Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants
hardcover, 456 pages
Published Oct. 13, 2020 by Milkweed Editions.
Updated with a new introduction from Robin Wall Kimmerer, the special edition of Braiding Sweetgrass, reissued in honor of the fortieth anniversary of Milkweed Editions, celebrates the book as an object of meaning that will last the ages. Beautifully bound in stamped linen cloth with a bookmark ribbon and a deckled edge, this edition features five brilliantly colored illustrations by artist Nate Christopherson. In increasingly dark times, we honor the experience that more than 350,000 readers in North America have cherished about the book--gentle, simple, tactile, beautiful, even sacred--and offer an edition that will inspire readers to gift it again and again, spreading the word about scientific knowledge, indigenous wisdom, and the teachings of plants.
As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and …
Updated with a new introduction from Robin Wall Kimmerer, the special edition of Braiding Sweetgrass, reissued in honor of the fortieth anniversary of Milkweed Editions, celebrates the book as an object of meaning that will last the ages. Beautifully bound in stamped linen cloth with a bookmark ribbon and a deckled edge, this edition features five brilliantly colored illustrations by artist Nate Christopherson. In increasingly dark times, we honor the experience that more than 350,000 readers in North America have cherished about the book--gentle, simple, tactile, beautiful, even sacred--and offer an edition that will inspire readers to gift it again and again, spreading the word about scientific knowledge, indigenous wisdom, and the teachings of plants.
As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on "a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise" (Elizabeth Gilbert).
Drawing on her life as an indigenous scientist, and as a woman, Kimmerer shows how other living beings--asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass--offer us gifts and lessons, even if we've forgotten how to hear their voices. In reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.
I listened to the book, which was read by Robin Wall Kimmerer. Her writing is so beautiful I listened to several sections several times. Robin Wall Kimmerer shared meaningful insight, specifically regarding reciprocity.
Robin Wall Kimmerer is undoubtedly one of the best writers and storytellers on the topic of human life in the nonhuman (natural) world. Braiding Sweetgrass takes all of her best ability as a writer and converts it into an epic object that blends her scientific self as a botanist, her pedagogical self as an educator, and her storytelling self as a Potowatomi native American. None of these selves is a whole, and this entanglement of identity is central to how Wall Kimmerer explores environmental damage, the postcolonial American landscape, healing and our relationship with the natural world.
Central to the book is the argument that we cannot repair environmental damage without m,bracing care and love of the natural world. Particular criticism is levelled at the scientific institutes and western colonial practices, and their dismissal of love as part of life. The chapters blend native American myth/story with contemporary environmental …
Robin Wall Kimmerer is undoubtedly one of the best writers and storytellers on the topic of human life in the nonhuman (natural) world. Braiding Sweetgrass takes all of her best ability as a writer and converts it into an epic object that blends her scientific self as a botanist, her pedagogical self as an educator, and her storytelling self as a Potowatomi native American. None of these selves is a whole, and this entanglement of identity is central to how Wall Kimmerer explores environmental damage, the postcolonial American landscape, healing and our relationship with the natural world.
Central to the book is the argument that we cannot repair environmental damage without m,bracing care and love of the natural world. Particular criticism is levelled at the scientific institutes and western colonial practices, and their dismissal of love as part of life. The chapters blend native American myth/story with contemporary environmental and social theory and events. Each is an individual essay; as a result, some seem disconnected and could have been left out to make the book more coherent overall. But that is an issue with editing, not with the writing. Regardless of what Robin Wall Kimmerer is writing on, the standard and entertainment of her storytelling is consistent.
This book is just so beautiful. It feeds the soul and speaks to one on so many different levels. How the habits have changed, how the people used to cherish, respect and cooperate with nature, by valuing its contributions to humans and getting the respect for it. To now, where we just take what we need and not worry about long term consequences. It is deeply saddening how such practices to take moderately and reciprocate were alive mere decades ago, to now where stopping climate change seems a surmountable task.
The book is about looking after nature and how we only have one earth so we need to be reasonable with how we use its resources. It covers different beliefs and ways to look at the nature, as something alive or just inanimate object. The author has so many stories to tell which transport the reader with her to the …
This book is just so beautiful. It feeds the soul and speaks to one on so many different levels. How the habits have changed, how the people used to cherish, respect and cooperate with nature, by valuing its contributions to humans and getting the respect for it. To now, where we just take what we need and not worry about long term consequences. It is deeply saddening how such practices to take moderately and reciprocate were alive mere decades ago, to now where stopping climate change seems a surmountable task.
The book is about looking after nature and how we only have one earth so we need to be reasonable with how we use its resources. It covers different beliefs and ways to look at the nature, as something alive or just inanimate object. The author has so many stories to tell which transport the reader with her to the time and place, and make you empathise with the destruction currently occurring.
