The Broken Kingdoms is a fantasy novel by American writer N. K. Jemisin, the second book of her Inheritance trilogy. It takes place ten years after the events of The Hundred Thousand Kingdoms and centers around a young woman named Oree Shoth, who lives in the World Tree-shrouded, godling-inhabited city of Shadow.
The Broken Kingdoms is damn good. It's driven by relationships and conversation in a way that could slow down a lesser book, but here every interaction is filled with the weight of the past, whether spoken or unspoken. It knows when to rest and to move
Everyone has a past in a way that makes them feel real, like we have a snapshot of their lives and they were here before and will continue on afterwards. This, to me, is a hallmark of a well-written story with complex characters. Oree and Madding had a relationship in the past which has echoes now, but their current dynamic is clearly different than what it must have been before the story started. Shiny knows various people and gods in ways that speak to past relationships, whether casual or intimate, and we have enough information to inform our understanding of what is unsaid, but …
The Broken Kingdoms is damn good. It's driven by relationships and conversation in a way that could slow down a lesser book, but here every interaction is filled with the weight of the past, whether spoken or unspoken. It knows when to rest and to move
Everyone has a past in a way that makes them feel real, like we have a snapshot of their lives and they were here before and will continue on afterwards. This, to me, is a hallmark of a well-written story with complex characters. Oree and Madding had a relationship in the past which has echoes now, but their current dynamic is clearly different than what it must have been before the story started. Shiny knows various people and gods in ways that speak to past relationships, whether casual or intimate, and we have enough information to inform our understanding of what is unsaid, but without constantly explaining backstory.
In trilogies, especially in series that are intended as trilogies by the time book two is written, there is usually a problem where book two isn't complete enough to stand on its own. Even in series I love, I've noticed this problem, and usually book three makes up for it in terms of the strength of the trilogy as a whole. But not here, book three won't have anything to atone for; The Broken Kingdoms is rich, complex, full enough to stand on its own while also building on the history from The Hundred Thousand Kingdoms.
Oree feels like a distinct voice from Yeine, in book 1. Her focus is different, her concerns are different, and her approach to obstacles is grittier, more direct. She is functionally blind, and I appreciated how her comparison between the magical sight she does have and what she guesses ordinary sight must be like made sense in context. It would have been easy for her (as a character written by a sighted person) to continually opine on what seeing must be like, but instead she only discusses it when she has magical sight and uses parts of the language around ordinary sight to try and get a better description of the unique manner of her sight.
It felt so good to read this book. I loved every minute of it and I'm very excited for The Kingdom of Gods.
Overall, this is a great book. In a lot of ways it feels like "The Hundred Thousand Kingdoms, but a second time" - which is good, because HTK was a very good book, but at the same time, it loses a star from me because it still feels like, well, a bit of a retread.
As a follow to the wonderful "The Hundred Thousand Kindgdoms," this was a book that was, perhaps, necessary. It gave a good glimpse at the repercussions of the climax of the previous book and examined even more deeply the effects of the particular cosmology of The Inheritance Trilogy's world. So there is some satisfaction in seeing more of the interesting mythology that Ms. Jemisin began in her last novel.
However, however...the book itself is fairly lackluster. The main character, Oree, is (much like Yeine from THTK) a complex, real and likable character. But the MacGuffin here, the murder of Godlings and the reason behind them is particularly unengaging. Characters are killed that we barely know, that we do not care for, and the real resolution seems to happen as an afterthought. It feels as if the book began as an escape adventure and became a Bidungsroman at the end.
The …
As a follow to the wonderful "The Hundred Thousand Kindgdoms," this was a book that was, perhaps, necessary. It gave a good glimpse at the repercussions of the climax of the previous book and examined even more deeply the effects of the particular cosmology of The Inheritance Trilogy's world. So there is some satisfaction in seeing more of the interesting mythology that Ms. Jemisin began in her last novel.
However, however...the book itself is fairly lackluster. The main character, Oree, is (much like Yeine from THTK) a complex, real and likable character. But the MacGuffin here, the murder of Godlings and the reason behind them is particularly unengaging. Characters are killed that we barely know, that we do not care for, and the real resolution seems to happen as an afterthought. It feels as if the book began as an escape adventure and became a Bidungsroman at the end.
The emotional life of Gods and mortals presented here is not uninteresting, but the events that lead us into the story (The murder of godlings, the consiparacy to murder a God) are given short shrift and their conflict is indeed resolved basically off screen. So...why have them? Why not just make a romance novel about a woman and her immortal lovers?
In the end, I like Ms. Jemisin's wordcraft and her mythology. Her characters are human, living, and believable. But the plotting and pacing of this one seem off kilter to me, and I was ultimately unsatisfied. That being said, I will be finishing up the trilogy and I do look forward to starting the third book shortly.
Four and a half stars. I'm honestly not sure how I feel about the end.
1. And then Shiny stood up for Oree and she got away from the Arameri, the end. 2. Oh, wait, it's not the end! Doteh came and took them prisoner, and she briefly freed Shiny to be Itempas. They killed the bad guy, the end. 3. Oree and Shiny fall in love and live happily ever after. The end. 4. Oh, wait, they don't, Shiny isn't allowed to be happy. Yeine and Nahadoth won't allow it. The end.
The book would have five stars if I wasn't so ambivalent at the end.
Of the four places she could have ended the book, well. I think it was Oscar Wilde who said that you can always have a happy ending if you just choose where to stop reading. ;) That said, the moral ambivalence of Yeine …
Four and a half stars. I'm honestly not sure how I feel about the end.
1. And then Shiny stood up for Oree and she got away from the Arameri, the end. 2. Oh, wait, it's not the end! Doteh came and took them prisoner, and she briefly freed Shiny to be Itempas. They killed the bad guy, the end. 3. Oree and Shiny fall in love and live happily ever after. The end. 4. Oh, wait, they don't, Shiny isn't allowed to be happy. Yeine and Nahadoth won't allow it. The end.
The book would have five stars if I wasn't so ambivalent at the end.
Of the four places she could have ended the book, well. I think it was Oscar Wilde who said that you can always have a happy ending if you just choose where to stop reading. ;) That said, the moral ambivalence of Yeine and Nahadoth is my least favorite stopping place. I disliked Oree "breaking up" with Shiny, and disliked how easy it was to send him away, too. Although, admittedly, I started wobbling around #3 but made the choice to go with it.