Aστραίᾱ reviewed A Deadly Education by Naomi Novik (The Scholomance, #1)
Review of 'A Deadly Education' on 'Goodreads'
3 stars
(rating: 3.5) ending kinda sus -_-
304 pages
English language
Published Feb. 26, 2020 by TBS/GBS/Transworld.
“With flawless mastery, Naomi Novik creates a school bursting with magic like you’ve never seen before, and a heroine for the ages—a character so sharply realized and so richly nuanced that she will live on in hearts and minds for generations to come.”
(rating: 3.5) ending kinda sus -_-
Naomi Novak invokes both Le Guin and Rowling as providing the seeds of this book. As it is, the author writes far better than Rowling and cracks a lot more jokes than LeGuin. She also has LeGuin's intelligence.
A Deadly Education is the first in a trilogy. It is, as with many so-called YA novels, a Bildungsroman. In the fantasy genre, this often involves the youthful protagonist discovering that they have hidden magical talents. In the case of Novik's Galadriel, the heroine already knows full well that she is an extremely powerful wizard, but she has to deal with a Dead Father and an Awful Curse.
Galadriel has enrolled in a school for magicians, despite her mother's obvious misgivings. The world is a dangerous place for young wizards, who are the preferred tasty snacks of a horde of magical nasties. Nowhere is safe, but Galadriel believes that the school provides …
Naomi Novak invokes both Le Guin and Rowling as providing the seeds of this book. As it is, the author writes far better than Rowling and cracks a lot more jokes than LeGuin. She also has LeGuin's intelligence.
A Deadly Education is the first in a trilogy. It is, as with many so-called YA novels, a Bildungsroman. In the fantasy genre, this often involves the youthful protagonist discovering that they have hidden magical talents. In the case of Novik's Galadriel, the heroine already knows full well that she is an extremely powerful wizard, but she has to deal with a Dead Father and an Awful Curse.
Galadriel has enrolled in a school for magicians, despite her mother's obvious misgivings. The world is a dangerous place for young wizards, who are the preferred tasty snacks of a horde of magical nasties. Nowhere is safe, but Galadriel believes that the school provides some measure of protection. This is moot: the book opens with her being saved in extremis from one of the fell creatures by the school's white knight, Orion (the Hunter) Lake.
The school itself is a satire on meritocracy. Open to anyone who has magical talents, it has in fact been designed to ensure that the children of the patrician class are protected, while the oiks draw off the hungry monsters. Galadriel is, so far as the rich kids are concerned, an oik. Even worse, at the opening of the book she is utterly friendless. "You feel," one of the other characters tells her, "like it's gonna rain."Orion almost immediately assumes that she is a murderess, and spends a whole chapter looking forward to putting her down. Once he discovers who the true murderer is, he spends the rest of the book trying to make up for his initial poor judgement. Galadriel, for her part, is as rude to him and to his friends as she can be. (One of the book's jokes is the array of insults she throws at him). This is a dangerous game, as Orion's friends are among the most powerful of her fellow students.
Despite the feeling of doom that she inspires in others, Galadriel gradually comes to discover friendship, and by the end of the book she has built up a small but well-knit group with whom to face the terrors that the school will throw at her in the following volumes.
The curse under which the heroine lives, and which has resulted in her rejection by her father's family (they attempted to put her down like a pariah dog), is a prophecy, announced by her great grandmother, that she would destroy the enclaves. The enclaves are the sheltered spaces in which the patrician wizards seal themselves off from the rest of the world for their own safety and comfort. Galadriel's Mum is having none of this; a nurturant Earth Mother, she lives in a commune in Wales, dispensing her healing magic for free, taking in strays, and giving her powerful spells away to anyone who wants them. Despite her daughter's pleading, she refuses to seek safety in one of the enclaves, and one suspects she looks on her daughter's promised future as a blessing rather than a curse.
The fact that there are no teachers in the school is a great relief. One the reader's burdens in the school novel is having to shudder through the usual stock of masters and mistresses being authored into significance. The children in Novik's novel are faced with a magical algorithm which is both cunning and deranged. It seems designed to trap the students into wasting their energies on pointless exercises, punishing them for any deviation from the plan by exposing them to one or another of the hungry monsters. The very Ideal Type of the School, in fact.
By all means, read this book.
More fun than anticipated. I think I would have liked more dialogue between El and Orion, but I'm still looking forward to the sequel.
El is maybe, probably an evil sorcerer in the making. She doesn't seem to have any friends. And, darn her luck, Orion Lake keeps saving her when she doesn't need it.
But she does develop friendships, demonstrating that popularity doesn't mean someone will make a good friend (or that a lack thereof will make a bad friend).
I did a poor job checking that this is a multi-book series, of which this is the first and currently only book out. But it is a quick gripping read. I'm looking forward to the next 2 books.
Take a basic adolescent novel about fitting in, friendship and crushes and then make all of that real: if you don't have any friends, you will literally be eaten by monsters. If the golden boy reciprocates his crush on you, it will literally save your life. That's the premise of Deadly Education and it's kind of a fascinating one.
I think Novik's characters were well-developed, especially to explore the way that adolescence can feel so life-or-death. Sometimes school fantasy can feel twee, but I felt like Novik's monsters felt real, serious threats and this was done well.
A lot of reviewers complained reasonably that the worldbuilding is pretty unbelievable at times, but I was having too much fun to notice.
I loved the big gimmick underlying the whole book: the protagonist has the talents and affinities to be the most powerful and destructive necromancer of her generation - there’s even prophecies about her! - but she was raised by pacifist hippies and works incredibly hard not to accidentally incinerate or mind-control her classmates, building power not by sacrificing animals but through push-ups and crochet.