Such a beautiful book to tell a terrible message, which hopefully will wake up many a soul to live a more balanced and less wasteful life, as you would if we only had one planet.
Das Buch ist sehr spirituell, was auf seine Weise spannend sein kann; leider hat mich der Teil am Wenigsten interessiert. Die Schwächen einer Lehre, dass man ,Balance' suchen müsse in Allem, zeigen sich dann in so Aussagen wie, Männer und Frauen seien komplementär zueinander. Ein sehr großer Teil waren einfach poetische Naturbeschreibungen, was durchaus seinen Reiz haben kann; ich war aber nicht in der Stimmung.
Das Buch ist sehr spirituell, was auf seine Weise spannend sein kann; leider hat mich der Teil am Wenigsten interessiert. Die Schwächen einer Lehre, dass man ,Balance' suchen müsse in Allem, zeigen sich dann in so Aussagen wie, Männer und Frauen seien komplementär zueinander. Ein sehr großer Teil waren einfach poetische Naturbeschreibungen, was durchaus seinen Reiz haben kann; ich war aber nicht in der Stimmung.
EV1 says: I literally cried at every new chapter. This is one of the best books I have ever read on Nature and a great inspiration for my own pagan journey
I think there's way more to get out of this than I did on a first go-round. I didn't realize it was as upstate NY as it is, but I feel like I see my home in a series of whole new lights after reading this. Nourishing and encouraging at the face but wistful mournful in the bones.
I think there's way more to get out of this than I did on a first go-round. I didn't realize it was as upstate NY as it is, but I feel like I see my home in a series of whole new lights after reading this. Nourishing and encouraging at the face but wistful mournful in the bones.
Truly a top tier book deserving of the highest praises. In a time of broken bonds, climate chaos, dwindling biological diversity; this treatise offers a hope for tomorrow and a better way to be and behave on this fragmented earth we call home. Anyone that thinks themself human ought to read it.
Beautifully written essays. This was a slow listen, but good and important. It presents a different, sustainable approach to how we should relate to the Earth. Instead of exploiting the Earth and commoditizing its resources, she urges us to cultivate a culture of gratitude and an economy of the commons.
That said: I listened to one essay between other things I was reading. This isn't the type of book I could imagine reading from cover to cover.
Beautifully written essays. This was a slow listen, but good and important. It presents a different, sustainable approach to how we should relate to the Earth. Instead of exploiting the Earth and commoditizing its resources, she urges us to cultivate a culture of gratitude and an economy of the commons.
That said: I listened to one essay between other things I was reading. This isn't the type of book I could imagine reading from cover to cover.
It is so amazingly fantastically validating and wonderful to see how Kimmerer, who is an honest to god scientist, can hold the truths of science and the truths that the world and all its creatures are beautiful generous beings that we need to rebuild a relationship of care and reciprocity with. That these truths strengthen eachother rather than conflict. God I want everyone to read this book.
Wonderful writing to remind us humans that we don't own nature. Nature is a gift from Mother Earth, and we need to appreciate it, and care for it rather than use use it.
Wonderful writing to remind us humans that we don't own nature. Nature is a gift from Mother Earth, and we need to appreciate it, and care for it rather than use use it.
Very interesting. I like how she couples her love of "Native science" (as she calls it) and western science. She shares so much knowledge and the love of Native American culture.
Very interesting. I like how she couples her love of "Native science" (as she calls it) and western science. She shares so much knowledge and the love of Native American culture.
Stunning essays on nature and living, connecting simultaneously in personal indigenous stories of responsibility and care and in scientific understanding of botanical processes and systems. Every description I've tried to give this (and the sub-title and book blurbs too) makes it seem drier and hippier than it is, really a warm and active use of all the threads in the author's life story to make a Rachel Carson-like plea for a change in our personal and societal relationship to the living world which we cannot separate ourselves from. Fun juxtaposition to Lab Girl, a similar voice and subjects but this is definitely the calmer mother focused on retelling stories and nurturing her undergraduate students view of the world, rather than an obsessive scientist in love with the world (though both describe both).
Stunning essays on nature and living, connecting simultaneously in personal indigenous stories of responsibility and care and in scientific understanding of botanical processes and systems. Every description I've tried to give this (and the sub-title and book blurbs too) makes it seem drier and hippier than it is, really a warm and active use of all the threads in the author's life story to make a Rachel Carson-like plea for a change in our personal and societal relationship to the living world which we cannot separate ourselves from. Fun juxtaposition to Lab Girl, a similar voice and subjects but this is definitely the calmer mother focused on retelling stories and nurturing her undergraduate students view of the world, rather than an obsessive scientist in love with the world (though both describe both).
