THE NECROMANCERS ARE BACK, AND THEY'RE GAYER THAN EVER.
SHE ANSWERED THE EMPEROR'S CALL.
SHE ARRIVED WITH HER ARTS, HER WITS, AND HER ONLY FRIEND.
IN VICTORY, HER WORLD HAS TURNED TO ASH.
Harrowhark Nonagesimus, last necromancer of the Ninth House, has been drafted by her Emperor to fight in an unwinnable war. Side by side with a detested rival, Harrow must perfect her skills and become an angel of undeath - but her health is failing, her sword makes her nauseous, and even her mind is threatening to betray her.
Sealed in the gothic gloom of the Emperor's Mithraeum with three unfriendly teachers, hunted by the mad ghost of a murdered planet, Harrow must confront two unwelcome questions: Is somebody trying to kill her? And if they succeeded, would the universe be better off?
After rocking the cosmos with her deathly debut, Tamsyn Muir continues the story of the …
THE NECROMANCERS ARE BACK, AND THEY'RE GAYER THAN EVER.
SHE ANSWERED THE EMPEROR'S CALL.
SHE ARRIVED WITH HER ARTS, HER WITS, AND HER ONLY FRIEND.
IN VICTORY, HER WORLD HAS TURNED TO ASH.
Harrowhark Nonagesimus, last necromancer of the Ninth House, has been drafted by her Emperor to fight in an unwinnable war. Side by side with a detested rival, Harrow must perfect her skills and become an angel of undeath - but her health is failing, her sword makes her nauseous, and even her mind is threatening to betray her.
Sealed in the gothic gloom of the Emperor's Mithraeum with three unfriendly teachers, hunted by the mad ghost of a murdered planet, Harrow must confront two unwelcome questions: Is somebody trying to kill her? And if they succeeded, would the universe be better off?
After rocking the cosmos with her deathly debut, Tamsyn Muir continues the story of the penumbral Ninth House in Harrow the Ninth, a mind-twisting puzzle box of mystery, murder, magic, and mayhem. Nothing is as it seems in the halls of the Emperor, and the fate of the galaxy rests on one woman's shoulders.
I managed to read 16% of this book because I’m deeply masochistic. I managed to stop reading this book because I realized that I love myself I’m too old to struggle through obtuse writing, waiting for an actual plot to kick in.
I managed to read 16% of this book because I’m deeply masochistic. I managed to stop reading this book because I realized that I love myself I’m too old to struggle through obtuse writing, waiting for an actual plot to kick in.
Ja... Det blir lite för mycket feberdröm över det hela för att den röda tråden i berättelsen ska kunna hållas intakt. Lite som att försöka hitta "lösningen" eller "poängen" i någon av de mer bisarra filmerna eller TV-grejerna av David Lynch. Samtidigt välskriven med intressanta karaktärer, vilket gör att boken ändå fixar en trea i betyg. Men jag är inte överförtjust i det här überkryptiska berättarsättet där framtid, dåtid, nutid och all sorts sammanhållning bluddras ihop till någon sorts LSD-tripp. Hoppas på lite mer stringens i uppföljaren Nona the Ninth, alltså mer logik som med första delen Gideon the Ninth.
When a book starts with a cool sequence, and then swaps to the actual beginning of the story, it's usually a sign that the author and editors know that the beginning is boring but don't care enough to fix the pacing. It's the case here.
DNF because why would I inflict this on myself? There are good books to read.
To me, this book feels like Muir wrote 3 books in-between Gideon and this, that's how much more confident this one's structure and writing feels. Whereas Gideon felt experimental and somewhat messy (in the most generous reading of those words possible), requiring me to commit more effort than I'm used to to pull me through it at times, this one had me hooked from the start, excellently paced, spinning threads that felt convoluted without requiring me to re-read fragments to make sure I'd understood what had just happened, and with a explosive last third or so that made me stay up at night reading through to the end. Loved it and can't wait to see where the series goes next.
Si tuviera que describir esta novela con una palabra, sería “extraña”. Al principio parece que es una cosa, después parece que es otra y, al final, estás dos tercios del libro sin saber qué estás leyendo.
He estado a punto de abandonar el libro varias veces, pero me alegro de no haberlo hecho. Podría decirse que Muir juega con nosotros todo el tiempo. A veces mejor, a veces peor.
Al terminar la lectura me queda la sensación de que es una genialidad, pero no puedo olvidar lo que ha costado llegar hasta el final.
The first two thirds slightly annoyed me, in the last third it finally made some sense. Would have given this 3 stars if not for the very unexpected dad joke. 😄
I spent the first third of the book confused about what was going on, the second third putting some of the clues together and the third getting a whole other bunch of questions to ponder. This is not a complacent sequel or rehash, it builds on Gideon while telling it's own story, with some glorious soap opera moments and dad jokes throughout. So good I'm probably going to reread Gideon now to see what I missed.
Absolute natbait. Not a perfect book, but the perfect cocktail of compelling plot, stimulating worldbuilding, gay, and shitposts that hit like a left hook out of nowhere.
I found this rather less impelling than the first volume, but it's still a very good read. Harrow is revealed even more unpleasant than the first volume might have lead you to think. In fact, most of the characters, other than Gideon, are pretty awful. God is clearly evil, pressing unwanted cups of tea on everyone. Will there be cucumber sandwiches?
Update: having run out of books, I reread this one. Apparently, Muir holds that the narrating voice who second persons Harrow is Gideon. This seems very unlikely, as the voice is very different from that of the narrator of the first volume, and we later discover that Gideon, although she's in there somewhere, was only semi-aware of what was going on, and therefore unlikely to be able to give the fairly detailed report which we read here.
Muir offers Harrow redemption, and although she seizes it, slobbering pitifully over …
I found this rather less impelling than the first volume, but it's still a very good read. Harrow is revealed even more unpleasant than the first volume might have lead you to think. In fact, most of the characters, other than Gideon, are pretty awful. God is clearly evil, pressing unwanted cups of tea on everyone. Will there be cucumber sandwiches?
Update: having run out of books, I reread this one. Apparently, Muir holds that the narrating voice who second persons Harrow is Gideon. This seems very unlikely, as the voice is very different from that of the narrator of the first volume, and we later discover that Gideon, although she's in there somewhere, was only semi-aware of what was going on, and therefore unlikely to be able to give the fairly detailed report which we read here.
Muir offers Harrow redemption, and although she seizes it, slobbering pitifully over her cavalier's shoulder, this reader isn't buying it. I also don't buy Gideon's avowal of undying loyalty to the Ninth in general and Harrow in particular.
It now seems that the story is to balloon out into four volumes. This is unlikely to be warranted.