Review of 'Ducks' on 'Goodreads'
5 stars
An all timer. So good. Will definitely read it again.
448 pages
English language
Published Dec. 25, 2022
Before there was Kate Beaton, New York Times bestselling cartoonist of Hark A Vagrant fame, there was Katie Beaton of the Cape Breton Beatons, specifically Mabou, a tight-knit seaside community where the lobster is as abundant as beaches, fiddles, and Gaelic folk songs. After university, Beaton heads out west to take advantage of Alberta’s oil rush, part of the long tradition of East Coasters who seek gainful employment elsewhere when they can't find it in the homeland they love so much. With the singular goal of paying off her student loans, what the journey will actually cost Beaton will be far more than she anticipates.
Arriving in Fort McMurray, Beaton finds work in the lucrative camps owned and operated by the world’s largest oil companies. Being one of the few women among thousands of men, the culture shock is palpable. It does not hit home until she moves to …
Before there was Kate Beaton, New York Times bestselling cartoonist of Hark A Vagrant fame, there was Katie Beaton of the Cape Breton Beatons, specifically Mabou, a tight-knit seaside community where the lobster is as abundant as beaches, fiddles, and Gaelic folk songs. After university, Beaton heads out west to take advantage of Alberta’s oil rush, part of the long tradition of East Coasters who seek gainful employment elsewhere when they can't find it in the homeland they love so much. With the singular goal of paying off her student loans, what the journey will actually cost Beaton will be far more than she anticipates.
Arriving in Fort McMurray, Beaton finds work in the lucrative camps owned and operated by the world’s largest oil companies. Being one of the few women among thousands of men, the culture shock is palpable. It does not hit home until she moves to a spartan, isolated worksite for higher pay. She encounters the harsh reality of life in the oil sands where trauma is an everyday occurrence yet never discussed. Her wounds may never heal.
Beaton’s natural cartooning prowess is on full display as she draws colossal machinery and mammoth vehicles set against a sublime Albertan backdrop of wildlife, Northern Lights, and Rocky Mountains. Her first full-length graphic narrative, Ducks: Two Years in the Oil Sands is an untold story of Canada: a country that prides itself on its egalitarian ethos and natural beauty while simultaneously exploiting both the riches of its land and the humanity of its people.
An all timer. So good. Will definitely read it again.
Beaton’s gritty graphic memoir about her experiences as a woman in a male-dominated industry and the crushing effects capitalism has on vulnerable people is effective and Eisner-worthy.
Es ist ungerecht, dass mir zu schlechten und mittelguten Büchern so viel einfällt und zu guten so wenig. Ich kann zu diesem hier nur sagen, dass mir alles darin unbekannt war und es mich nach dem Lesen noch lange beschäftigt hat.
Content warning CW: sexual violence
It's the feeling of dread that stayed with me the most after reading this book. There's the boredom of a monotonous job, the incessant background noise of a male-dominated working environment, the friction of having to interact with people who don't respect you, the alien, dehumanizing landscape that's your home now and that you can't easily escape from.
Kate Beaton lays it all out patiently, meticulously painting a picture of the two years that she worked in the oil sands of Alberta. Her style of writing and drawing are understated, but the trauma she goes through is unmistakable. She's scolded for being "out of it" at work the day after. She tries to confide in some male friends but is met with cold indifference. The loneliness of it all is suffocating.
Beaton explicitly spells out the thesis of her work: this story is not one of "men bad". Most of the men at her workplace never interact with her in any way. Some are shown to be genuinely good people, bringing her home-baked cookies on a lonely Christmas eve, or giving her a poster-sized print of a photo of the northern light. Some are nice enough in private but turn into cowards in a group. Some maintain a friendly face in a group but turn into creeps in private. It's about what a working culture like this does to people, both to the women and to the men. It's about the betrayal she feels from the men that seem familiar, some old enough to be her dad, some that talk in the same accent as herself, some that have families at home. And yet.
It's also about what this heavy industry does to the Indigenous people of Canada, and to the land that was stolen from them. The callous indifference they are treated with is strikingly similar to what Beaton herself goes through.
"Ducks" is not an easy read, but it's a good one.
Does an excellent job of showing the many different layers of the work and the people
This is a powerful memoir which has a lot to say about how we (particularly Canada as a resource extraction colony, but also a broader "we") treat the people whose physical labour runs parts of the economy we'd rather not think about. The experience turned out predictably badly for Beaton, but in looking back she maintained empathy for the people involved, keeping a clear on focus on what the context of oil sands work camps does to people.
This is a powerful memoir which has a lot to say about how we (particularly Canada as a resource extraction colony, but also a broader "we") treat the people whose physical labour runs parts of the economy we'd rather not think about. The experience turned out predictably badly for Beaton, but in looking back she maintained empathy for the people involved, keeping a clear on focus on what the context of oil sands work camps does to people.
Painful but also graceful take on wage slavery, toxic masculinity, rape, mental health, colonialism, ecocide, and more. Beaton convincingly and poignantly shows the many stages she experienced through multiple soul grinders: starting off as an innocent young art graduate desperate to pay off student loans, doing what she thought was necessary (and probably was), but paying prices noone should have to. Important reading, but the kind of people who need to read this, won't.
Painful but also graceful take on wage slavery, toxic masculinity, rape, mental health, colonialism, ecocide, and more. Beaton convincingly and poignantly shows the many stages she experienced through multiple soul grinders: starting off as an innocent young art graduate desperate to pay off student loans, doing what she thought was necessary (and probably was), but paying prices noone should have to. Important reading, but the kind of people who need to read this, won't.