eBook, 370 pages
Russian language
Published Jan. 22, 2017 by Азбука-Аттикус.
Когда-то Герой Веков спас заваленный пеплом мир от гибели и вернул ему солнечный свет. Теперь здесь властвует прогресс: горят электрические лампы, мчатся поезда и тянутся ввысь небоскребы. В центре мира – великий город Элендель, откуда двадцать лет назад Ваксиллиум Ладриан сбежал в далекое Дикоземье, чтобы начать жизнь заново. Теперь, понеся тяжелую утрату, он снова все меняет – возвращается в столицу, из законника становится лордом, главой благородного Дома.
Но если можно убрать верные револьверы в сундук, вспомнить о хороших манерах и отказаться от ночных приключений, то старые привычки и старых друзей забыть нельзя. Тем более что в Эленделе орудует знаменитая банда, совершая одно невероятное ограбление за другим. Похоже, только Ваксу и Уэйну, лучшим законникам Дикоземья, по силам разгадать хитроумные планы преступников и одолеть могущественного главаря.
This is a fun novel in the Mistborn series, set a few hundred tears after the events of the original trilogy. If you enjoyed the other books, you will love this one too.
I'm a bit confused though, as I had heard this was supposed to be a standalone novel, but it's clearly setting up another book to follow.
Another fine addition to the Mistborn universe.
Good characters and lots (and lots) of action. The world building is mostly set already from the prior Mistborn books, though it takes it in a new direction and hints at things to come. [a:Brandon Sanderson|38550|Brandon Sanderson|http://photo.goodreads.com/authors/1201547425p2/38550.jpg] is planning 2 additional trilogies in the Mistborn universe and this novel feels like a stepping stone between the first and second trilogy.
You won't get the deep sense of satisfaction from the original trilogy: there isn't a lot of new world building, the list of characters is small and only a few develop meaningfully, and the plot, while fast-paced, ends with a few things unfinished. It left me wondering if the next trilogy will be set a few years from this event or will be decades later and incorporate what the 'bad guys' were trying to accomplish. I'm hoping for the later.
If you care …
Another fine addition to the Mistborn universe.
Good characters and lots (and lots) of action. The world building is mostly set already from the prior Mistborn books, though it takes it in a new direction and hints at things to come. [a:Brandon Sanderson|38550|Brandon Sanderson|http://photo.goodreads.com/authors/1201547425p2/38550.jpg] is planning 2 additional trilogies in the Mistborn universe and this novel feels like a stepping stone between the first and second trilogy.
You won't get the deep sense of satisfaction from the original trilogy: there isn't a lot of new world building, the list of characters is small and only a few develop meaningfully, and the plot, while fast-paced, ends with a few things unfinished. It left me wondering if the next trilogy will be set a few years from this event or will be decades later and incorporate what the 'bad guys' were trying to accomplish. I'm hoping for the later.
If you care about the world building and the greater scope, the Ars Arcanum (the appendix) is for you. I felt it was great with descriptions of all allomantic and ferruchemic powers (with the exception of 1!) as well as an interesting commentary on the three powers and a mention of the Cosmere.
I recommend this book to any fan of the Mistborn series. If you haven't read any of the books, I'd recommending starting with the first: [b:Mistborn: The Final Empire|68428|Mistborn The Final Empire (Mistborn, #1)|Brandon Sanderson|http://photo.goodreads.com/books/1312038619s/68428.jpg|66322], which is actually well-contained in a single novel despite being a trilogy.
Much like the original Mistborn trilogy, this book was hard to put down. Though set several hundred years after the end of the original Mistborn trilogy, it still had all the appeal. The two main characters, Wax and his partner/deputy Wayne, were great: well-written and quirky, especially Wayne. The dialog between the two was perfect. The pacing of the story was well done, making it hard to find a good place to stop for silly things like sleep. :) The only thing that made me sad a bit was the introduction of technology: they've discovered electricity and locomotion, for example (were trains in the original series?). It didn't factor in TOO heavily (trains did, I guess, but none of the rest), so it's not a big deal. There's just a small part of me that hates seeing these magical worlds rendered so dull and realistic by the introduction of light …
Much like the original Mistborn trilogy, this book was hard to put down. Though set several hundred years after the end of the original Mistborn trilogy, it still had all the appeal. The two main characters, Wax and his partner/deputy Wayne, were great: well-written and quirky, especially Wayne. The dialog between the two was perfect. The pacing of the story was well done, making it hard to find a good place to stop for silly things like sleep. :) The only thing that made me sad a bit was the introduction of technology: they've discovered electricity and locomotion, for example (were trains in the original series?). It didn't factor in TOO heavily (trains did, I guess, but none of the rest), so it's not a big deal. There's just a small part of me that hates seeing these magical worlds rendered so dull and realistic by the introduction of light bulbs and telephones. :)
That very minor nit aside, this was a great book. I look forward to the sequels that almost certainly to follow.
