Una bretxa del mal ha trencat l’harmonia entre la vida i la mort. La llum es consumeix en la foscor que amenaça Terramar. Els mags i els dracs s’obliden de les paraules i les persones deambulen apàtiques i desorientades, la seva existència ja no té sentit.
Arren, el fill del príncep d’Enlad, hereu del Principat de Morred, arriba a l’illa de Roke amb rumors sobre un perill desconegut. El Consell dels Savis de Roke debat sobre el Mal que intueixen i en Ged decideix viatjar amb l’Arren a la cerca de l’origen de les pertorbacions. Navegaran fins a la costa més llunyana, buscaran el regne de la mort per restaurar l’equilibri a Terramar sigui quin sigui el preu que exigeixi la seva gesta.
Har läst klart den ursprungliga Övärlden-trilogin i Modernistas nyutgivna svenska utgåva. Jag har tyckt om alla böckerna. De har i stor grad varit lågmälda med en handling som skrider långsamt fram, i böcker som inte är jättetjocka och utan att bli tråkiga. Har fått reda på att det finns några böcker till som är skrivna i nyare tid som jag tänkte jag skulle leta reda på.
So Arren spoke, fiercely and with command. He had been overawed and frightened too much, he had been filled up with fear, and he had got sick of it and would not have it anymore. He was angry with the dragon for its brute strength and size, its unjust advantage. He had seen death, he had tasted death, and no threat had power over him.
The story starts slowly but soon turns into what is absolutely the most philosophically rich entry in the Earthsea series so far (as I read them in order), beautifully written in Ursula Le Guin's unrivaled eloquence. Every page contains a passage that in most books would be one of the most insightful quotes. The trials I am personally facing right now made the hero's journey in this book speak to my core on a level that I have not experienced before. Neil Gaiman got it …
So Arren spoke, fiercely and with command. He had been overawed and frightened too much, he had been filled up with fear, and he had got sick of it and would not have it anymore. He was angry with the dragon for its brute strength and size, its unjust advantage. He had seen death, he had tasted death, and no threat had power over him.
The story starts slowly but soon turns into what is absolutely the most philosophically rich entry in the Earthsea series so far (as I read them in order), beautifully written in Ursula Le Guin's unrivaled eloquence. Every page contains a passage that in most books would be one of the most insightful quotes. The trials I am personally facing right now made the hero's journey in this book speak to my core on a level that I have not experienced before. Neil Gaiman got it right with "Her words are written on my soul."
"The Farthest Shore" est le troisième tome du cycle Earthsea d'Ursula K. Le Guin, également connu en français sous le nom de cycle de Terremer.
On y retrouve à nouveau Ged, le héros du premier tome et personnage secondaire du deuxième, désormais vieillissant et Archimage. Il est cette fois accompagné dans sa quête par Arren, un jeune prince. Leur but ? Découvrir pourquoi la magie disparait peu à peu des îles d’Earthsea.
Leur voyage les mènera dans le sud et l’ouest de l’archipel, à la rencontre de peuples que nous n’avions pas encore eu l’occasion de découvrir jusque là. Personnellement, j’ai une tendresse particulière pour le peuple des mers. On retrouve également avec plaisir des dragons, souvent cités mais rarement aperçus dans les romans précédents, hormis une scène marquante du premier.
A travers les aventures du vieux mage et de son jeune compagnon, Ursula K. Le Guin nous parle de …
"The Farthest Shore" est le troisième tome du cycle Earthsea d'Ursula K. Le Guin, également connu en français sous le nom de cycle de Terremer.
On y retrouve à nouveau Ged, le héros du premier tome et personnage secondaire du deuxième, désormais vieillissant et Archimage. Il est cette fois accompagné dans sa quête par Arren, un jeune prince. Leur but ? Découvrir pourquoi la magie disparait peu à peu des îles d’Earthsea.
