264 pages
English language
Published July 9, 2004 by St. Martin's Griffin.
And Then There Were None is a mystery novel by the English writer Agatha Christie, described by her as the most difficult of her books to write. It was first published in the United Kingdom by the Collins Crime Club on 6 November 1939, as Ten Little Niggers, after the children's counting rhyme and minstrel song, which serves as a major element of the plot. A US edition was released in January 1940 with the title And Then There Were None, which is taken from the last five words of the song. All successive American reprints and adaptations use that title, except for the Pocket Books paperbacks published between 1964 and 1986, which appeared under the title Ten Little Indians. The book is the world's best-selling mystery, and with over 100 million copies sold is one of the best-selling books of all time. Publications International lists the novel as the …
And Then There Were None is a mystery novel by the English writer Agatha Christie, described by her as the most difficult of her books to write. It was first published in the United Kingdom by the Collins Crime Club on 6 November 1939, as Ten Little Niggers, after the children's counting rhyme and minstrel song, which serves as a major element of the plot. A US edition was released in January 1940 with the title And Then There Were None, which is taken from the last five words of the song. All successive American reprints and adaptations use that title, except for the Pocket Books paperbacks published between 1964 and 1986, which appeared under the title Ten Little Indians. The book is the world's best-selling mystery, and with over 100 million copies sold is one of the best-selling books of all time. Publications International lists the novel as the sixth best-selling title.
First Agatha Christie novel I've read and I can very much see the influence on the genre. A little tropey at times, but can it be considered tropey if it's one of the originals? Would recommend it to any one looking at the classics
Einerseits komme ich mir durch das Ende veräppelt vor, andererseits finde ich es auch richtig genial.
Premier Agatha Christie pour moi, la découverte du «méta-roman» de Pierre Bayard, La vérité sur Ils étaient dix, m'a fait lire d'abord la version originale. L'intrigue est prometteuse, une île comme chambre close, non pas un mais dix meurtres, en quelques jours. Mais c'est plutôt décevant. Trop de choses à admettre, trop de place pour le hasard alors qu'il s'agit de dix meurtres. C'est dans ces interstices que Pierre Bayard va se glisser avec maestria.
It's been a long time since I last read this book, and I remembered liking it. I don't think I caught all the ways in which the movie Clue either references it or uses it as a guide for their detective spoof before, and that was partially the reason for why I wanted to read it again.
I still very much like the idea that the point of the book is to target those who cannot be touched by the law or who haven't done something that can be considered "criminal." It really feels, particularly in an age where so many people in specific positions view themselves as untouchable because they're either "not doing something illegal" or the law refuses to do anything about them, like a concept we should be revisiting in our narrative fiction.
This novel is enough to bring me back to detective works, something which I've …
It's been a long time since I last read this book, and I remembered liking it. I don't think I caught all the ways in which the movie Clue either references it or uses it as a guide for their detective spoof before, and that was partially the reason for why I wanted to read it again.
I still very much like the idea that the point of the book is to target those who cannot be touched by the law or who haven't done something that can be considered "criminal." It really feels, particularly in an age where so many people in specific positions view themselves as untouchable because they're either "not doing something illegal" or the law refuses to do anything about them, like a concept we should be revisiting in our narrative fiction.
This novel is enough to bring me back to detective works, something which I've missed quite a bit.
Recommended as a starting point for the authors novels and can’t disagree, it was a quick easy engaging read.
Easy to get into and read, and a fun mystery! It wasn't really scary or thrilling in my experience, but still worth reading and still fun to try and figure out who the mastermind is, etc.
I thoroughly enjoyed this book. Agatha Christie did a great job of creating an atmosphere of tension and suspense. I definitely didn't guess the mystery, and it all tied together well.
I'm pretty sure I've never read an Agatha Christie which hasn't been a solid 5 star. This was a reread, but it's been long enough since I last read it to have forgotten who did it. The copy I read is from my own collection of about 50 Agatha Christie books I have, all picked up from garage sales and second hand book shops over the years. This is a 1966 edition, with the original offensive name and rhyme, both pretty jarring to read. There was also a you're/your mispelling which amused me because I associate it with the the noughties and the rise of Internet use.
Easy to sink into and get enraptured. A lot of times I don’t like trying to figure out mystery novels because I know they are going to tell me in the end, but this one had me guessing (and I guessed wrong). A classic and fun read/listen.
Agatha Christie, you've done it again.
This is my eighth Agatha Christie novel, and I still haven't been able to predict the ending.
What I think lifts this book above the others is how there are morals for each of the murderers' original crimes.
For example...
General Macarthur: takes revenge Send's his wife's lover unnecessarily into battle where he gets killed
Anthony Marston: little regard for human life Runs over two kids and has no regrets
Mr. & Mrs. Rogers: neglect Neglect to save their employer's life because they gain much money as inheritence
Once again, this book just has me amazed. She even threw in some wordplay! U. N. Owen (a.k.a. Unknown) invited them to the island
Definitely a five stars (I would do six, but there is no option!)
Tout simplement l'un de mes deux romans préférés d'Agatha Christie, à égalité avec Le crime de l'Orient-Express.
I think I would survive on that island...
I can't say that I was very excited or thrilled while reading this book but I really liked the conclusion.
This is probably the first mystery novel I've read since reading The Westing Game in elementary school. I'm not usually a fan of mystery, but this one was entertaining. This fit to the murder mystery mold (as I imagine it) very well.
10 people go to an island, and none come out alive. I think this is my favorite Agatha Christie novel out of all I have read. This is an amazingly plotted mystery, and it's easy to see why so many people love it. It's so interesting to see how each person is murdered and how it unfolds, and then to hear the how and why by the guilty party when you had no idea. The clues are cleverly laid out, but somehow you are kept guessing until the very end. You quickly find that no one is innocent, and everyone has their dark secrets. A true classic!