A fun western for those of us that don't like westerns. My only complaint is that the book was too short. I hope Brandon continues with these characters.
This is my first Brandon Sanderson and on this book alone it probably wont be my last[1].
Fantasy is a tough field in which to appear original or even fresh. With The Alloy of Law though, I felt my self being pleasantly surprised by Sanderson’s take on the march of progress within his own Mistborn Universe.
The The Alloy of Law is set several hundred years after the events of the original Mistborn Trilogy. If I were to describe it in one sentence, it’s a magical, western, adventure mystery set in an increasingly industrialised fantasy world.
The Tale
Our lead Wax, the black sheep of a respected noble family returns to the city after long years spent in the “Roughs” as a magic wielding, six shooting lawman. He’s escaping from a tragedy in which he played a part, only to find his noble House in disarray after the untimely death …
This is my first Brandon Sanderson and on this book alone it probably wont be my last[1].
Fantasy is a tough field in which to appear original or even fresh. With The Alloy of Law though, I felt my self being pleasantly surprised by Sanderson’s take on the march of progress within his own Mistborn Universe.
The The Alloy of Law is set several hundred years after the events of the original Mistborn Trilogy. If I were to describe it in one sentence, it’s a magical, western, adventure mystery set in an increasingly industrialised fantasy world.
The Tale
Our lead Wax, the black sheep of a respected noble family returns to the city after long years spent in the “Roughs” as a magic wielding, six shooting lawman. He’s escaping from a tragedy in which he played a part, only to find his noble House in disarray after the untimely death of his Uncle and Sister.
Resigned to acting respectable, Lord Waxillium Ladrian puts aside his former life and sets about finding a marriage of convenience to restore the family’s honour and finances. It’s not long before boredom and a spate of mysterious robberies and kidnappings draws him back into his previous life.
He’s aided in this adventure by a long time associate and light-fingered friend Wayne and the cousin of the woman he is to marry, Lady Marasi, who is training as lawyer.
Steampunk my dear Watson?
I prevaricated on adding a steampunk tag to The Alloy of Law - it certainly has the pseudo Victorian/industrialisation vibe. It lacks, to my mind though, the Mad scientist/Artificer component. That being said it will appeal to those that enjoy the Steampunk sub-genre.
The mystery component and the interplay between Wax and Wayne has echoes of Sherlock Holmes - a mysterious criminal mastermind, a lead with a tragic past.
A magical mash up of Western and Wuxia
On the surface there’s no direct referencing of Asian culture but the visuals and the moral message of the tale certainly are reminiscent of the Wuxia. Wayne also uses a pair of duelling canes which I take to be a not so subtle tip toward the Filipino art of Eskrima.
Wax’s magical abilities allow him to push off certain metals and to make his body lighter or heavier. Visually we have a character that can fly, and deflect bullets, another that can alter time. It’s a novel that I think would translate very well to film.
Judging a book by its cover
We shouldn’t but we do. Book art is an integral part of the reading of the text. In some cases it will be what draws you to a book. In all cases, I think, it begins that process of drawing you into the world(or distracting you if its bad or ill fitting).
On that note I vastly prefer the white cover by Sam Green, its in keeping with the rest of the Mistborn Series and has wider appeal than the faux Western style of the US cover.
What I really appreciated was the interior art inserts in the form of The Elendel Daily, a broadsheet from the city in which the story is set in. A lovely touch that was reminiscent of the 19th Century convention of illustrating novels. An excellent use of art to further aid reader immersion.
As our heroes ride into the sunset
It didn’t knock my socks off but it left me wanting to read more of the lives of Wax, Wayne and Marasi. It left me wanting to explore the world Sanderson has created and the ending certainly suggests that Sanderson will be be forthcoming on more adventures set in this time period.
The Alloy of Law is a fast moving adventure mystery, with trappings of several subgenres and a hint of sexual tension that makes for an enjoyable well rounded read.
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Footnotes:
1.I do have some issues with Brandon Sanderson’s stance on gay marriage that were a barrier to me enjoying the work – a discussion worthy of its own post.
Sanderson did absolutely wonderful on this book. He perfectly captured the feel of the original Mistborn that drew me to his writing. The characters are wonderful, and the suspense of the plot just kept me from putting it down. Sanderson really does heist stories well, and the way in which he lets out just a few more secrets from his worldbuilding just adds to the story. One thing though, if you like your stories to finish up every possible loose thread you'll both love and hate this story. The ending strongly hints at another story to come, while explaining virtually every question you could ask. Overall I simply loved Sanderson's storytelling, as I have each time I read a story of his, and this book is a shining example of what he can do.
Edit: Following a reread, I've collected further thoughts in a review on my blog alexanderkeane.com/2022/12/05/alloy-of-law-by-brandon-sanderson/
