Ikwezi reviewed Kindred by Octavia E. Butler (Black women writers series)
Review of 'Kindred' on 'Goodreads'
5 stars
Well that was harrowing.
304 pages
English language
Published March 12, 2014 by Headline Publishing Group.
Dana, a modern black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana’s life will end, long before it has a chance to begin.
Well that was harrowing.
Has the same incisive human understanding as Parable of the Sower, but with the added grimness of historical accuracy. Still a bit didactic.
Jesus, this book was a rough read. Not because it was poorly written; it wasn't. Not because I couldn't engage with it; I most certainly could. It was rough because the topic came so fiercely alive in Octavia Butler's words, and because it left me feeling obscurely guilty, not because I'd done anything like those awful things Rufus and the other whites did, but because I felt a sort of guilt by association. As if what these white slaveholders did was a responsibility I myself needed to discharge. And you know what? I'm okay with that.
The events in this book might be fictional, but they were hardly invented from whole cloth. Slavery happened, and it was assuredly both more brutal and more insidious than many of us today can reasonably imagine. The effects of that shameful period of our history are still felt today, and I'm as culpable in …
Jesus, this book was a rough read. Not because it was poorly written; it wasn't. Not because I couldn't engage with it; I most certainly could. It was rough because the topic came so fiercely alive in Octavia Butler's words, and because it left me feeling obscurely guilty, not because I'd done anything like those awful things Rufus and the other whites did, but because I felt a sort of guilt by association. As if what these white slaveholders did was a responsibility I myself needed to discharge. And you know what? I'm okay with that.
The events in this book might be fictional, but they were hardly invented from whole cloth. Slavery happened, and it was assuredly both more brutal and more insidious than many of us today can reasonably imagine. The effects of that shameful period of our history are still felt today, and I'm as culpable in repairing this damage as any other white person.
This book resonated with me, and I'll be buying a physical copy as soon as possible.
A black author in the 1970s finds herself sent to the time of slavery, with her fate tied to that of a young slave owner. The book was powerful because of the subject matter, but I didn't find it especially gripping in terms of storyline or character development.
This is about the fourth time I've read it. It's also about the third time I've bought it; the first time I read it in the library, and the other two times I ended up giving the book away, once to a young woman who worked in a local coffee shop and who was fascinated by my description of it. It's not only an exploration of the horror of slavery, but of its psychology and the effects that it had on both the slaves and the slaver owners. A masterpiece.
Couldn't put it down this weekend. Very good read - some painful stuff to endure, but good characters and plot pacing.
This is not a typical time travel story, rather it uses the protagonist and her husband transported into the world of antebellum South slaves and slave holders for an emphatic character study about seeing human beings as property, about being forced into being a slave, and how we today may or may not define what being human is. As such this is a quintessential science fiction story.
On the surface this was just your basic african american woman in 1976 inexplicably forced to time travel back and forth between her time and a southern plantation in 1819. As soon as you scratch at the surface, however, and start asking questions about race, gender, and identity, the novel opens up to many other dimensions (pun!) of meaning.
I love stories like this that are able to balance swift, engaging narrative style with profound philosophical considerations, which stand ready for your exploration... or not, depending on your mood.
I highly recommend this to anyone looking for a great story with a little something to savor afterwards.
Wrenching.
I love Octavia Butler. She is to-date the only author for whom I wept uncontrollably at her passing.
I'd been putting off Kindred for a while because I knew it would be a rough ride. Nearly every book by Butler is hard slog. Not because the author is lacking, but just the opposite. She is amazingly good at putting the reader at a different time and place and almost always that time and place is dangerous and extremely painful.
Every book I've read by her has found me often with my finger holding my place in the book while I stare into space examining my own beliefs and the implications of the story put before me.
Kindred uses a fantastic mechanism to tell a very real story. I like that Dana's time travel is never explained. I thought the character development was spot on. And it was simultaneously refreshing and …
I love Octavia Butler. She is to-date the only author for whom I wept uncontrollably at her passing.
I'd been putting off Kindred for a while because I knew it would be a rough ride. Nearly every book by Butler is hard slog. Not because the author is lacking, but just the opposite. She is amazingly good at putting the reader at a different time and place and almost always that time and place is dangerous and extremely painful.
Every book I've read by her has found me often with my finger holding my place in the book while I stare into space examining my own beliefs and the implications of the story put before me.
Kindred uses a fantastic mechanism to tell a very real story. I like that Dana's time travel is never explained. I thought the character development was spot on. And it was simultaneously refreshing and horrifying to get such a different perspective on antebellum slavery than what most history books only gloss over.