Leur voyage les mènera dans le sud et l’ouest de l’archipel, à la rencontre de peuples que nous n’avions pas encore eu l’occasion de découvrir jusque là. Personnellement, j’ai une tendresse particulière pour le peuple des mers. On retrouve également avec plaisir des dragons, souvent cités mais rarement aperçus dans les romans précédents, hormis une scène marquante du premier.
A travers les aventures du vieux mage et de son jeune compagnon, Ursula K. Le Guin nous parle de la mort et du rapport des êtres humains à cette issue qui peut être terrifiante et malgré tout inévitable. Encore une fois, le récit peut sembler très classique mais révèle une réelle profondeur au lecteur prêt à l’accueillir. Le tout dans un style fin et poétique auquel l’autrice nous avait déjà habitué dans les deux premiers tomes.
Ce roman met fin à la trilogie originale d’Earthsea, publiée au tournant des années 1960 et 1970. Je vais désormais poursuivre mon voyage dans l’archipel avec les trois tomes suivants, publiés dans les années 1990 et 2000.
I actually found this to be the weakest book of the trilogy. For the first two books, while I didn't love the flowery, yet dry writing style, I found the story to be interesting and cohesive for each. This one I found to be quite disjointed and poorly paced. I didn't really end up loving the characters, and I found the climax to be extremely underwhelming.
As for the series as a whole.. listen, I didn't walk into this expecting to love it. I love Le Guin as an author, primarily from her science fiction works (more specifically her Hainish Cycle books). I find her commentary to be expertly crafted and timeless. She is always just so correct about everything, and it is even more impressive to think that she was writing these extremely popular yet controversial books in the 1970's. She's an icon. Which is why I wanted to …
I actually found this to be the weakest book of the trilogy. For the first two books, while I didn't love the flowery, yet dry writing style, I found the story to be interesting and cohesive for each. This one I found to be quite disjointed and poorly paced. I didn't really end up loving the characters, and I found the climax to be extremely underwhelming.
As for the series as a whole.. listen, I didn't walk into this expecting to love it. I love Le Guin as an author, primarily from her science fiction works (more specifically her Hainish Cycle books). I find her commentary to be expertly crafted and timeless. She is always just so correct about everything, and it is even more impressive to think that she was writing these extremely popular yet controversial books in the 1970's. She's an icon. Which is why I wanted to read these books, to really get a sense of her progression as an author. I wanted to see how her writing style evolved and improved, and I certainly got to see that.
The Earthsea books are quintessential classic fantasy. Largely inaccessible, dense writing without a lot of character voice. But at least they're very short. The did what they sought to do. I'm actually really looking forward to picking up the next book, Tehanu, as it was published much later when I believe Le Guin really solidified her writing style. Here's hoping!
The best in the series so far. There was such a beauty and tenderness tot he relationships and it felt liek I was learning valuable life lessons in a non-preachy way. I don't know how else to explain this, but I think this is one of those books that changes your life for the better, including broadening and deepening compassion and perspective on life. I am a better person for reading this.
Where the previous installments were easy reads I had a little more difficulty parsing this one. It can have been my mood, but I didn't find the story as compelling.
I think I liked this novel more than Tombs of Atuan, but again the ending feels almost anticlimactic. Maybe I've just been spoiled for fantasy that is not about action by writers like Jim Butcher and Seanan McGuire. Le Guin writes metaphors more than stories; everything has a meaning. It makes the stories progress more like philosophical arguments at times, which certainly does not diminish my appreciation, but it certainly forces me to read slowly, and with less enthusiasm than I tend to approach most fantasy/SF.
The third in the series returns to focus more on Sparrowhawk but focalized through a young nobleman rather than Sparrowhawk himself. As such, it is interesting to see yet another perspective on Sparrowhawk. More dedicated, more driven, and yet bigger stakes makes The Farthest Shore a surreal experience at times. The force of the novel comes in the way we finally learn more about the dragons of Earthsea. As always, Le Guin's tale is one of ambition driven too far.