Braiding Sweetgrass

This book has enjoyed a lot of hype, but it wasn't really my cup of tea. I adored some of the essays -- especially the ones on parenting, and the ones that really delved into mixing botany with indigenous culture. Two things really got in the way of it being great for me, though: one was that I tend to read in chunks of time and by the end of half an hour the essays would feel very monotone and redundant. I suppose that Kimmerer would say that I wasn't reading as an honorable harvest and that what I should be doing was small moments of mindful reading over time to give the essays space to grow. Which, I guess, leads me to the second point: I found Kimmerer so disdainful - she tries to say she doesn't disdain people, just ways of life, but she also clearly looks down on her students, biologists who don't talk about love and beauty in their scientific presentations, city-dwellers, people who get bored during long speeches and so much more. She comes off as thinking that only her people have insights like "rituals that celebrate the whole community are good" (it turns out non-indigenous people also have spiritual and community rituals).

I got the strong sense reading the book that she would hate me, a biologist who thinks things are cool but not beautiful, who loves being with other people in dense urban cities, who is easily bored despite believing in gratitude. And I just didn't enjoy reading a book that made me feel bad about myself but not in a productive way.

Kimmerer spends a lot of time in this book comparing and contrasting Western science to indigenous ways of knowing, specifically from the Potawatomi tradition. As she's someone formally trained in western science, I understood her thesis being that indigenous ways of knowing can coexist with western science, but more than anything, I felt that this book did a really good job justifying why we shouldn't treat science as the end all be all of knowledge.

On one hand, I think this book reintroduced my very secular mind to the ways in which having a spiritual connection to nature can be extremely enriching and can add to our collective understanding of the natural world

On the other hand, it provides a basis for understanding where exactly science falls short in its attempt to catalogue the universe, as well as exposing its "objectivity" for the many ways in which it is actually ideologically motivated.

All in all, this book is definitely going to be a cornerstone of my worldview with respect to knowledge for the foreseeable future. Not to mention the fact that Kimmerer is just a really awesome writer in general

I missed out on the opportunity to borrow this book, highly recommended by a beautiful friend, in its original publication a couple of years ago so almost-literally leapt at the chance to review a NetGalley copy of the new Penguin publication. I'm so glad that I did! Robin Wall Kimmerer's life philosophies and the way in which she looks to plant wisdom for answers to human social and environmental problems are exactly what we need to be exploring right now, especially as people want new lifestyle choices in the wake of the epidemic. I began reading Braiding Sweetgrass wondering if this might be too 'hippy' a book for me to really get into. Within a hundred pages I was totally engrossed in every word Kimmerer wrote and frequently found myself nodding in enthusiastic agreement with her.

Kimmerer discusses ancient Native American ideas and practices, showing how the ideas behind them result in a completely different mindset to that of contemporary capitalist Western culture. I loved how she explains the influence of such basic concepts as our origin myths and was reminded strongly of Nesrine Malik's arguments in We Need New Stories. For the Potawatomi tribe, human life on Earth began with a woman whose fall from the sky was cushioned by geese catching her in their soft feathers and with all the animals helping her to create a home for herself. The Christian story begins in anger with a woman being evicted from paradise to cope as best she can in a lesser place. Our language also makes a huge difference to our worldview. In English, it is acceptable to refer to any nonhuman as 'it', ie. as a thing. For Native Americans, all animals have person status as do plants, rocks, water flows. It's much harder emotionally to mistreat someOne than someThing.

The combination of Kimmerer's philosophical approach together with her scientific knowledge and engaging, chatty tone made Braiding Sweetgrass an amazing read for me. While I was eager to keep reading what Kimmerer has to say, I also found myself frequently setting the book aside to appreciate a beautiful concept or to consider how I could apply a suggestion to my own lifestyle. I think it is generally accepted that humans have to make drastic changes to how we live and consume resources or we soon won't have a planet that's capable of supporting us all. I would highly recommend Braiding Sweetgrass as the perfect guide.

Robin Wall Kimmerer is undoubtedly one of the best writers and storytellers on the topic of human life in the nonhuman (natural) world. Braiding Sweetgrass takes all of her best ability as a writer and converts it into an epic object that blends her scientific self as a botanist, her pedagogical self as an educator, and her storytelling self as a Potowatomi native American. None of these selves is a whole, and this entanglement of identity is central to how Wall Kimmerer explores environmental damage, the postcolonial American landscape, healing and our relationship with the natural world.

Central to the book is the argument that we cannot repair environmental damage without m,bracing care and love of the natural world. Particular criticism is levelled at the scientific institutes and western colonial practices, and their dismissal of love as part of life. The chapters blend native American myth/story with contemporary environmental and social theory and events. Each is an individual essay; as a result, some seem disconnected and could have been left out to make the book more coherent overall. But that is an issue with editing, not with the writing. Regardless of what Robin Wall Kimmerer is writing on, the standard and entertainment of her storytelling is consistent.