4.5 Snarky Hopepunk masquerading as Grimdark. Novik paints her most realistic characters in a horribly twisted world that isn't so different from ours on a deeper level. The pacing is great and never seems too hurried or too slow. The school is fascinating if ghastly and the spell-casting is quite original.
There are few real complaints to make. I could have done with a little more in the way of physical description. Even though it's mentioned a couple of times that everybody wears ratty mundane clothing it doesn't really feel like that until later in the book. There is also relatively little architectural detail, unless it becomes really important. The final twist, while certainly effective, is a little clichéd. And of course, the two main characters are both loners with huge heapings of magical ability, but yeah, what did you except when the school is literally trying to get you …
4.5 Snarky Hopepunk masquerading as Grimdark. Novik paints her most realistic characters in a horribly twisted world that isn't so different from ours on a deeper level. The pacing is great and never seems too hurried or too slow. The school is fascinating if ghastly and the spell-casting is quite original.
There are few real complaints to make. I could have done with a little more in the way of physical description. Even though it's mentioned a couple of times that everybody wears ratty mundane clothing it doesn't really feel like that until later in the book. There is also relatively little architectural detail, unless it becomes really important. The final twist, while certainly effective, is a little clichéd. And of course, the two main characters are both loners with huge heapings of magical ability, but yeah, what did you except when the school is literally trying to get you killed?
Can't wait for the next volume. Fingers crossed that it's not going to turn into a hetero romance. Friendship for the win!
I've read Uprooted and Spinning Silver and liked those a lot, but this book really clanged for me. I almost gave up on it a few times, but persisted through to the end and found it to be mostly okay. It's a pretty interesting concept for a book (I didn't realize until I was finished that the Scholomance is from folklore) and I could imagine the next book being ok, but I can also imagine that I might not bother reading it.
It takes Nemi Novik to engage my interest in a wizarding school setting at 46.
There is a lot that I liked (and that I think people who've enjoyed Novik's previous books will enjoy) -- she writes characters with strong chemistry, the pacing is excellent, the world-building is super interesting. I think the does an impressive job of writing an angsty teen character and a romance based on being kind of mean in, which normally I would find unbearable.
But there are so many things in the plot that just... don't make sense. It really bothered me! I wasn't wild about the gotcha at the end that sets up the sequel either.
Turns out I'll read pretty much anything that Naomi Novik writes, the way that she talks about class, acceptance, and the value of relationships (especially as a parent). All those things snuck up on me in the course of this book. Looking forward to the next one(s) being released.
A UK based school of magic, but with a much darker twist than Hogwarts. In this version of our world, children who develop magic as they enter their teens become targets for the dark monsters that need to feed on magic, and magical children are a tasty magic-filled snack that hasn't yet learned to defend itself. Adult magic-users band together into powerful Enclaves to keep each other safe. And any children identified as developing magic are placed into the Scholomance, a magical school slightly outside of the real world where they either learn self-defense skills or die trying. Only 1 in 4 students survive to graduation (but their chances would be only 1 in 20 if not taken into the Scholomance) so they are all EXTREMELY focused on survival.
The book is told from the point of view of El, aka Galadriel, daughter of a hippie mother specializing in healing …
A UK based school of magic, but with a much darker twist than Hogwarts. In this version of our world, children who develop magic as they enter their teens become targets for the dark monsters that need to feed on magic, and magical children are a tasty magic-filled snack that hasn't yet learned to defend itself. Adult magic-users band together into powerful Enclaves to keep each other safe. And any children identified as developing magic are placed into the Scholomance, a magical school slightly outside of the real world where they either learn self-defense skills or die trying. Only 1 in 4 students survive to graduation (but their chances would be only 1 in 20 if not taken into the Scholomance) so they are all EXTREMELY focused on survival.
The book is told from the point of view of El, aka Galadriel, daughter of a hippie mother specializing in healing magic and crystals, who rejected the enclaves and raised her in a yurt in a Welsh commune. El, in contrast, has an affinity for spells of mass destruction and has to spend much of her concentration trying to NOT accidentally invent spells for mass plagues and genocides. The book follows through her second-to-last year at the Scholomance, as she's trying to navigate politics, lack of friends, and unexpected threats to the school's entire existence.
Although the story wraps up satisfactorily there's clearly the intent of a sequel to come for El's final year.
I enjoyed this book a lot, and it wasn't until coming to Goodreads to write a review that I learned there's apparently been a bit of a twitter tempest about some racist stereotypes used in the book. The author clearly did make a deliberate effort to make the school extremely multicultural, and El herself is biracial. Apparently, she made some errors in the attempt. Apparently she has apologized and future editions will be released with some edits: www.naominovik.com/apology/ Reading the reviews written by BIPOC they seem divided; some find some passages offensive, others are forgiving of unintended microagressions created through the intention of being inclusive. Not being an expert I won't try to issue a judgement, just calling out that it's something to be aware of and decide for yourself if you decide to pick this book up. I certainly enjoyed the book a lot outside those issues and would have given it 5 stars otherwise; hopefully Novik will use some sensitivity readers for the sequel and avoid any future issues!
This was fantastic and I enjoyed every minute of it. The setting is tense and scary without being nightmare-inducing, the characters end up being liked despite not being a priori likeable, and that world building is :chef-kiss:. Loved it.
I loved the characters and the whole concept of the Scholomance. It doesn't feel as polished as her last two books, some info dumping here and there and occasional clunky sentences (perhaps editing fell foul of the mal that is 2020).
Particularly liked the idea of someone who doesn't fit in, not suddenly having their life transformed by going to a magical school. El struggles to be liked,is prickly for a reason, and her progress is all that more rewarding.