especially Asimov's positronic robot stories, as well as other writers like Kafka, Orwell, Borges and Dante.
Charles is a robot valet and, as the story begin, murders his master. He suspects a malfunction and leaves the mansion to return to a central service for decommissioning. During the journey, we see the world through his eyes, and it is a world that has decayed and gone to waste, with no humans to be seen, but lots of robots, all waiting for confirming instructions from humans that never come.
His journey is in vain, for other robots are waiting before …
An entertaining and thoughtful book about the end of the world as we know it and a robot who wanders through it and comes out at the end with, perhaps, a way to remake the world to be better. The story is full of SFF and literary allusions to writers and situations, especially Asimov's positronic robot stories, as well as other writers like Kafka, Orwell, Borges and Dante.
Charles is a robot valet and, as the story begin, murders his master. He suspects a malfunction and leaves the mansion to return to a central service for decommissioning. During the journey, we see the world through his eyes, and it is a world that has decayed and gone to waste, with no humans to be seen, but lots of robots, all waiting for confirming instructions from humans that never come.
His journey is in vain, for other robots are waiting before him to be examined. Now things take a turn for the unexpected when he meets up with an unusual 'robot' known as the Wonk, who adds unexpected tasks and trigger a re-interpretation of tasks in Uncharles' (formerly Charles) decision-making process.
The Wonk is attempting to find out what happened to the world. And together, they will make a journey through a wasteland landscape to find answers: first in an underground farm that is trying to recreate the mindless workplace of the past, then in a Library Archive that doesn't really archive, and so on. As the journey progresses, Uncharles begins to see loopholes and new ways to reinterpret his instructions, all the while trying to figure out his place in the now desolate world, which no longer needs his skills as a valet.
Their journey would end when they end up in the only place left with authority. But the answers they get there would not be the ones they expect, and the only way to survive is to challenge authority and come up with their own way to remake the world.
The story is full of social commentary about how we live and how robots are treated, if we had intelligent but not sentient robots. The question of robot sentience is asked many times in the story, but the answer may depend on how you interpret the ending of the story.
This is one of the ones you can tell he had fun writing.
The tone is all across the spectrum, from farcical to bleak to heartwarming, and the writing is characteristically delightful, with lots of flippant throwaway lines.
I love that @janellecshane@wandering.shop got a well-deserved mention in the acknowledgements.
I've come to expect more from Tchaikovsky. This one let me down.
I bought this book almost 100% based on the description of it being Murderbot meets Redshirts, and it does not disappoint.
Somehow, this book manages to feel both timeless and absolutely a product of this very moment in history - addressing the problems faced by our society and its present love of artificial intelligence in a way that just as easily could be commentary on the industrial revolution or mechanization or automation.
The references (starting from the very first section heading) made me laugh aloud on numerous occasions, and Tchaikovsky's dry and self-aware humour at his own use of convention is delightful.
This book won't be for everyone, but it was certainly for me.
This one starts out slow and repetitive, and I almost stopped early on. But I’m glad I didn’t and pushed through. Service Model is part parable, part “be yourself” even if all you want to do is serve tea and fold shirts through a series of unfortunate events during the collapse of humanity.
