Review of 'Ducks' on 'Goodreads'
5 stars
An all timer. So good. Will definitely read it again.
Hardcover, 436 pages
Español language
Published Feb. 16, 2023 by Norma Editorial, S.A..
Antes de Kate Beaton, la autora de Hark! A Vagrant, había la Kate Beaton de los Beaton de Cabo Bretón, específicamente de Mabou, una comunidad costera muy unida en la que abundan las langostas, las playas, los violines y las canciones tradicionales gaélicas. Con el único objetivo de pagar el préstamo estudiantil, Katie viaja al oeste para aprovechar la fiebre del oro negro de Alberta, algo que ya es una tradición para los habitantes de la costa este necesitados de empleos con buenos salarios que no pueden encontrar en su querido hogar. Katie descubrirá la dura realidad de la vida en las arenas petrolíferas, donde los traumas suceden a diario, pero raramente se discuten.
La habilidad natural de Beaton para dibujar se muestra con toda su fuerza cuando ilustra maquinaria colosal y vehículos gigantescos que contrastan con el sublime paisaje salvaje de Alberta y las auroras y los bosques …
Antes de Kate Beaton, la autora de Hark! A Vagrant, había la Kate Beaton de los Beaton de Cabo Bretón, específicamente de Mabou, una comunidad costera muy unida en la que abundan las langostas, las playas, los violines y las canciones tradicionales gaélicas. Con el único objetivo de pagar el préstamo estudiantil, Katie viaja al oeste para aprovechar la fiebre del oro negro de Alberta, algo que ya es una tradición para los habitantes de la costa este necesitados de empleos con buenos salarios que no pueden encontrar en su querido hogar. Katie descubrirá la dura realidad de la vida en las arenas petrolíferas, donde los traumas suceden a diario, pero raramente se discuten.
La habilidad natural de Beaton para dibujar se muestra con toda su fuerza cuando ilustra maquinaria colosal y vehículos gigantescos que contrastan con el sublime paisaje salvaje de Alberta y las auroras y los bosques boreales. Patos: Dos años en las arenas petrolíferas, su primera novela gráfica, es la historia jamás contada de un país que se enorgullece de su ética igualitaria y su belleza natural mientras explota la riqueza de su territorio y de la humanidad de sus ciudadanos.
An all timer. So good. Will definitely read it again.
Beaton’s gritty graphic memoir about her experiences as a woman in a male-dominated industry and the crushing effects capitalism has on vulnerable people is effective and Eisner-worthy.
Es ist ungerecht, dass mir zu schlechten und mittelguten Büchern so viel einfällt und zu guten so wenig. Ich kann zu diesem hier nur sagen, dass mir alles darin unbekannt war und es mich nach dem Lesen noch lange beschäftigt hat.
Content warning CW: sexual violence
It's the feeling of dread that stayed with me the most after reading this book. There's the boredom of a monotonous job, the incessant background noise of a male-dominated working environment, the friction of having to interact with people who don't respect you, the alien, dehumanizing landscape that's your home now and that you can't easily escape from.
Kate Beaton lays it all out patiently, meticulously painting a picture of the two years that she worked in the oil sands of Alberta. Her style of writing and drawing are understated, but the trauma she goes through is unmistakable. She's scolded for being "out of it" at work the day after. She tries to confide in some male friends but is met with cold indifference. The loneliness of it all is suffocating.
Beaton explicitly spells out the thesis of her work: this story is not one of "men bad". Most of the men at her workplace never interact with her in any way. Some are shown to be genuinely good people, bringing her home-baked cookies on a lonely Christmas eve, or giving her a poster-sized print of a photo of the northern light. Some are nice enough in private but turn into cowards in a group. Some maintain a friendly face in a group but turn into creeps in private. It's about what a working culture like this does to people, both to the women and to the men. It's about the betrayal she feels from the men that seem familiar, some old enough to be her dad, some that talk in the same accent as herself, some that have families at home. And yet.
It's also about what this heavy industry does to the Indigenous people of Canada, and to the land that was stolen from them. The callous indifference they are treated with is strikingly similar to what Beaton herself goes through.
"Ducks" is not an easy read, but it's a good one.
Does an excellent job of showing the many different layers of the work and the people
This is a powerful memoir which has a lot to say about how we (particularly Canada as a resource extraction colony, but also a broader "we") treat the people whose physical labour runs parts of the economy we'd rather not think about. The experience turned out predictably badly for Beaton, but in looking back she maintained empathy for the people involved, keeping a clear on focus on what the context of oil sands work camps does to people.
This is a powerful memoir which has a lot to say about how we (particularly Canada as a resource extraction colony, but also a broader "we") treat the people whose physical labour runs parts of the economy we'd rather not think about. The experience turned out predictably badly for Beaton, but in looking back she maintained empathy for the people involved, keeping a clear on focus on what the context of oil sands work camps does to people.
Painful but also graceful take on wage slavery, toxic masculinity, rape, mental health, colonialism, ecocide, and more. Beaton convincingly and poignantly shows the many stages she experienced through multiple soul grinders: starting off as an innocent young art graduate desperate to pay off student loans, doing what she thought was necessary (and probably was), but paying prices noone should have to. Important reading, but the kind of people who need to read this, won't.
Painful but also graceful take on wage slavery, toxic masculinity, rape, mental health, colonialism, ecocide, and more. Beaton convincingly and poignantly shows the many stages she experienced through multiple soul grinders: starting off as an innocent young art graduate desperate to pay off student loans, doing what she thought was necessary (and probably was), but paying prices noone should have to. Important reading, but the kind of people who need to read this, won't.