Equal Rites is a comic fantasy novel by Terry Pratchett. Published in 1987, it is the third novel in the Discworld series and the first in which the main character is not Rincewind. The title is wordplay on the phrase "Equal Rights".
The novel introduces the character of Granny Weatherwax, who reappears in several later Discworld novels. The protagonist Eskarina Smith does not return until I Shall Wear Midnight, which was published 23 years later.
Pratchett based the character Esk on his daughter Rhianna Pratchett.
After the two previous books were largely a parody of the state of the fantasy genre in the 1980s, I think this book is where Pratchett hits his own stride.
I think the book still isn't quite five stars because it ultimately feels slightly under-baked, not landing a great conclusion from its promising opening, but it's still a big step up on the previous two entries, and feels like the first true Discworld novel in many respects.
Fantastic - Sir Terry really finding his style. Finally we meet Granny Weatherwax!
5 stars
Fantastic. Loved this one.
I think it's the third one in the Discworld series, chronologically, but it's the first one where I feel Sir Terry's true style became apparent.
In this novel, we meet for the first time Granny Weatherwax - probably my favourite Discworld character. Yes, there are many fantastic characters, but Granny Weatherwax always occupies a soft spot for me.
We learn about Borrowing, and how Granny can't Borrow bees; we encounter Headology - how people will believe certain things and words can prod them in the right direction.
The story itself is great - about a young girl, supposed to have been the eighth son of an eighth son - and therefore a wizard - she was in fact born a girl. So she inherits wizard magic in her genes, yet her genes do not match her physical appearance nor the way society treats her as a …
Fantastic. Loved this one.
I think it's the third one in the Discworld series, chronologically, but it's the first one where I feel Sir Terry's true style became apparent.
In this novel, we meet for the first time Granny Weatherwax - probably my favourite Discworld character. Yes, there are many fantastic characters, but Granny Weatherwax always occupies a soft spot for me.
We learn about Borrowing, and how Granny can't Borrow bees; we encounter Headology - how people will believe certain things and words can prod them in the right direction.
The story itself is great - about a young girl, supposed to have been the eighth son of an eighth son - and therefore a wizard - she was in fact born a girl. So she inherits wizard magic in her genes, yet her genes do not match her physical appearance nor the way society treats her as a female. There's a strong element of equal rights between the genders (obviously, given the title), but I found it fascinating how Sir Terry seemed to touch on something deeper - that the bits we are born with between our legs do not define who are or what we are capable of.
I blasted through this in (for me) a very short space of time, every day I looked forward to reading it.
Si os soy sincera, para mí, aquí es donde arranca la cosa de verdad. Tampoco soy objetiva dado que adoro a Las Brujas, a Yaya en particular, y también a Eskarina.
Ha sido relectura pero lo me he pasado igual de bien que la primera vez.
This is the first book in the Discworld series that really gives you a sense of what the series will become, because as well as being a hilarious adventure set in a bizarre fantasy world, it tackles real issues in our own world - namely, equal rights for women, and the arbitrary nature of gender roles. Consequently, it feels much more focused and satisfying than the previous two books. Good stuff.
This is the first book in the "witches" sub-series, and introduces the character Granny Weatherwax. Unfortunately I don't think we ever meet Esk again.
Cada libro de mundodisco que leo me parece mejor que el anterior. Me ha gustado bastante ya que ha ido por cosas que no pensaba que fueran a ocurrir, y Yaya es uno de los mejores personajes, aunque he echado un poco de menos a Rincewind
This perfectly ridicules the arbitrariness of gender stereotypes. Everybody knows that only men can be wizards, everybody knows it’s part of the lore, but nobody actually knows where it is written or why it should be the case. And Esk just ignoring both her role as a wizard and a witch and rescuing Simon and herself by not using magic is about the best possible ending.
EQUAL RITES is the origin story of Discworld’s first female wizard, and her journey to grudging acceptance in magical society.
The narrative style is wry and witty, the unnamed narrator assuming that the reader is from our world and not Discworld, which provides space for funny comparisons, metaphors, and other observations. The narrator knows more than the characters in an absolute sense, but consistently uses that knowledge to provide humor and context.
Most of the characters start out with some sexist assumptions about how things ought to work, and the point of the story is them realizing the shape of those assumptions and questioning their validity in the face of a child whose existence refutes them absolutely. The cadence of the physical journey and the mental transformation blends together into a well-paced story. I liked it and I’m looking forward to later developments in this slice of Discworld.
I must …
EQUAL RITES is the origin story of Discworld’s first female wizard, and her journey to grudging acceptance in magical society.
The narrative style is wry and witty, the unnamed narrator assuming that the reader is from our world and not Discworld, which provides space for funny comparisons, metaphors, and other observations. The narrator knows more than the characters in an absolute sense, but consistently uses that knowledge to provide humor and context.
Most of the characters start out with some sexist assumptions about how things ought to work, and the point of the story is them realizing the shape of those assumptions and questioning their validity in the face of a child whose existence refutes them absolutely. The cadence of the physical journey and the mental transformation blends together into a well-paced story. I liked it and I’m looking forward to later developments in this slice of Discworld.
I must briefly review a few caveats, however. This stands out as a book with several canonically fat characters but it does not equally mention when characters are thin, leaving the impression that fatness is strange and noteworthy. There’s also a comment about weight loss that technically fit with the moment but was uncomfortable to read and really unnecessary. The other thing is there’s a character with an obvious stutter who is portrayed as being grateful for other people interrupting to guess his next word for him, and then the stutter is magically cured at the end of the book. There are several scenes of him being interrupted while speaking, making it a running gag that ends abruptly once he’s cured. When compared with the subtle portrayals of characters gradually confronting and untangling their sexist prejudices, the handling of the stuttering character stands out as likely being ableist rather than being a fictional portrayal of ableism.
Being the eight sone of an eight son makes you a wizard...even if you’re a girl. The only problem is, as it turns out. Girls can’t be wizards. It’s just not natural. And we’ve never done it like this. I mean, think about it.
The book introduces Granny to the Discworld universe, and while it has still some inconsistencies, it’s apparent that Pratchett is slowly finding his style here.
